A highly personal, deeply political, coldly analytical and achingly optimistic account of what some consider to be one of the most important English political groupings of the 20th Century and beyond. The psycho-mythological legacy left behind by King Mob, nowadays often tied up with its assumed influence on Malcolm McLaren/the Pistols and Punk Rock (and via it's wider Situationist context, Factory Records and the Hacienda) far outweighs the physical imprint they left behind in the form of six glued together copies of it's often wildly and deliberately provocative publication, and the iconic graffiti left up around West London and beyond.  From a radical working class perspective, Dave Wise (helped by brother Stuart and longtime collaborator Nick Brandt) gives a first hand account of the (loose) formation of King Mob after their core members were excluded from the Situationist International by the schism-happy Debord in 1967. (Not, unfortunately, as the story used to go, after Debord came to London looking for the crack squad of pro-situ streetfighters he'd heard about, and found Dave and Stuart W. sat in front of Match of the Day getting on the lager- it never happened). "A Critical History ." celebrates their attempt to move "from the Situationist salon to the street," whilst not shying away from identifying tactical, strategic and theoretical holes in the groups day to day actions, as seen by brothers Dave and Stuart. Plans to blow up waterfalls, getting arrested on demos dressed as pantomine horses (the back end got off in court, on the grounds he didn't know what the front end was doing seriously), sharing oversized baked bean costumes with ultra-Maoists on Vietnam marches.  Getting high and hungrily devouring Coleridge, De Quincey, Rimbaud, Marx, De Sade, Breton, Joyce and Hegel. Pissing over the lectern whilst declaring the death of art at the 1968 English Surrealist convention, being (falsely) put in the frame for the 1969 Newcastle School of Art firebombing; perhaps most infamously dressing up as Santa Claus in Selfridges toy dept, Xmas 1969, and watching the chaos of consumerism unfold before them as crying children had the King Mob freely-gifted toys wrenched from their arms by confused and desperate employees. There was never any danger of King Mob withering quietly on the vine of ritualised opposition, but the downturn of the early 1970's and the apparent end of any hope for imminent social revolution as the "forthcoming horror of a totalitarian free market society of pseudo-individualism" hoved into view, hit some of them harder than they could have imagined. As more financially independent King Mob individuals drifted off into the warm embrace of various strands of bourgeois counterculture, others faced up to the harsher realities of the "capsized utopia." Some didn't make it through, as an at times unintentionally moving epilogue here recalls. Dave Wise spent the next thirty five years combining casual work on the buildings with travel and immersive writing on everything from the Portugese Revolution to Punk, from deep-ecology to the Inner City Riots of 1984. As he continues with this "maimed praxis" into his seventies, "A Critical, Hidden History" is a living, breathing account of a brief moment in time, when the light got through the cracks in the wall, and a new world felt possible. As we career into the 21st century, with Capitalism apparently in semi-permanent crisis and new (often transient) zones of opposition appearing by the month, the relevance of the playful, life affirming, non-hierarchical, anti-capitalists King Mob seems as great today as it ever did."

“I met a prostitute – Angela W – from the fishing port of Grimsby on the mouth of the Humber in the North of England. I instantly fell in love with her in an all consuming way. The pain inside my body, so massively accumulated with the death of hopes for the social revolution...was wrenched away from me as she slowly...shambled towards me.” So begins Dave Wise’s first hand account of King Mob, the late 60s London based political grouping formed after core members were excluded from the Situationist International. From a radical, working class perspective, Wise recounts their attempts to move “from the Situationist salon to the street”, whilst frankly outlining identifying tactical, strategic and theoretical holes in the groups’ day to day actions. Plans to blow up waterfalls, getting arrested on demos dressed as pantomine horses (the back end got off in court, on the grounds he didn’t know what the front end was doing...), sharing oversized baked bean costumes with ultra-Maoists on Vietnam marches. Getting high and hungrily devouring Coleridge, De Quincey, Rimbaud, Marx, De Sade, Breton, Joyce and Hegel. Urinating over the lectern whilst declaring the death of art at the 1968 English Surrealist convention, being (falsely) put in the frame for the 1969 Newcastle School of Art firebombing; perhaps most infamously dressing up as Santa Claus in Selfridges toy dept, Xmas ‘69, and watching the chaos of consumerism unfold before them as crying children had the King Mob freely-gifted toys wrenched from their arms by employees. As the downturn of the early 1970’s approached, and with it the apparent end of any hope for imminent social revolution, some of King Mob drifted off into various strands of bourgeois counterculture, whilst others faced up to the harsher realities of the “capsized utopia”. Some didn’t make it through, as an at times unintentionally moving epilogue here recalls. “A Critical Hidden History” is a living, breathing account of a brief moment in time, when the light got through the cracks in the wall, and a new world felt possible. As we career into the 21st century, the relevance of the playful, life affirming, non-hierarchical, anti-capitalists King Mob seems as great today as it ever did.

This is an account of the Gordon Riots, one of the most violent outbreaks of popular protest in British history. In 1780, Lord George Gordon MP led 50,000 people to present a petition calling for the repeal of the 1778 Roman Catholic Relief Act. The demonstration turned into a riot.

This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.

A Jersey boy with a knack for numbers, a gift for making people trust him, and an all-consuming hunger to rule the business world, Tom Giacomaro could convince anyone of anything. As a teenager, Tom Giacomaro began working in the mob-laden New Jersey trucking industry. A charming, brash-talking salesman with a genius-level IQ, he climbed the ranks and let his lust for money and relationships with New York, New Jersey, Philadelphia, Detroit, and Chicago crime families send him spiraling into a world of drugs and violence. And that's only the beginning. In The King of Con, Tom details how he hashes out a deal with the FBI, agreeing to become a crime informant in an effort to avoid jail time—only, he continues his high-finance, white-collar scheming, luring celebrities and other high-profile contacts to invest multimillions in his new business ventures. When it all comes crashing down, Tom is thrown in prison for over a decade, yet, even behind bars, he's able to get what he wants from anyone . . . and he eventually finds a way to get released early. Cowritten by journalist Natasha Stoynoff, The King of Con is the unforgettable true story about a man who became hooked on living life to thrilling and dangerous excess, until he was humbled by the FBI, by the US Attorney, and by life itself. Now, Tom is back in his old New Jersey neighborhood. His old business cronies and mob contacts are calling, his palms are itching to make billions again, and the US Attorney's office is watching. Will he stay on the straight and narrow, or will he steal back his crown of crime as the King of Con?

A Chicago mob attorney describes his double life as an FBI informant; his role in bringing down the Chicago Outfit, perhaps the most powerful family in the history of organized crime; and his new life in the Witness Protection Program. By the author of Grand Delusions: The Cosmic Career of John DeLorean. Reprint.

This is investigative reporter Gus Russo's most explosive book yet, the remarkable story of the "Supermob"-a cadre of men who, over the course of decades, secretly influenced nearly every aspect of American society. Presenting startling revelations about such famous members as Jules Stein, Joe Glaser, Ronald Reagan, Lew Wasserman, and John Jacob Factor-as well as infamous, low-profile members-Russo pulls the lid off of a half-century of criminal infiltration into American business, politics, and society. At the heart of it all is Sidney "The Fixer" Korshak, who from the 1940s until his death in the 1990s was not only the most powerful lawyer in the world, according to the FBI, but the enigmatic player behind countless twentieth-century power mergers, political deals, and organized crime chicaneries.

What can a one-time mob boss teach you about how to run a business? I'll Make You an Offer You Can't Refuse, written by a former member of the Colombo crime family, promises an insider's view of the mob that will change the way you do business forever. The first thing you'll learn? Get a plan, work it hard, be smart, and surround yourself with people who know how to help you reach your goals--people like Michael Franzese. At the height of his involvement in the mafia, Franzese ran rackets that earned him millions of dollars every week. After serving his time, Franzese quit the mob and dedicated his life to making a positive impact on the world by sharing what he's learned along the way. Now, he's a consultant who has helped everyone from high-powered executives to small business owners learn how to make the most out of their businesses--and, more importantly, how to do it honestly. As one of the few who quit the mob and lived to tell his story, Franzese has a unique perspective on how the mafia does business. Packed with hard-won experience, street smarts, and just a pinch of philosophy, I'll Make You an Offer You Can't Refuse shares the professional advice (and the life lessons) that Franzese learned firsthand, including: The importance of cutting to the chase The value of having a good crew How to start learning from your failures The danger of bending the rules How to come out ahead in your negotiations Why you should lead with your brain instead of your mouth How to think about real success Business is business. Let your friend Franzese give you a tip or two about how to run yours better.

The epic inside story of Joseph Massino, the mob boss of New York's Bonanno crime family for more than 20 years, who was betrayed by his closest friend, underboss and brother-in-law Salvatore Vitale. Based on interviews with Massino's family and friends, as well as law enforcement officials and confidential sources, The Last Godfather reveals the truth behind incidents made legend in gangster films like Donnie Brasco and The Godfather.