Ludwig II of Bavaria (1864—1886) is more internationally known for his royal palaces than hardly any other regent of the 19th century. They are the symbol of a personal architectural vision which, to this day, fascinates people from all over the world. However, the fame of his palaces has eclipsed other construction activities in the Kingdom of Bavaria: urban developments, hospitals, and schools, theatres and museums, but also factories, railway stations, apartment blocks, churches, and synagogues were created under his regency. This book, for the first time, sheds light on the broad architectural activities in this epoch. Essays and overview illustrations of the building projects of the time provide insights into the diversity of the then building culture and, at the same time, open up a new perspective on the royal palaces.

"The Swan King" is the biography of one of the most enigmatic figures of the 19th century, described by Verlaine as 'the only true king of his century'. A man of wildly eccentric temperament and touched by a rare, imaginative genius, Ludwig II of Bavaria is remembered both for his patronage of Richard Wagner and for the fabulous palaces which he created as part of a dream-world to escape the responsibilities of state. In realization of his fantasies, he created a ferment of creativity among artists and craftsmen, while his neglect of Bavaria's political interests made powerful enemies among those critical of his self-indulgence and excesses. At the age of 40, declared insane in a plot to depose him, Ludwig died in mysterious circumstances.

"The Swan King" is the biography of one of the most enigmatic figures of the 19th century, described by Verlaine as 'the only true king of his century'. A man of wildly eccentric temperament and touched by a rare, imaginative genius, Ludwig II of Bavaria is remembered both for his patronage of Richard Wagner and for the fabulous palaces which he created as part of a dream-world to escape the responsibilities of state. In realization of his fantasies, he created a ferment of creativity among artists and craftsmen, while his neglect of Bavaria's political interests made powerful enemies among those critical of his self-indulgence and excesses. At the age of 40, declared insane in a plot to depose him, Ludwig died in mysterious circumstances.

Berg, Hohenschwangau Castle, and Linderhof were jewels, but his crowning achievement, Neuschwanstein, rivaled any other on the continent, a monumental creation second only to the Hermitage.