With humor, rage, and confessional detail, Virginie Despentes—in her own words “more King Kong than Kate Moss”—delivers a highly charged account of women’s lives today. She explodes common attitudes about sex and gender, and shows how modern beauty myths are ripe for rebelling against. Using her own experiences of rape, prostitution, and working in the porn industry as a jumping-off point, she creates a new space for all those who can’t or won’t obey the rules.

From the provocative writer and filmmaker Virginie Despentes comes volume one of her acclaimed trilogy of novels, Vernon Subutex—short-listed for the Man Booker International Prize and the basis for the TV series of the same name. But who is Vernon Subutex? Vernon Subutex was once the proprietor of Revolver, an infamous music shop in Paris, where his name was legend throughout Paris. By the 2000s, however, with the arrival of the internet and the decline in CD and vinyl sales, his shop is struggling, like so many others. When it closes, Subutex finds himself with nowhere to go and nothing to do. Before long, his savings are gone, and when the mysterious rock star who had been covering his rent suddenly drops dead of a drug overdose, Subutex finds himself launched on an epic saga of couch-surfing, boozing, and coke-snorting before finally winding up homeless. Just as he resigns himself to life as a panhandler, a throwaway comment he once made on Facebook takes the internet by storm. The word is out: Subutex is lugging around a bunch of VHS tapes shot by that same dead rock musician—his last recordings on this earth. Soon a crowd of wild characters, from screen writers to social media groupies, from porn stars to failed musicians to random misfits, are hot on Vernon's trail . . . but Vernon is none the wiser. "Virginie Despentes's Vernon Subutex trilogy is the zeitgeistiest thing I ever read. Everything about it is contemporary, right down to the fearless woman author who doesn't think of herself as a feminist and gives an impression at least in interviews of habitually killing rapists." —Nell Zink, Bustle, "The Best Books Of The 2010s"

The original novelization of King Kong, featuring a new introduction by Jack Thorne, the Tony-winning playwright of King Kong: Alive on Broadway, and cover art by the celebrated Olly Moss The giant primeval gorilla King Kong is one of the most recognized images in our culture. So great is the mighty Kong’s hold on the popular imagination that his story has inspired an entire cinematic universe. Now the legendary monster comes to the stage in the brand-new musical King Kong: Alive on Broadway. Beneath King Kong’s cultural significance, however, is a tense and surprisingly tender story. One cannot help but be frightened by Kong’s uncontrollable fury, be saddened over the giant’s capture, mistreatment, and exploitation by venal showmen, or sympathize with the beast’s ill-fated affection for the down-on-her-luck starlet Ann Darrow. With a foreword by Mark Cotta Vaz, the preeminent biographer of Merian C. Cooper, producer of the original 1933 classic film.

Winner of the Anisfield-Wolf Book Award for Fiction Winner of the Gotham Book Prize One of Barack Obama's "Favorite Books of the Year" Oprah's Book Club Pick Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine A Washington Post Notable Novel From the author of The Heaven & Earth Grocery Store, the National Book Award–winning The Good Lord Bird, and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year. In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself. As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion. Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.

Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.

Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. As Nicolai Volland demonstrates, after 1949 China engaged with the world beyond its borders in a variety of ways and on many levels—politically, economically, and culturally. Far from rejecting the worldliness of earlier eras, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter in China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, reinventing the meaning of world literature. Chinese socialist literature was not driven solely by politics but by an ambitious—but ultimately doomed—attempt to redraw the literary world map.

Contents: Charles W. Mills: Bestial Inferiority. Locating Simianization within Racism - Wulf D. Hund: Racist King Kong Fantasies. From Shakespeare's Monster to Stalin's Ape-Man - David Livingstone Smith, Ioana Panaitiu: Aping the Human Essence. Simianization as Dehumanization - Silvia Sebastiani: Challenging Boundaries. Apes and Savages in Enlightenment - Stefanie Affeldt: Exterminating the Brute. Sexism and Racism in "King Kong" - Susan C. Townsend: The Yellow Monkey. Simianizing the Japanese - Steve Garner: The Simianization of the Irish. Racial Apeing and its Contexts - Kimberly Barsamian Kahn, Phillip Atiba Goff, Jean M. McMahon: Intersections of Prejudice and Dehumanization. Charting a Research Trajectory (Series: ?Racism Analysis - Series B: Yearbooks, Vol. 6) [Subject: Sociology, Race Studies]

**Sunday Times Best Books of 2018** "Funny, irreverent and scathing" Guardian "Virginie Despentes is a true original, a punk rock George Eliot" ALEXANDRA KLEEMAN, author of You Too Could Have a Body Like Mine Rock star Alexandre Bleach might be dead, but he has a secret. It's a secret that concerns several people, but the only person who can unlock it is Vernon Subutex, former record shop proprietor turned homeless messiah and guru, last seen hallucinating and feverish on a bench in the parc des Buttes Chaumont. Aïcha wants to know the truth behind the death of her mother, Vodka Satana. And if she finds the bastards responsible, she wants to make them pay, whatever Céleste thinks of her plan. Céleste wants Aïcha to get a grip and stop hanging around with Subutex's gang of disciples. The Hyena wants to find the Bleach tapes. She wants to untangle her complicated feelings about Anaïs, her boss' assistant. And speaking of her boss, she does not want Laurent Dopalet to discover how badly she has double-crossed him. Laurent Dopalet wants the Hyena to find and destroy the Bleach tapes. He wants to forget he ever knew Vodka Satana. He wants people to stop graffitiing his apartment with ludicrous allegations. Above all, he wants people to understand: NONE OF THIS IS HIS FAULT. THE SEQUEL TO VERNON SUBUTEX 1, SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2018. Translated from the French by Frank Wynne

Written by the text authors, the answer key includes additional exercises as well as the answers to the series of exercises found at the end of the chapters.

** COMPLETELY UNAUTHORIZED ** Kong fans will go bananas over this collection of essays on one of film's most powerful and evocative figures. Experts in the fields of race, gender, evolution, special effects, and film explore the legend of King Kong from every angle in this study of the magical and unparalleled original film. From Why has King Kong affected the American consciousness so profoundly? to What does the story say about race, gender, and sexuality? and Why have the sequels failed to re-create the original's allure?, the essayists examine all aspects of this landmark film and its impact on society, culture, and media. Insights into the new version, due out this year by acclaimed Lord of the Rings director Peter Jackson, are also included.