Why is King Arthur a giant? Because his story has had such strong influences on our understanding of the history of Europe and the English-speaking world. Because the debate about Arthur as a historical figure has been central to understanding the fall of Roman Britain and the formation of England for much of the last 1,300 years. Because Arthur is one of the best-known kings in world history, whose reign was viewed as a golden age, an epoch in which to centre tales of right and wrong, of faith and faithlessness, and of courage and falseness, the moral and spiritual values of which continue to resonate today not least among those who dismiss Arthur as a late literary construct. Because an understanding of Arthur and all the different things he has meant to scores of generations up to the present is fundamental to our understanding of our own past, our understanding of ourselves and the ways in which we can benefit from history.

For fifteen centuries, legends of King Arthur have enthralled us. Born in the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot, and Guinevere all became instantly recognizable icons. Along the way, Arthur’s life and times were recast in the mold of the hero’s journey: Arthur’s miraculous conception at Tintagel through the magical intercession of his shaman guide, Merlin; the childhood deed of pulling the sword from the stone, through which Arthur was anointed King; the quest for the Holy Grail, the most sacred object in Christendom; the betrayal of Arthur by his wife and champion; and the apocalyptic battle between good and evil ending with Arthur’s journey to the Otherworld. Touching on all of these classic aspects of the Arthur tale, Christopher R. Fee seeks to understand Arthur in terms of comparative mythology as he explores how the Once and Future King remains relevant in our contemporary world. From ancient legend to Monty Python, Arthur: God and Hero in Avalon discusses everything from the very earliest versions of the King Arthur myth to the most recent film and television adaptations, offering insight into why Arthur remains so popular—a hero whose story still speaks so eloquently to universal human needs and anxieties.

Secret Monmouth explores the lesser-known history of the town of Monmouth in Wales through a fascinating selection of stories, unusual facts and attractive photographs.

Four children set off together one stormy December day on an imaginary quest to find King Arthurs famous sword, Excalibur. They have no idea that they will end up lost and on the adventure of a lifetime. Led by the eldest, Timothy, the three other childrenDiane, Mark, and Joanare no strangers to excitement; even so, nothing could prepare them for the mysterious, secret castle hidden deep in the dark forest near home. The childrens imaginations could never have conjured the monstrous dragon living in the ruins of the castle. As they face a series of terrifying battles between the forces of good and evil, the children find themselves investigating a local mystery, discovering an ancient prophecy, and recognising the part each must play in the fight against evilespecially if they want to save others from danger. In this thrilling adventure into mythology and dreams, four children must rely on their strongest qualities toughness, solidarity, tenderness, ingenuity, perseverance, and couragein order to save the day. They will learn that every hero must play his or her part in the battle against evil.

Reproduction of the original: Jack the Giant Killer by Percival Leigh

As the giant Idris travels across Wales on a quest to collect stories, we meet a vengeful house goblin, a ghost that steals life from the living, dwarves dwelling beneath a garden, a tea party of Lady ghosts and many other fascinating and devious fairy folk, reimagined from Welsh legend.

The Banbury Cross Series was a collection of 12 volumes of books edited by Grace Rhys and published in London by Dent in the 1890s. Each book is attractively illustrated with full page and partial page pen and ink drawings in a classic Art Nouveau style by leading artists of the era. This title, Jack the Giant-Killer and Beauty & the Beast is accompanied by the sophisticated black and white open line work of Bell. His drawings perfectly convey the wickedness of the giant and the gentleness and compassion of Beauty. About the Illustrator: Robert Anning Bell (1863 - 1933) was an English artist and painter. He and a group of fellow artist-craftsmen brought about the last bloom of the Pre-Raphaelite movement. As well as painting in oil and watercolour, he also worked in stained glass and mosaic. Bell's illustrations are close in style to his contemporary Charles Ricketts. Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children.

The old English Folklore Tales are fast dying out. The simplicity of character necessary for the retaining of old memories and beliefs is being lost, more rapidly in England, perhaps, than in any other part of the world. Our folk are giving up the old myths for new ones. Before remorseless “progress,” and the struggle for existence, the poetry of life is being quickly blotted out. In editing this volume I have endeavoured to select some of the best specimens of our Folklore. With regard to the nursery tales, I have taken pains to give them as they are in the earliest editions I could find. I must say, however, that, while I have taken every care to alter only as much as was absolutely necessary in these tales, some excision and slight alteration has at times been required.

Jack the Giant Killer is the famous English fairy tale about a brave lad slaying hideous giants. Color illustrations by Hugh Thomson.