Jordan is struggling to learn critical lupan skills, and the laws the noble werewolves must live by, but something is blocking his progress. When he's abducted by a woman who claims to be an alien princess, as well as his mother, he also meets Tam Lin, his imprisoned half-brother, a 700-year-old Scottish knight and shapechanger. Jordan escapes to a bustling bordello of selkies, where Luke, the powerful head werewolf, and Subedai, an ancient Mongolian werewolf general, rejoin him to break Tam Lin free of the torture room their mother has thrown him into, yet again.

In the third book of the Moonphase series, the struggle between lupans and vampires comes to a head in two battles that create a turning point in the relationship between the two creatures as they fight to survive each other’s treachery. Jordan continues his lessons on controlling his new powers with his half-brother, the Scottish legendary Tam Lin, while Luke, the head alpha of all werewolves, works with the ancient Mongol Subedai, to rescue abducted lupans. The sexy selkies join in the struggle, continuing to bid for an alliance with the powerful lupans. Judgment day is coming, and all of the engineered hybrds are concerned that they could be exterminated when the alien Anunnaki overlords return.

When her twin sister reaches social media stardom, Moon Fuentez accepts her fate to be nothing more than her sister's camerawoman. Then Moon takes a summer job as the "merch girl" on a tour bus full of beautiful influencers and her fate begins to shift in the best way possible. Most notable is her bunkmate and new nemesis, Santiago Phillips, who is grumpy, combative, and also the hottest guy Moon has ever seen. As chance, destiny, and proximity bring the two of them in each other's perpetual paths, Moon starts to question her destiny as the unnoticed, unloved wallflower she always thought she was. -- adapted from jacket

Sally Rosen Kindred’s third book, Where the Wolf, is a wood where a girl-turned-woman, a daughter-turned-mother, goes walking, searching for the warm fur, the hackles and hurts—past and future—inside her. These poems explore how stories—fairy tales, family memories, myths, and dreams—tell us, and let us tell each other, who we are, and what’s wild and sacred in our connections. From “the beast your mother made/ who scans hood and bed,” to the ghost-guard summoned by a child on the night her family fractures, to the teenage son who transforms into “beauty, his dread-body,” the beings in these poems are themselves stories, spells: alchemized through language, always becoming, bearing hope and loss. They fragment in anxiety, and form into new wilderness. They open themselves to reconstruction, redemption. Through it all, “Wolf is the ghost of a hurt remembering itself. Is She. You can hear Her between trees.” These poems are a calling out—through meadows, emptied houses, dark skies—to wolf and self, parent and child, girl and woman, love and grief.

The star of the hit show "Empire" recalls her beloved screen characters while tracing the story of her life and career, discussing her father's Vietnam service, her rise from the violence of the streets of Washington D.C., and her experiences as a singlemother.

"Praise to the Moon" presents each moon phase, exploring its inherent qualities and relevant deities, with appropriate celebrations, rituals, invocations, and magic. Related material encompasses spells, recipes, incenses, the Celtic Tree Calendar, the Indian Lunar Zodiac, and the impact of eclipses and the zodiac signs.

This book investigates Yeats's experiments with the media of language and dance in his plays. He was allied to other artists of the 1890s in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central dance. The impact of Diaghliev's Ballets Russes also played its part in influencing Yeats's drama, and his interest in the 'dance-as-meaning' debate places him firmly not only in his time but also in our own.