"Fujii makes a much-needed contribution both to the field of Rwandan studies and of genocide studies, substituting data for ideology and local voices for political tracts."--David Newbury, Smith College

In the horrific events of the mid-1990s in Rwanda, tens of thousands of Hutu killed their Tutsi friends, neighbors, even family members. That ghastly violence has overshadowed a fact almost as noteworthy: that hundreds of thousands of Hutu killed no one. In a transformative revisiting of the motives behind and specific contexts surrounding the Rwandan genocide, Lee Ann Fujii focuses on individual actions rather than sweeping categories. Fujii argues that ethnic hatred and fear do not satisfactorily explain the mobilization of Rwandans one against another. Fujii's extensive interviews in Rwandan prisons and two rural communities form the basis for her claim that mass participation in the genocide was not the result of ethnic antagonisms. Rather, the social context of action was critical. Strong group dynamics and established local ties shaped patterns of recruitment for and participation in the genocide. This web of social interactions bound people to power holders and killing groups. People joined and continued to participate in the genocide over time, Fujii shows, because killing in large groups conferred identity on those who acted destructively. The perpetrators of the genocide produced new groups centered on destroying prior bonds by killing kith and kin.

"One of the most disturbing spectacles of recent decades has been brutal acts of genocidal violence committed among neighboring communities who once lived together in peace: ethnic cleansing in the former Yugoslavia; the slaughter of Tutsis in Rwanda; or the Sunni versus Shia violence in today's Iraq. As these cases illustrate, lethal violence does not always come at the hands of outsiders or foreigners. Rather, it can just as easily come at the hand of someone who once was considered a friend. Killing Our Neighbors employs a multi-sited approach and multi-vocal ethnography to examine how once-peaceful neighbors become transformed into perpetrators and victims of lethal violence. It engages with a set of interlocking case studies in northern Kenya, focusing on sometimes-peaceful, sometimes violent interactions between Samburu herders and neighboring groups, interweaving Samburu narratives of key violent events with the narratives of neighboring groups on the other side of the same encounters. The book is, on one hand, an ethnography of particular people in a particular place, vividly portraying the complex and confusing dynamics of interethnic violence through the lives, words and intimate experiences of individuals variously involved in and affected by these conflicts. At the same time the book aims to use this particular case study to illustrate how the dynamics in northern Kenya provides comparative insights to well-known, compelling contexts of violence around the globe"--Provided by publisher.

Imagine the look on your neighbor's faces when they see you reading this book! If you're really looking for the top 10 ways to kill your neighbors, stop what you're doing and seek psychiatric help immediately. For the rest of you, bring some dark, humorous comedy to your day! This book is all about the reaction you get when people see it sitting on your desk or witness you actually reading it. Take it on a trip. Chill out with it on the porch. The creative possibilities of being seen with this book are endless! There is a funny little story within the book, but that's secondary to the response you'll get when people catch a glimpse of you with this. Great for a practical joke or some light hearted black humor, this prank book will surely bring a demented smile to the faces of those who share the same sick sense of humor as you. Also makes a great gag gift for friends, relatives, white elephant, all that kind of stuff! Sick fun for everyone!

On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders. Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder. Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique. Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.

The moral principles prescribed for friendship, civil society, and democratic public life apply imperfectly to life around home, where we interact day to day without the formal institutions, rules of conduct, and means of enforcement that guide us in other settings. This work explores how encounters among neighbours create a democracy of everyday life, which has been with us since the beginning of American history and is expressed in settler, immigrant, and suburban narratives and in novels, poetry, and popular culture.

“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

In July 2011, billionaire Jonah Shacknai's Coronado, California, mansion was the setting for two horrifying deaths only days apart--his young son's plunge from a balcony and his girlfriend's ghastly hanging. What really happened? Baffling questions remain unanswered. Rule looks at the closed cases through the eyes of a relentless crime reporter. The second probe began in Utah when Susan Powell vanished in a 2009 blizzard. Her controlling husband, Josh, proved capable of a blind rage that was heartbreakingly fatal to his innocent young sons almost three years later in a tragedy that shocked America as the details unfolded. If anyone had detected the depth of depravity within Josh Powell, perhaps the family that loved and trusted him would have been saved. In these and seven other riveting cases, Ann Rule exposes the twisted truth behind headlined and little-known homicides and speaks for vulnerable victims who relied on the wrong people.

A taut, fast-paced suspense novel in the tradition of Mary Higgins Clark, The Deadly Neighbors again features the tension-packed storytelling of the talented Merry Jones. In this third novel featuring art therapist Zoe Hayes, the neighbors are shocked when a woman’s body is discovered in the kitchen of Zoe’s estranged father, Walter. In fact, they suspect Walter of killing her. But as Zoe investigates further, it seems that the neighbors are up to some pretty shocking shenanigans themselves. As Zoe tries to prove her father’s innocence, she encounters a cruel ring of organized criminals who specialize in dark and deadly forms of entertainment. Trying to escape their grasp, Zoe---with her daughter, Molly, in tow---must solve a series of grisly murders, but in the process, stumbles into secrets that force her to reconnect with a lost and very frightening part of her own past.

Reprinted Edition "I'm crazy about Laura Levine's mystery series. Her books are so outrageously funny." --Joanne Fluke When Jaine Austen's beloved cat Prozac unwittingly scares to death a parakeet belonging to the neighborhood's resident curmudgeon, Jaine finds herself knee-deep in toil and trouble. The cantankerous Hollywood has-been once played Cryptessa Muldoon, television's fourth most famous monster mom. Now she spends her days making enemies with everyone on the block. So when the ornery D-lister is murdered with her own Do Not Trespass sign on Halloween night, the neighborhood fills with relief--and possible culprits. With a killer on the loose, Jaine hardly has time to fall under the spell of her yummy new neighbor, Peter. As the prime suspect, she summons her sleuthing skills to clear her name and soon discovers that everyone has a few skeletons in their closets. . . "Levine's latest finds her at her witty and wacky best." --Kirkus Reviews "Cozy fans will enjoy seeing how Jaine wiggles out of this one." --Publishers Weekly