Killing Freud takes the reader on a journey through the 20th century, tracing the work and influence of one of its greatest icons, Sigmund Freud. A devastating critique, Killing Freud ranges across the strange case of Anna O, the hysteria of Josef Breuer, the love of dogs, the Freud industry, the role of gossip and fiction, bad manners, pop psychology and French philosophy, figure skating on thin ice, and contemporary therapy culture. A map to the Freudian minefield and a masterful negotiation of high theory and low culture, Killing Freud is a witty and fearless revaluation of psychoanalysis and its real place in 20th century history. It will appeal to anyone curious about the life of the mind after the death of Freud.

An account of the final two years in the life of Sigmund Freud and their legacy describes how, in 1938, the elderly, ailing, Jewish Freud was rescued from Nazi-occupied Vienna and brought to London, where he finally found acclaim for his achievements, battled terminal cancer, and wrote his most provocative book, Moses and Monotheism.

Life and Death in Freud and Heidegger argues that mortality is a fundamental structuring element in human life. The ordinary view of life and death regards them as dichotomous and separate. This book explains why this view is unsatisfactory and presents a new model of the relationship between life and death that sees them as interlinked. Using Heidegger’s concept of being towards death and Freud’s notion of the death drive, it demonstrates the extensive influence death has on everyday life and gives an account of its structural and existential significance. By bringing the two perspectives together, this book presents a reading of death that establishes its significance for life, creates a meeting point for philosophical and psychoanalytical perspectives, and examines the problems and strengths of each. It then puts forth a unified view, based on the strengths of each position and overcoming the problems of each. Finally, it works out the ethical consequences of this view. This volume is of interest for philosophers, mental health practitioners and those working in the field of death studies.

A convincing critique of the neglect of death in psychoanalytic theory, arguing that death has been a repressed subject in psychoanalysis.

A fundamental reassessment of the Freud legend that aims to shake the very foundations of Freud studies.

(Dover thrift editions).

The book consists of three essays and is an extension of Freud’s work on psychoanalytic theory as a means of generating hypotheses about historical events. Freud hypothesizes that Moses was not Hebrew, but actually born into Ancient Egyptian nobility and was probably a follower of Akhenaten, an ancient Egyptian monotheist. Freud contradicts the biblical story of Moses with his own retelling of events, claiming that Moses only led his close followers into freedom during an unstable period in Egyptian history after Akhenaten (ca. 1350 BCE) and that they subsequently killed Moses in rebellion and later combined with another monotheistic tribe in Midian based on a volcanic God, Jahweh. Freud explains that years after the murder of Moses, the rebels regretted their action, thus forming the concept of the Messiah as a hope for the return of Moses as the Saviour of the Israelites. Freud said that the guilt from the murder of Moses is inherited through the generations; this guilt then drives the Jews to religion to make them feel better.

Against Freud is a highly accessible, informative, and entertaining examination of Freud's controversial ideas and legacy by the world's most knowledgeable critics of psychoanalysis.

International Bestseller #1 U.K. Bestseller The Wall Street Journal Bestseller Los Angeles Times Bestseller In the summer of 1909, Sigmund Freud arrived by steamship in New York Harbor for a short visit to America. Though he would live another thirty years, he would never return to this country. Little is known about the week he spent in Manhattan, and Freud's biographers have long speculated as to why, in his later years, he referred to Americans as "savages" and "criminals." In The Interpretation of Murder, Jed Rubenfeld weaves the facts of Freud's visit into a riveting, atmospheric story of corruption and murder set all over turn-of-the-century New York. Drawing on case histories, Shakespeare's Hamlet, and the historical details of a city on the brink of modernity, The Interpretation of Murder introduces a brilliant new storyteller, a novelist who, in the words of The New York Times, "will be no ordinary pop-cultural sensation."

A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.