A #1 New York Times bestseller! Sarah J. Maas's brand-new CRESCENT CITY series begins with House of Earth and Blood: the story of half-Fae and half-human Bryce Quinlan as she seeks revenge in a contemporary fantasy world of magic, danger, and searing romance. Bryce Quinlan had the perfect life-working hard all day and partying all night-until a demon murdered her closest friends, leaving her bereft, wounded, and alone. When the accused is behind bars but the crimes start up again, Bryce finds herself at the heart of the investigation. She'll do whatever it takes to avenge their deaths. Hunt Athalar is a notorious Fallen angel, now enslaved to the Archangels he once attempted to overthrow. His brutal skills and incredible strength have been set to one purpose-to assassinate his boss's enemies, no questions asked. But with a demon wreaking havoc in the city, he's offered an irresistible deal: help Bryce find the murderer, and his freedom will be within reach. As Bryce and Hunt dig deep into Crescent City's underbelly, they discover a dark power that threatens everything and everyone they hold dear, and they find, in each other, a blazing passion-one that could set them both free, if they'd only let it. With unforgettable characters, sizzling romance, and page-turning suspense, this richly inventive new fantasy series by #1 New York Times bestselling author Sarah J. Maas delves into the heartache of loss, the price of freedom-and the power of love.

The story of a grizzly bear named Millie: her life, death, and cubs, and what they reveal about the changing character of the American West. Grand Prize Winner of the Banff Mountain Book Competition An “ode to wildness and wilderness” Down from the Mountain tells the story of one grizzly in the changing Montana landscape (Outside Magazine). Millie was cunning, a fiercely protective mother to her cubs. But raising those cubs in the mountains was hard, as the climate warmed and people crowded the valleys. There were obvious dangers, like poachers, and subtle ones, like the corn field that drew her into sure trouble. That trouble is where award-winning writer, farmer, and conservationist Bryce Andrews’s story intersects with Millie’s. In this “welcome and impressive work” he shows how this drama is “the core of a major problem in the rural American West—the disagreement between large predatory animals and invasive modern settlers”—an entangled collision where the shrinking wilds force human and bear into ever closer proximity (Barry Lopez). “The two sides of Bryce Andrews—enlightened rancher and sensitive writer—appear to make a smooth fit . . . Precise and evocative prose.” —The Washington Post “Rife with lyrical precision, first-hand know-how, ursine charisma, and a narrative jujitsu flip that places all empathy with his bears, Down from the Mountain is a one-of-a-kind triumph even here in the home of Doug Peacock and Douglas Chadwick.” —David James Duncan, author of The River Why “Would that we had more nature writing like Bryce Andrews’s fantastic second book, Down from the Mountain . . . A subtle and beautifully unexpected book.” —Literary Hub

According to the dominant account of rights, there are two ways to permissibly kill people: they have done something to forfeit their right to life, or their rights are outweighed by the significantly greater cost of respecting them. Contemporary just war theorists tend to agree that it is difficult to justify killing in the second way. Thus, they focus on the conditions under which rights might be forfeited. But it has proven hard to defend an account of forfeiture that permits killing when and only when it is morally justifiable. In The Mechanics of Claims and Permissible Killing in War, Alec D. Walen develops an alternative account of rights according to which rights forfeiture has a much smaller role to play. It plays a smaller role because rights themselves are more contextually contingent. They systematically reflect the different kinds of claims people can make on an agent. For example, those who threaten to cause harm without a right to do so have weaker claims not to be killed than innocent bystanders or those who have a right to threaten to cause harm. By framing rights as the output of a balance of competing claims, and by laying out a detailed account of how to balance competing claims, Walen provides a more coherent account of when killing in war is permissible.

Twin brother and sister Benji and Kelly wander off at the local county fair after witnessing their parents argue. When Benji runs into a group of bullies, he escapes into a tent called The Memory Emporium, where he meets a strange old man inside named Louis. The old man shows him a magically vivid memory of a fighter pilot, in the hopes of getting Benji to pay to see other memories Louis has collected from people over the years.Benji quickly realizes the ability to take memories could help his parents stop fighting with each other, and he asks Louis to teach him how to become a "memory thief." But Louis isn't the only person with the ability to show and manipulate memories. There's also the mysterious Genevieve, a Memory Thief with much more nefarious motives.Benji learns how to manipulate memories himself, but having that power comes at a cost to his family, and possibly to his own mind as well. Genevieve's powers get out of control as she steals more and more memories from people in town--including Benji's sister, Kelly. Benji must learn to use this newfound power, as he is the only one able to stop Genevieve.

Dark times lie ahead for Special Agent Ren Bryce and the Rocky Mountains Safe Streets Task Force in the heart-stopping new thriller from the bestselling author of DARKHOUSE and BLOOD LOSS.

Avery, a young girl, has the perfect life. She has a lot of friends at school, a loving family, good grades, and a great boyfriend. That is, until it all comes crashing down after the death of her boyfriend, Bryce. She begins to experience a darkness that once may have been a part of Bryce's life. Experiencing demonic oppression, suicidal thoughts, anxiety and depression, she does everything she knows to overcome this struggle; some things good, some things bad. This Christian based book is meant to help victims and family members of suicide and mental health disorders to educate, find words, encourage, and give hope in the daily struggle.

New York Times bestselling author Jennifer Crusie teams up with USA Today bestselling author Bob Mayer to write a sizzling, high-octane romantic adventure about a straight-talking woman and a straight-shooting man... Lucy Armstrong is a director of television commercials who's just been recruited to finish a four-day action movie shoot. But she arrives on the set to discover that the directing staff has quit, the make-up artist is suicidal, the stars are egomaniacs, the stunt director is her ex-husband, and the lead actor has just acquired as an advisor a Green Beret who has the aggravating habit of always being right. Green Beret Captain JT Wilder had thought that hiring on as a military consultant for a movie star was a good deal: easy money and easier starlets. Instead he has to babysit a bumbling comedian, dodge low-flying helicopters, and resist his attraction to a director who bears a distracting resemblance to Wonder Woman. Then the CIA calls and he realizes that somebody is taking "shooting a movie" much too literally. Full of suspense and humor, non-stop action and fast-paced dialogue, Don't Look Down is the perfect blend of male and female, adventure and romance, Mayer and Crusie.

A final deadly game will reveal the darkest secrets in the City of Sin in the thrilling conclusion of this “decadent and delicious” YA fantasy trilogy (Kirkus Reviews). Return to the City of Sin, where the perilous final game is about to begin . . . The players? Twenty-two of the most powerful, most notorious people in New Reynes. With no choice but to play, Enne and Levi are desperate to forge new alliances and bargain for their safety. But any misstep could turn deadly when a far more dangerous opponent appears on the board —one plucked straight from the city’s most gruesome legends. While Levi hides behind a mask of false promises, Enne is finally forced out from behind hers. As the game takes its final, vicious turn, these two must decide once and for all whether to be partners or enemies. Because in a game for survival, there are no winners . . . There are only monsters.

'Quirky and colourful' Times Crime Club 'An absolute delight' L C Tyler 'This intriguing but charming murder mystery is packed with psychological depth and wonderfully-drawn characters' Eleanor Ray Welcome to Roslazny - a sleepy Russian town where intrigue and murder combine to disturb the icy silence... Olga Pushkin, Railway Engineer (Third Class) and would-be bestselling author, spends her days in a little rail-side hut with only Dmitri the hedgehog for company. While tourists and travellers clatter by on the Trans-Siberian Express, Olga dreams of studying literature at Tomsk State University - the Oxford of West Siberia - and escaping the sleepy, snow-clad village of Roslazny. But Roslazny doesn't stay sleepy for long. Poison-pen letters, a small-town crime wave, and persistent rumours of a Baba Yaga - a murderous witch hiding in the frozen depths of the Russian taiga - combine to disturb the icy silence. And one day Olga arrives at her hut only to be knocked unconscious by a man falling from the Trans-Siberian, an American tourist with his throat cut from ear to ear and his mouth stuffed with 10-ruble coins. Another death soon follows, and Sergeant Vassily Marushkin, the brooding, enigmatic policeman who takes on the case, finds himself falsely imprisoned by his Machiavellian superior, Chief-Inspector Babikov. Olga resolves to help Vassily by proving his innocence. But with no leads to follow and time running out, has Olga bitten off more than she can chew? Praise for Death on the Trans-Siberian Express 'The book is an absolute delight, evocative equally of the frozen steppes, bad vodka and worse sausage, and full of larger than life characters. Olga Pushkin is an endearing protagonist, who is hopefully set for a series as long as the Trans Siberian Railway.' L C Tyler 'Written with a warmth that would thaw Siberia, this intriguing but charming murder mystery is packed with psychological depth and wonderfully-drawn characters. It also features the best hedgehog I've met in a novel.' Eleanor Ray