Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire—it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award–nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.

At age thirty-two, I had overcome cancer and the amputation of my left leg. I had paid my dues and figured it would take a lot more than turning seventy to bring me down. Or would it? I began to wonder about other women of a certain age and what paths they've taken and how they are managing their own changing tides. So, I invited ordinary women with extraordinary stories to get real about aging. With wit, humor and staunch frankness, these women explain, discuss, call out and examine how they continue to negotiate the dynamic currents of aging. In my own response to aging, I've written personal stories and anecdotes around my own discoveries. Some are serious, inspirational, illuminating. Others are outrageous, foolish, awkward and funny. Our stories, together, powerfully impart what it means to possess a certain wisdom, a certain comfort, a certain sensuality, a certain persona . . . not despite but precisely because of the experience of growing older.

The story of a daughter being raised by a single father, who happens to be a serial killer. As the series progresses, Deicide will grow older. In this thrilling first book, experience the sights, smells, and sounds through the eyes of four-year-old Deicide.The formative years of any child's life are crucial. In this time frame, she is curious and innocent.With each book, Deicide will grow older, giving us an inside look at how her life has been affected due to her upbringing.Warning: Graphic scenes that may disturb some readers

John Wayne Cheever keeps his obsession with serial killers in check by a set of rigid rules that he lives by, hoping to the prevent himself from committing murder, but when a body turns up at a laundromat, must confront a danger outside himself.

A husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh—and a disappointed suitor—far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence. She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu. Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute—Theodora may simply be one more person under his sway. Before her sojourn is ended—or her novel completed—Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal…and she is in danger of falling prey to more than desire.

On the foggy, cold morning of February 1, 1896, a boy came upon what he thought was a pile of clothes. It was soon discovered to be the headless body of a young woman, brutally butchered and discarded. It would take the hard work of a sheriff, two detectives, and the unlikely dedication of a shoe dealer to find out who the girl was; and once she had been identified, the case came together. Centering his riveting new book, Unwanted: A Murder Mystery of the Gilded Age, around this shocking case and how it was solved, historian Andrew Young re-creates late nineteenth- century America, where Coca-Cola in bottles, newfangled movie houses, the Gibson Girl, and ragtime music played alongside prostitution, temperance, racism, homelessness, the rise of corporations, and the women's rights movement. While the case inspired the sensationalized pulp novel Headless Horror, songs warning girls against falling in love with dangerous men, ghost stories, and the eerie practice of random pennies left heads up on a worn gravestone, the story of an unwanted young woman captures the contradictions of the Gilded Age as America stepped into a new century, and toward a modern age.

Come back to the intriguing world of Lady Julia Grey in the beloved historical mystery series from New York Times bestselling author Deanna Raybourn. Despite his admonitions to stay away, Lady Julia arrives in Yorkshire to find Brisbane as remote and maddeningly attractive as ever. Cloistered together, they share the moldering house with the proud but impoverished remnants of an ancient family—the sort that keeps their bloodline pure and their secrets close. Lady Allenby and her daughters, dependent upon Brisbane and devastated by their fall in society, seem adrift on the moor winds, powerless to change their fortunes. But poison does not discriminate between classes…. A mystery unfolds from the rotten heart of Grimsgrave, one Lady Julia may have to solve alone, as Brisbane appears inextricably tangled in its heinous twists and turns. But blood will out, and before spring touches the craggy northern landscape, Lady Julia will have uncovered a Gypsy witch, a dark rider and a long-buried legacy of malevolence and evil. Previously published. Don’t miss the complete Lady Julia Grey mystery series by Deanna Raybourn! Book # 1: Silent in the Grave Book # 2: Silent in the Sanctuary Book # 3: Silent on the Moor Book # 3.5: Midsummer Night (novella) Book # 4: Dark Road to Darjeeling Book # 5: The Dark Enquiry Book # 5.5: Silent Night (novella) Book # 5.6: Twelfth Night (novella) Book # 5.7: Bonfire Night (novella)

When eighteen-year-old Jennifer Wendorf returned home one evening, she was witness to the most horrific scene she would ever set eyes upon: her own parents' brutally bludgeoned bodies. It was later discovered that both Richard and Naoma Wendorf each received over twenty ferocious blows to the head. As this atrocious crime came to light, so too did many troubling questions: Who, in a quiet Florida town, could harbor such hatred toward the genial couple? Where was the Wendorfs' troubled fifteen-year-old daughter, Heather? And could this ungodly murder be connected to Heather's friends, a bizarre group of teens who were obsessed with blood drinking and other vampire rituals? Read with fascination as police track down the renegade teens, extract their startling confessions, and watch as bestselling author Clifford Linedecker uncovers the twisted tale in a true-crime case as shocking as any fiction...

This book examines the media and cultural responses to the awful crimes of Brady and Hindley, whose murders provided a template for future media reporting on serial killers. It explores a wide variety of topics relating to the Moors Murders case including: the historical and geographical context of the murders, the reporting of the case and the unique features which have become standard for other murder cases e.g. nicknames for the serial killers, and it discusses the nature of evil and psychopaths and how they are represented in film, drama, novels and art. It also questions the ethics of the “serial killing industry” and how the modern cultural fixation on celebrity has extended to serial killers, and it explores the impact on the journalists and police officers from being involved in such cases including some interviews with them. The treatment of Brady and Hindley by the media also raises profound questions about the nature of punishment including the links between mental illness and crime and whether there is ever the prospect of redemption. This book draws on cultural studies, criminology, sociology and socio-legal studies to offers a multi-dimensional analysis of the impact of this case and then uses this as a basis for the analysis of more recent cases such as the crimes of Peter Sutcliffe and Harold Shipman.

This edited volume provides cutting edge research in an easily accesible format.