After a series of personal tragedies and abuse from his alcoholic mother, eighteen-year-old Bax is determined to rebuild his life. Using money left to him by his father, he finds a place to live and a job at the local coffee shop. But after he begins to experience psychic visions after touching certain objects, Bax realizes that a normal life may not be in store for him. Things take a turn for the scary when he uncovers evidence that may have belonged to the latest victim of a serial killer. With no family to turn to, he enlists the help of Piper: his fellow barista and a lover of mysteries. Together, they attempt to track the killer down before another life is lost. But are Bax's unique abilities and Piper's wit enough to the murderer to justice?

The famous "weird menace" pulp magazines of the 1930s and 1940s are among the rarest and most sought-after publications by collectors. The "Spicy" magazines -- which included Spicy Mystery, Spicy Adventure, Spicy Detective, and others -- published a titilating mix of fantasy, horror, mystery, and suspense, punctuated by episodes of torture, sadism, sex, and other risque elements. Although tame by current standards, and sometimes of dubious literary merit, these publications presented tales which thrilled a sensation-hungry audience. Despite the themes and constraints of the market, writers who would later become famous -- including Hugh B. Cave, E. Hoffman Price, Robert Leslie Bellem, and many more -- were frequent contributors. The February 1937 issue features Bellem, Hugh Speer, Justin Case (Hugh B. Cave), and many others -- plus all the classic "spicy" artwork!

Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day. In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.

American readers will rarely see these two thrillers from the 30s by Britain's Roland Daniel. THE SIGNAL (1933) begins with a rich man receiving in the mail five beans (!) just before he's dispatched with a pistol by an unknown hand. Sounds like something Harry Stephen Keeler might have opined. And Fu Manchu has nothing on the inscrutable and titular Wu Fang, whose sordid machinations threaten a young American woman, her Secret Service beau, his cockney sidekick and Superintendent Bill Saville of the Yard. The wily celestial, introduced in 1934, has picked up some new tortures by 1937, and can't wait to try them on the whole crowd.

#1 New York Times bestselling author Christine Feehan reaches new heights of passion and suspense in this thrilling novel that takes readers deep into the California backcountry, where a woman is tormented by visions of a killer. It starts in her dreams. Hideous flashes from a nightmare only she can stop. Images of a murderer stalking the ones she cares about most… Stella Harrison thought she got away from the traumas of her past. Running the Sunrise Lake resort high in the Sierra Nevada mountains has brought her peace, even though she doesn’t truly share her quiet life with anyone. Not even Sam, the hired handyman that notices everything and always seems to know exactly what she needs. Stella doesn’t know anything about Sam’s past, but somehow over the last two years his slow, steady presence has slipped past her defenses. Still, she knows she can’t tell him about her recent premonitions. So far there’s been no murder. No body. No way to prove what’s about to happen without destroying the life she’s built for herself. But a killer is out there. And Stella knows that this time she’ll do whatever it takes to stop him.

SHADOWS DON'T BLEED and THE SHARP EDGE Ramble House is proud to present a double novel by Wade Wright, reprinting the first two Paul Cameron stories (1967/68): Shadows Don't Bleed and The Sharp Edge. They were a departure from the Spillane-like Bart Condor series he had begun in 1964, but he kept his fast-paced, raw style. Every word of the original editions is preserved.