Helen Hawthorne's latest gig is working in Miguel Angel's Fort Lauderdale hair salon, where a trim can cost as much as a car payment and a blowout can wipe you out. But when a famous husband of one of the salon's clients is murdered at their wedding reception, things get a little hairy...

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays. The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars. Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Tormé. A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.

Lights. Camera. Murder. The Dexter series continues with a wild ride through Hollywood. • The Killer Character That Inspired the Hit Showtime Series Dexter Mega-star Robert Chase is famous for losing himself in his characters. When he and a group of actors descend on the Miami Police Department for "research," Chase becomes fixated on Dexter Morgan, the blood spatter analyst with a sweet tooth and seemingly average life. Chase shadows Dexter's every move, trying to learn what makes him tick. However, Dexter's favorite pastime of hunting down the worst killers who've escaped legal prosecution—and introducing them to his special brand of justice—presents, well, a bit of a problem. It's a secret best kept out of the spotlight if Dexter wants to stay out of the electric chair, but even Dexter isn't immune to the call of fame....

When by-the-book meets off-the-record, the story’s just starting . . . Special Agent Ty Grady is pretty sure he’s about to get fired. His last perp skipped town before he could make an arrest, leaving him with a lot of means and precious few ends. When he’s called into the boss’s office, he expects the worst. And he isn’t exactly wrong. Chained to a desk in cybercrimes, Special Agent Zane Garrett dots his i’s and crosses his t’s. He doesn’t have much of a choice in the matter—his record can’t handle another black mark. When he learns he’s getting reassigned, he doesn’t miss the ironic pronunciation on “promotion.” Wherever he’s going, it’s nowhere good. When they’re partnered to solve a series of murders, their chances of success look low. They’re fantastic agents, but the case seems more like a punishment than an assignment. They can’t stop driving each other crazy. . . and not just in a bad way. This killer already took out the previous agents assigned to the case, and it’s not long before he’s on Ty and Zane’s trail, as well. They’ll have to set their frustrations aside, before it’s too late. *This is a limited re-release of the original series, without changes. Some aspects of the story are now dated, and an updated version will be published at a later date.* **See this title's page on RiptidePublishing.com for content warnings.**

The more she reads, the less she wants to know. A murderer is stalking the Windy City, carving out the eyes of his victims as grisly souvenirs. When shy Ellen Gordon finds a diary left behind in a coffee shop, she can't keep from reading it. And when she meets the author in person, he's just as charming as his writing. Only when she reads further does she find clues to the identity of Chicago’s terrifying serial killer. Could it be the author, himself? Ellen will have to uncover the truth about her new boyfriend quickly if she doesn’t want to become the killer’s next victim.

THE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

Examines the techniques used by law enforcement to create and apply criminal profiles in investigations of violent crime, exploring the origins of profiling, methods, motive, modus operandi, and signature, and discusses real cases.

A secret vigilante killer who works as a blood spatter analyst for the Miami Police Department, Dexter Morgan finds his efforts to seek domestic tranquility undermined by a psychopath terrorizing the city.

Winner of the Shamus Award for Best First Novel Dexter Bolzjak is an ex–hockey goalie who was abducted and tortured by perverted sports fans eight years ago. Now he's muddling along in a Pittsburgh warehouse when he meets an old, terminally ill drunk named Lou Kashon. Lou wants to see his lost love, the actress Mercy Carnahan, and offers Dexter a fortune to find her. Dexter embarks on the search, retracing Mercy's past online and on foot. Soon, Mercy begins to haunt Dexter, appearing in his dreams while flashbacks to his own traumatic experience plague his waking hours. Dexter persists and follows Mercy's trail to New York, where he finds a voyeuristic film of the actress recorded shortly before her disappearance. Once Dexter connects that film to its source, he finds himself trapped in the ultimate nightmare. Michael Ayoob's first novel offers a captivating new PI and a provocative mystery.

In the lean years following World War I, brash American adventuress Beryl Helliwell and prim and proper Brit Edwina Davenport form a private inquiry agency to make ends meet, hoping that crime does indeed pay . . . The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home—in fact, the prime suspect has taken up residence in Edwina's potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax. When Hector is found murdered in the local churchyard, Constable Gibbs comes looking for Simpkins, who was last seen arguing with his kin in the pub the night before. Based on the sad state of her garden, Edwina has grave doubts that the shiftless Simpkins could muster the effort to murder anyone. The two sleuths throw themselves into weeding out suspects and rooting out the real killer. But this is no garden variety murder. The discovery of a valuable ring, a surprise connection to Colonel Kimberly's Condiment Company, and a second homicide all force Beryl and Edwina to play catch-up as they relish the chance to contain the culprit . . .