In Kierkegaard's Instant, David J. Kangas reads Kierkegaard to reveal his radical thinking about temporality. For Kierkegaard, the instant of becoming, in which everything changes in the blink of an eye, eludes recollection and anticipation. It constitutes a beginning always already at work. As Kangas shows, Kierkegaard's retrieval of the sudden quality of temporality allows him to stage a deep critique of the idealist projects of Fichte, Schelling, and Hegel. By linking Kierkegaard's thought to the tradition of Meister Eckhart, Kangas formulates the central problem of these early texts and puts them into contemporary light -- can thinking hold itself open to the challenges of temporality?

Søren Kierkegaard's work is teeming with images of earthquakes, floods, storms, volcanic eruptions, wildfires, burned down cities, and apocalyptic events that 'let the heavens fall and the stars change their places in the overturning of everything'. These disaster images are not just rhetorical packaging of the philosophical and theological content of his works. Rather, disasters play an important but largely understudied role in Kierkegaard's analysis of human existence. Kierkegaard and Climate Catastrophe focuses on prophetic noir in Kierkegaard's work: the sombre mood that is evoked when the shadow of future disaster falls upon the present. Isak Winkel Holm's core contention is that the prophetic noir in Kierkegaard, modelled after the prophetic books of the Hebrew Bible, contributes to making his works urgently relevant today. From the vantage point of the contemporary world threatened by rapidly evolving climate catastrophes, Kierkegaard's analysis of human existence emerges in a more sombre light, dimmed by the future disaster: to exist, in the emphatic sense Kierkegaard gave to that word, is to live a meaningful human life even if things are darkened by the coming calamity. Thus, a thorough analysis of the prophetic noir in Kierkegaard offers an existential perspective on living in a world threatened by environmental devastation.

This collection of essays strikes new ground in our understanding of Kierkegaard's Either/Or and his authorship as a whole.

In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

There has been a recent revival of interest in reading Kierkegaard as an ontologist, as a thinker who engages with questions about the kinds of entity or process that constitute ultimate reality. This new way of reading Kierkegaard stands alongside a revival of interest in ontology and metaphysics more generally. This highly original book concentrates on the claim that Kierkegaard focuses in part on ontological questions and on issues pertaining to the nature of being as a whole. Alison Assiter asserts that Being, for Kierkegaard, following Schelling, can be read in terms of conceptions of birthing—the capacity to give birth as well as the notion of a birthing body. She goes on to argue that the story offered by Kierkegaard in The Concept of Anxiety about the origin of freedom connects with a birthing body, and that Kierkegaard offers a speculative hypothesis, in terms of metaphors of birthing, about the nature of Being.

Kierkegaard is a fascinating author. Living shortly after the dawn of modernity in the Enlightenment, he restates classical Christianity in novel and dynamic fashion. His Lutheran heritage is pivotal here as he places 'faith' over against 'reason'. But we should recognise that decidedly pre-modern epistemological presuppositions lie behind Kierkegaard's theological contentions, giving us pause for thought. A profound thinker with eclectic interests, philosophical, theological, ethical, social and pastoral, Kierkegaard never ceases to engage the reader. His insights into human life - the matter of coherence of the self, the crucial category of the individual, or the significance of choice - are memorable. A fine writer with observant eye, Kierkegaard enthrals the reader with his flair, perspicacity and ready wit. After an initial chapter on Kierkegaard's intellectual milieu, the book considers seven of his major texts. An 'Exposition', with extensive quotation, sets the text in philosophical, theological and historical context. Following which a 'Critique' raises issues, ranging from Kierkegaard's indifference to biblical scholarship, to his lack of recognition of the regularity of causation, and his a-political outlook. A final chapter considers Kierkegaard as a person and evaluates the authorship. Lucidly written, Hampson's book provides a general introduction to Kierkegaard, while greatly aiding novice readers of his texts. It should also command the attention of scholars, for its forthright debate with Kierkegaard and for illuminating, as has no previous work, his Lutheran thought forms. Provocative and original, it will leave its mark on Kierkegaard scholarship, while raising seminal questions for the wider theological enterprise.

What is it to see the world, other people, and imagined situations as making personal moral demands of us? What is it to experience stories as speaking to us personally and directly? Kierkegaard's Mirrors explores Kierkegaard's answers to these questions, with a new phenomenological interpretation of Kierkegaardian 'interest'.

This study considers the social and political aspects of Kierkegaard's authorship, building upon work over the last couple of decades. Dr Lappano focuses on Kierkegaard's writing between 1846 and 1852, the period of Kierkegaard's more explicitly politicized writing.

Recently there has been a growing interest not only in existentialism, but also in existential questions, as well as key figures in existential thinking. Yet despite this renewed interest, a systematic reconsideration of Kierkegaard’s existential approach is missing. This anthology is the first in a series of three that will attempt to fill this lacuna. The 13 chapters of the first anthology deal with various aspects of Kierkegaard's existential approach. Its reception will be examined in the works of influential philsophers such as Heidegger, Gadamer, and Habermas, as well as in lesser known philosophers from the interwar period, such as Jean Wahl, Lev Shestov, and Benjamin Fondane. Other chapters reconsider central notions, such as "anxiety", "existence", "imagination", and "despair". Finally, some chapters deal with Kierkegaard's relevance for central issues in contemporary philosophy, including "naturalism", "self-constitution", and "bioethics". This book is of relevance not only to researchers working in Kierkegaard Studies, but to anyone with an interest in existentialism and existential thinking.

Volume one of Søren Kierkegaard’s Either/Or explores the crisis of the modern secular void—with its attendant doubt, ennui, and alienation—from the first-person perspective of an aesthete who, lacking any epistemic or moral foundations, grows increasingly obsessed with what he calls “the interesting.” In a close explication of the history of that aesthetic concept and a thorough exegesis of this volume, Kierkegaard’s Concept of the Interesting: The Aesthetic Gulf in Either/Or I explores the aesthete’s views on beauty, opera and music, tragedy and comedy, time, unhappiness, the difference between suffering and pain, boredom, eroticism, deception, and seduction, along with the ways in which these precipitate the ambition for increasingly interesting experiences. In this examination, Anthony Eagan thoroughly reveals Kierkegaard’s own perspective on how an exclusively aesthetic attitude can lead to an ever-more voracious tendency to interpret the world in a private, self-defeating, and unscrupulous fashion—one arising from and ultimately leading to moral solipsism and despair. This book develops a comprehensive understanding of Either/Or I that is crucial for understanding the rest of Kierkegaard’s authorship.