This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. It can certainly be argued that, apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. The volume has been divided into three tomes reflecting Kierkegaard's main areas of interest with regard to the German-speaking sources, namely, philosophy, theology and a more loosely conceived category, which has here been designated "literature and aesthetics." This third tome is dedicated to the German literary sources that were significant for Kierkegaard; in particular the work of authors from German Classicism and Romanticism. Important forerunners for many of Kierkegaard's literary motifs and characters can be found in the German literature of the day. His use of pseudonyms and his interest in irony were both profoundly influenced by German Romanticism. This volume demonstrates the extent to which Kierkegaard's views of criticism and aesthetics were decisively shaped by the work of German authors.

Jon Stewart, one of the world’s leading experts on the work of Søren Kierkegaard, has here compiled the most comprehensive single-volume overview of Kierkegaard studies currently available. Includes contributions from an international array of Kierkegaard scholars from across the disciplines Covers all of the major disciplines within the broad field of Kierkegaard research, including philosophy; theology and religious studies; aesthetics, the arts and literary theory; and social sciences and politics Elucidates Kierkegaard’s contribution to each of these areas through examining the sources he drew upon, charting the reception of his ideas, and analyzing his unique conceptual insights into each topic Demystifies the complex field of Kierkegaard studies creating an accessible entry-point into his thought and writings for readers new to his work

This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. Apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. This volume represents source-work research dedicated to tracing Kierkegaard's readings and use of the various German-speaking authors in the different fields in a way that is as clearly documented as possible. The volume has been divided into three tomes reflecting Kierkegaard's main areas of interest with regard to the German-speaking sources, namely, philosophy, theology and a more loosely conceived category, which has here been designated "literature and aesthetics." This first tome treats the German philosophical influences on Kierkegaard. The dependence of Danish philosophy on German philosophy is beyond question. In a book review in his Hegelian journal Perseus, the poet, playwright and critic, Johan Ludvig Heiberg laments the sad state of philosophy in Denmark, while lauding German speculative philosophy. Moreover, Kierkegaard's lifelong enemy, the theologian Hans Lassen Martensen claims without exaggeration that the Danish systems of philosophy can be regarded as the "disjecta membra" of earlier German systems. All of the major German idealist philosophers made an impact in Denmark: Kant, Fichte, Schelling, and most significantly, Hegel. Kierkegaard was widely read in the German philosophical literature, which he made use of in countless ways throughout his authorship.

This second tome of the present volume is dedicated to Kierkegaard's main theological influences. In theology as well, the German and the Danish traditions had long been closely connected via their common source: Luther. In Kierkegaard's time the main influence on theology was probably German philosophy and specifically Hegelianism. Most of the German theologians were in some way in a critical dialogue with this movement. Another important influence was Schleiermacher, who visited Copenhagen in 1833 and was important for several Golden Age thinkers. From his student days Kierkegaard kept abreast of the German theological literature, from which he drew much inspiration.

Living Poetically is the first book to focus primarily on Kierkegaard's existential aesthetics as opposed to traditional aesthetic features of his writings such as the use of pseudonyms, literary techniques and figures, and literary criticism. Living Poetically traces the development of the concept of the poetic in Kierkegaard's writings as that concept is worked out in an ethical-religious perspective in contrast to the aesthetics of early German romanticism and Hegelian idealism. Sylvia Walsh seeks to elucidate what it means, in Kierkegaard's view, to be an authentic poet in the form of a poetic writer and to clarify his own role as a Christian poet and writer as he understood it. Walsh shows that, in spite of strong criticisms made of the poetic in some of his writings, Kierkegaard maintained a fundamentally positive understanding of the poetic as an essential ingredient in ethical and religious forms of life. Walsh thus reclaims Kierkegaard as a poetic thinker and writer from those who would interpret him as an ironic practitioner of an aestheticism devoid of and detached from the ethical-religious as well as from those who view him as rejecting the poetic and aesthetic on ethical or religious grounds. Viewing contemporary postmodern feminism and deconstruction as advocating a romantic mode of living poetically, Walsh concludes with a feminist reading of Kierkegaard that affirms both individuality and relatedness, commonalities and differences between the self and others, men and women, for the fashioning of an authentic mode of living poetically in the present age.

"Eric Ziolkowski's monumental study examines Kierkegaard's whole "prolix literature" - including the pseudonymous and the signed published writings as well as his private journals, papers, and letters - in relation to works by five other literary giants. Kierkegaard himself stresses the essentially literary as opposed to the strictly theological or philosophical nature of his writings. Uncovering this neglected aspect of Kierkegaard's oeuvre, Ziolkowski first considers the notions of aesthetics and the aesthetic as Kierkegaard adapted them, then his posture as a poet and his self-conception as "a weed in literature". After taking account of the history of the critical recognition of Kierkegaard as a literary artist, Ziolkowski looks at an important characteristic of Kierkegaard's literary craft that has received relatively little attention: the manner by which he and his pseudonyms read and quoted other authors. Ziolkowski explores the connections between the philosopher's writings and those of other literary masters who directly influenced him, such as Aristophanes, Cervantes, and Shakespeare, and those such as Wolfram von Eschenbach and Carlyle, who, while not direct influences, gave paradigmatic expression to some of the same aspects of aesthetic, ethical, and religious existence that Kierkegaard portrayed. A necessary resource for Kierkegaard scholars, philosophers, and students of religion and literature alike, 'The literary Kierkegaard' corrects a significant lack in our understanding of one of the most significant thinkers of the modern era." -- dust jacket.

The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard's work. There is significant input from scholars based in Copenhagen's Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical, and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard's writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard's thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral theology, phenomenology, postmodernism, and literature.

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.

This Handbook explores the complex relations between two great schools of continental philosophy: German idealism and existentialism. While the existentialists are commonly thought to have rejected idealism as overly abstract and neglectful of the concrete experience of the individual, the chapters in this collection reveal that the German idealists in fact anticipated many key existentialist ideas. A radically new vision of the history of continental philosophy is thereby established, one that understands existentialism as a continuous development from German idealism. Key Features Operates at both the macro-level and micro-level, treating both the two schools of thought and the individual thinkers associated with them Explores the relations from shifting perspectives by examining how the German idealists anticipated existentialist themes and how the existentialists concretely drew on the work of the idealists Meticulously uncovers and documents many little-known points of contact between the German idealists and the existentialists Includes often neglected figures such as Jacobi and Trendelenburg This Handbook is an essential resource for researchers and advanced students interested in thinking critically about the broad development of continental philosophy. Moreover, the individual chapters on specific philosophers contain a wealth of information that will compel experts in the field to reconsider their views on these figures.