Jallianwala Bagh. 13 April 1919. Twenty-two-year-old Nanak Singh joins the mass of peaceful protestors agitating against the Rowlatt Act. What then turns out to be one of the worst atrocities perpetrated by the British Raj, and a turning point in India's independence movement, also becomes a life-changing experience for Nanak Singh, who survives the massacre, unconscious and unnoticed among the hundreds of corpses. After going through the traumatic experience, Nanak Singh proceeds to write Khooni Vaisakhi, a long poem in Punjabi. The poem was a scathing critique of the British Raj and was banned soon after its publication in May 1920. After sixty long years, it was rediscovered and has been translated into English for the first time by the author's grandson, Navdeep Suri. Featuring the poem in translation and in original, this bilingual book is accompanied by essays from Navdeep Suri, Punjabi literature scholar H.S. Bhatia and BBC correspondent Justin Rowlatt. Khooni Vaisakhi is not only a poignant piece of protest literature but also a historical artefact and a resurrected witness to how Sikhs, Hindus and Muslims came together to stand up to colonization and oppression in one of India's darkest moments.

Jallianwala Bagh. 13 April 1919. Twenty-two-year-old Nanak Singh joins the mass of peaceful protestors agitating against the Rowlatt Act. What then turns out to be one of the worst atrocities perpetrated by the British Raj, and a turning point in India's independence movement, also becomes a life-changing experience for Nanak Singh, who survives the massacre, unconscious and unnoticed among the hundreds of corpses.After going through the traumatic experience, Nanak Singh proceeds to write Khooni Vaisakhi, a long poem in Punjabi. The poem was a scathing critique of the British Raj and was banned soon after its publication in May 1920. After sixty long years, it was rediscovered and has been translated into English for the first time by the author's grandson, Navdeep Suri. Featuring the poem in translation and in original, this bilingual book is accompanied by essays from Navdeep Suri, Punjabi literature scholar H.S. Bhatia and BBC correspondent Justin Rowlatt. Khooni Vaisakhi is not only a poignant piece of protest literature but also a historical artefact and a resurrected witness to how Sikhs, Hindus and Muslims came together to stand up to colonization and oppression in one of India's darkest moments.

British agitations, are thoughts of going home to his wife. When he returns, he finds out that his wife has died, leaving behind their infant child. As Kuldeep's world collapses around him, he negotiates the divergent pulls exerted by people around him: a holy man who advocates renunciation; his childhood friend Saroj, who has always loved him; and the tempestuous Prakash who hides an unsavoury past. Sahitya Akademi Award-winning author Nanak Singh draws on personal experiences to create this compelling portrait of Punjab in the 1920s. Originally published in Punjabi in 1940, Adh Kidhiya Phool is an intense meditation on the choices people make and the consequences these may have.

A lyrical, luminous offering from the pioneer of Punjabi novel writing and Sahitya Akademi‐awardee Nanak Singh When a ticket officer apprehends a ticketless traveller at the Amritsar Railway Station, he is shocked to discover that the penniless young man in tattered clothes is none other than the widely acclaimed writer Gupteshwar. But even more disconcerting than the state of the author is the story of his new novel, one that lays bare the moral rot besieging twentieth-century Punjab. As the author reads from his unfinished manuscript, it becomes clear that the tale of the two women he is weaving is far from fictional. With its nested narratives, rich prose and fascinating depiction of quotidian life, Nanak Singh's pivotal novel paints an unsparing portrait of a society infected with corruption, casteism and appalling inequality, where those who position themselves as guardians of morality are the ones most willing to abuse their power.

A half-burnt bus passes through a city charring everything alive and beautiful in its wake. The newly wed Arunima watches helplessly as the aftermath of her insurgent brother-in-law's absence engulfs her husband's large, loving family. Ayengla secretly supplies food to the insurgents until, one day, a horrible act of violence changes her life irrevocably. A bold and sensitive witness to her times, Arupa Patangia Kalita is one of the most powerful voices in contemporary Assamese literature. Written in Tears brings together some of her best novellas and stories set against a surreally beautiful landscape torn and scarred by conflict. This is a mighty chronicle of the disturbing and searing history of aggression and hate that has plagued Assam for decades.

'Sharanya's poems are, in her own phrase, a form of phosphorescence - glowing in darkness, simmering with wonder, mythic in resonance, boldly embodied, hence surprisingly spiritful, even spiritual in the finest sense of the word. They are also skeptical and reflective, tempering and enhancing the glowing flame. Riptides of Tamil hide beneath or within her honed English, for those who can hear and see.' - David Shulman. Sita in a forest, loved and left behind, looks towards the night sky and sees Lucifer's fall from grace. Inanna enters the underworld, holding her heart before her like a torch. It is not easy to bear the weight of light; wilderness takes time to turn into sanctuary. These are poems of exile, resurrection, impossible love, lasting redemption - and above all else, the many meanings of grace.

Gulzar is arguably the most well-known contemporary poet writing in Hindustani. He occupies a unique place by being a Progressive poet in a popular culture. His poetry appeals to all strata of society, without compromising either on literary merit or on its ability to convey the most exalted thought in an accessible idiom. In Chand Nigal Gayi, the Hindi translation of I Swallowed the Moon, Saba Bashir attempts to analyse what makes Gulzar the poet he is. She also draws a parallel between the poet's film and non-film poetry and points out how they are used interchangeably.This is a valuable addition to the corpus of work on a great poet.

Jallianwala Bagh massacre, the butchering of unarmed innocents, is a historic event that haunts the human mind even after the lapse of a century. 1650 rounds fired in a matter of ten minutes, the blocking of exits, preventing help reaching the injured are all acts of unmitigated bestiality. Through a selection of prose and poetry – The direct outcome of this horrific event and an introduction that traces the history of events leading to the massacre – Rakhshanda Jalil, a literary historian and translator from Urdu and Hindi, attempts to open a window into the world of possibilities that literature offers to reflect, interpret and analyse events of momentous historical import. The selection offers ways of ‘seeing’ history, of exploring how an incident that stirred the conscience of millions, one that had far-reaching implications for the National freedom struggle and British rule, found its way through pen and Paper to reach the nooks and crannies of popular imagination filtered through the mind of the creative writer. The stalwarts and acknowledged doyens of Indian literature featured in this volume include Saadat Hasan Manto, Mulk Raj Anand, Krishna Chander, Abdullah Hussein, Bhisham Sahni, Ghulam Abbas, subadhra Kumari Chauhan, Sarojini Naidu, sohan Singh Misha, Muhammad Iqbal, Josh malihabadi, Nanak Singh, to name a few. A collection that can pave the way for further research.

Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision.