A young boy named Kevin enjoys the crisp weather of autumn. After putting on his jacket and boots and venturing outside, he notices the changing colors of the falling leaves and helps his father to rake.

Children and animals alike enjoy the wonders of fall. Caldecott Medalist and NY Times bestseller Kevin Henkes uses striking imagery to convey basic concepts of language and the season, while Dronzek's paintings illuminate the changing world. Five starred reviews!

The third book in the Seaside Seasons series, Cass's mother, father, and nephew all need her—but have Cass's dreams gotten lost in the crunch? The proud proprietor of her own bed-and-breakfast in sleepy Seaside, New Jersey, Cass Merton is intrigued by Dan Harmon, who arrives at SeaSong for an extended stay. After witnessing the collapse of the Twin Towers in New York City, the godly finance specialist is rethinking his life, career, and relationships—or lack of them. Meanwhile, Cass is questioning her consent to care for her easygoing nephew and feisty teenage niece for a whole year while their parents work in the Middle East. Add in Cass’s four brothers, who don’t take Dad’s compulsive contest entries and Mom’s increasing dementia one bit seriously, and her emotions swirl like the quickly rising hurricane that’s fast approaching Seaside. But everyday cares aren’t Cass’s only problems. And when a troubled, young employee unknowingly endangers her, and Cass is taken hostage by a gunman, Dan will have to look urgently to the Lord for help.

Filled with the recognizable images of a brisk fall day, this charming board book takes toddlers on an autumn adventure. Whether observing squirrels gathering nuts, dodging falling leaves, or splashing in puddles, children will delight in the vivid images while they learn about the world around them. Bright illustrations and simple yet engaging text help young readers develop vocabulary and improve language skills. "Slegers's characteristically vivid and whimsical illustrations bring charm to these board books. . . . These books offer just the right balance of comfort and excitement for the youngest readers." --School Library Journal

In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as “Stride Piano,” “Gutbucket,” and “Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion (“To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love (“No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young’s voice is pure American: joyous in its individualism and singing of the self at its strongest.

On the evening of January 28, 1922, several hundred people fought their way through the greatest snowstorm in Washington’s history to see a show at the Knickerbocker Theater, the city’s largest and most modern moving picture theater of the time. Unbeknownst to the theater patrons, the Knickerbocker Theater’s flat roof was tremendously burdened by the weight of the snow. During the show’s intermission, the snow-covered roof crashed down upon the crowd. As the roof fell, it collapsed the theater’s balcony and pulled down portions of the surrounding brick walls, killing 98 people and injuring 133. Some of Washington’s prominent politicians and business owners were among the casualties. The disaster ranks as one of Washington’s worst in history, and the snowstorm continues to hold the record for Washington’s single greatest snowfall.

Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.

Much of Michael Oriard's education took place outside the schoolroom of his native Spokane, Washington, during "slaughter practices" on high school football fields. He was taught to "punish" and "dominate," to rouse his school spirit with religion, and to "tough it" through injuries, even serious ones. At the age of eighteen he entered Notre Dame and walked onto the football team, where studying hard was never harder. By his senior year, playing for Ara Parseghian's Fighting Irish, he was the starting center and co-captain of the team. After graduating, he signed with the Kansas City Chiefs and head coach Hank Stram. There he learned what it meant to be "owned." He rediscovered the game as it was played by grown men with families who were still treated like children and who dreaded nothing more than the end of their football careers. And without their fully realizing the consequences, every hard tackle inflicted its injury, some gradually growing into chronic conditions, some suddenly cutting a player's career short and ushering him off the field to be soon forgotten. In this thoughtful narrative, Oriard describes the dreams of glory, the game day anxieties, the brutal training camps and harsh practices, his starry-eyed experience at Notre Dame, and the cold-blooded business of professional football. Told from the inside, the book leaves aside the hype and the pathos of the game to present a direct and honest account of the personal rewards but also the costs players paid to make others rich and entertained. Originally published in 1982, The End of Autumn recounts the experiences of an ordinary player in a bygone era--before ESPN, before the Bowl Championship Series, before free agency and million-dollar salaries for NFL players. In a new afterword, Oriard reflects on the process of writing the book and how the game has changed in the thirty years since his "retirement" from football at the age of twenty-six.

Crisp air and gray skies beckon a little girl to thoroughly investigate the outside world: chipmunks, squirrels, insects, and fallen leaves all hint that a change of season is coming. Young readers can explore the signs of autumn along with the adventurous child narrator in this charming conclusion to Wong Herbert Yee's series on the seasons (Tracks in the Snow, Who Likes Rain? and Summer Days and Nights).