When Frank and Kevin first met in an empty Arab airport lounge on their way to India in January 1985, it was the beginning of a friendship which would take them together across the length and breadth of the Indian sub-continent, ending up in the foothills of the Himalayas in Nepal.'Kevin and I in India' is the unexpurgated, often outrageous, diary of their travels - from the hill-stations of the deep south to the Taj Mahal in the north, from the Goan beaches of the west to the sacred Ganges and the Bodhi Tree in the east. Full of anecdotes, observations and travellers' tales, the two Englishmen weave a crazy, erratic path through a variety of adventures and misadventures, in constant battle against officialdom, insects, heat, dust, ticket-queues and mad traffic.Here is the real India - stripped of illusion, but adorned with humour and exuberance. Here is a kaleidoscopic potpourri of fascinating sights, scenes and people, with each day of the journey more exciting, more packed with incident, than the last.

Softbound - New, softbound print book.

The Koh-i-Noor diamond known as the Mountain of Light, the world's largest diamond, was found in India, traveled from Golconda to the Mughal palaces in the north. Fought over, cursed at and occasionally lost, it finally reached the Sikhs in the Punjab, only to be seized by British agents eager to please young Queen Victoria. It now lies in the Tower of London where some say its curse controls the fate of the Windsor family. In Chasing the Mountain of Light, Kevin Rushby pursues the dramatic career of the Koh-i-Noor on a journey to the heart of Indian culture meeting dealers, smugglers, and petty crooks along the way. It's another adventure from Rushby whom the Washington Post recently compared to William S. Burroughs and Arthur Rimbaud.

Narasimha, once a brave soldier, has left the war and lies low as a physician in a village. But a familiar face from his past seeks his help to stop the tyranny of the blind usurper Andhaka. If Narasimha refuses, the world might just end. What will he do? And why did he leave the war in the first place? Prahlad, the interim king of Kashyapuri, is torn between the ideals of his unrighteous father and his love for Lord Vishnu. Whom will he choose? Hiranyakashyap, the ruler of the Asura Empire, wants to avenge the death of his wife. To do that, he must go through the Trials and get the ultimate weapon - the Brahmastra. But the Trials have sent so many others to their death.Can Hiranyakashyap survive? Welcome to the reimagining of the fourth Avatar of Lord Vishnu by bestselling author Kevin Missal.

They murdered more than a million travellers without spilling a drop of blood. They were inspired by religious fanaticism, yet came from many faiths. Their weapon was the handkerchief, their sacrament sugar, and their goddess Kali. They were the thugs.

A work of fiction that takes inspiration from the life of Kalki, the idea of Kaliyug and other Mahabharata and Ramayan references.

From YouTube's Head of Culture and Trends, a rousing and illuminating behind-the-scenes exploration of internet video's massive impact on our world. Whether your favorite YouTube video is a cat on a Roomba, “Gangnam Style,” the “Bed Intruder” song, an ASAPscience explainer, Rebecca Black's “Friday,” or the “Evolution of Dance,” Kevin Allocca's Videocracy reveals how these beloved videos and famous trends--and many more--came to be and why they mean more than you might think. YouTube is the biggest pool of cultural data since the beginning of recorded communication, with four hundred hours of video uploaded every minute. (It would take you more than sixty-five years just to watch the vlogs, music videos, tutorials, and other content posted in a single day!) This activity reflects who we are, in all our glory and ignominy. As Allocca says, if aliens wanted to understand our planet, he'd give them Google. If they wanted to understand us, he'd give them YouTube. In Videocracy, Allocca lays bare what YouTube videos say about our society and how our actions online--watching, sharing, commenting on, and remixing the people and clips that captivate us--are changing the face of entertainment, advertising, politics, and more. Via YouTube, we are fueling social movements, enforcing human rights, and redefining art--a lot more than you'd expect from a bunch of viral clips.