Kepler is a key figure in the development of modern astronomy. His work is also important in the history of philosophy and methodology of science as a whole. The present study is concerned with one of Kepler's major preoccupations, namely his search for the geometrical plan according to which God created the Universe. The author discusses how Kepler's cosmological theories, which embrace music and astrology as well as astronomy, are related to his other work. The subject will be of great interest to historians of science, mathematicians and astronomers as well as to historians of the late Renaissance.

The work of Johannes Kepler (1571-1630), regarded by many as the founder of modern astronomy, is also historically important to the philosophy and methodology of science as a whole. While most studies of Kepler have concentrated on his astronomical work, particularly his laws describing the revolutions of the planets, the. V. Field focuses on one of Kepler's major preoccupations, his search for the geometrical plan according to which God created teh universe. She demonstrates how Kepler's cosmological theories, which embrace music and astrology as well as astronomy, relate to his other work. Drawing on the whole body of Kepler's writings, Field traces the impact of Plato, Euclid, and Proclus on his thinking, as well as the influence of his contemporaries Galileo and Robert Fludd. Kepler has suffered from a dual image as both hero of science and eccentric mystagogue. Field's sound scholarship provides a more complete picture of the man and his work that will be of value to historians of science, mathematics, philosophy, and the late Renaissance.

The authors have presented and interpreted Johannes Kepler's Latin text to English readers by putting it into the kind of clear but earnest language they suppose Kepler would have used if he had been writing today.

The cosmology of Johannes Kepler remains a mystery. On the one hand, Kepler’s speculations on spiritual faculties are seen as the remnants of Renaissance philosophy. On the other, his comparison of the cosmos to a clock summons the mechanical metaphor that shaped modern science. This book explores the inseparable connections between Kepler’s vitalistic views and his more enduring accomplishments in astronomy. The key argument is that Kepler’s ‘celestial biology’ served as a bridge between his revolutionary astronomy and other ‘less scientific’ interests, particularly astrology. Kepler's Cosmological Synthesis sheds new light on one of the foundational figures of the Scientific Revolution. By uncovering a new form of coherence in Kepler’s world picture, it traces the unlikely intersections of mechanism and vitalism that transformed the fabric of the heavens.

Johannes Kepler (1571-1630) is remembered, along with Copernicus and Galileo, as one of the greatest Renaissance astronomers. A gifted analytical thinker, he made major contributions to physics, astronomy, and mathematics. Kepler was trained as a theologian, yet did not hesitate to challenge church doctrine and prevailing scientific beliefs by supporting the theory of a Sun-centered solar system. As Imperial Mathematician to the Holy Roman Emperor, he analyzed the precise observations of the heavens that his predecessor, the great astronomer Tycho Brahe, had recorded. The book follows the ingenious scientist along the difficult pathway from raw data to his monumental discovery--the three Laws of Planetary Motion. Kepler also made fundamental contributions to optical theory, including a correct description of the function of the eye and a new and improved telescope design. His unique Rudolfine Tables, universal calculations of planetary motion, were unprecedented in their accuracy. James Voelkel vividly describes these scientific achievements, providing enough background in astronomy and geometry so even beginners can follow Kepler's thinking and enjoy this book. Equally captivating is his account of Kepler's tumultuous life, plagued by misery, disease, war, and fervent religious persecution.Oxford Portraits in Science is an ongoing series of scientific biographies for young adults. Written by top scholars and writers, each biography examines the personality of its subject as well as the thought process leading to his or her discoveries. These illustrated biographies combine accessible technical information with compelling personal stories to portray the scientists whose work has shaped our understanding of the natural world.

A committed Lutheran excommunicated from his own church, a friend to Catholics and Calvinists alike, a layman who called himself a “priest of God,” a Copernican in a world where Ptolemy still reigned, a man who argued at the same time for the superiority of one truth and the need for many truths to coexist—German astronomer Johannes Kepler was, to say the least, a complicated figure. With The Pursuit of Harmony, Aviva Rothman offers a new view of him and his achievements, one that presents them as a story of Kepler’s attempts to bring different, even opposing ideas and circumstances into harmony. Harmony, Rothman shows, was both the intellectual bedrock for and the primary goal of Kepler’s disparate endeavors. But it was also an elusive goal amid the deteriorating conditions of his world, as the political order crumbled and religious war raged. In the face of that devastation, Kepler’s hopes for his theories changed: whereas he had originally looked for a unifying approach to truth, he began instead to emphasize harmony as the peaceful coexistence of different views, one that could be fueled by the fundamentally nonpartisan discipline of mathematics.

Here, Rhonda Martens offers the first extended study of Kepler's philosophical views and shows how those views helped him construct and justify the new astronomy.".

What shape is the universe? Is it curved and closed in on itself? Is it expanding? Where is it headed? Could space be wrapped around itself, such that it produces ghost images of faraway galaxies? Such are the questions posed by Jean-Pierre Luminet in The Wraparound Universe, which he then addresses in clear and accessible language. An expert in bl

In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Kepler’s Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Kepler’s radical break from scientific and epistemological traditions and shows how the seventeenth-century astronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Kepler’s ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions. Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them.

This Encyclopedia offers a fresh, integrated and creative perspective on the formation and foundations of philosophy and science in European modernity. Combining careful contextual reconstruction with arguments from traditional philosophy, the book examines methodological dimensions, breaks down traditional oppositions such as rationalism vs. empiricism, calls attention to gender issues, to ‘insiders and outsiders’, minor figures in philosophy, and underground movements, among many other topics. In addition, and in line with important recent transformations in the fields of history of science and early modern philosophy, the volume recognizes the specificity and significance of early modern science and discusses important developments including issues of historiography (such as historical epistemology), the interplay between the material culture and modes of knowledge, expert knowledge and craft knowledge. This book stands at the crossroads of different disciplines and combines their approaches – particularly the history of science, the history of philosophy, contemporary philosophy of science, and intellectual and cultural history. It brings together over 100 philosophers, historians of science, historians of mathematics, and medicine offering a comprehensive view of early modern philosophy and the sciences. It combines and discusses recent results from two very active fields: early modern philosophy and the history of (early modern) science. Editorial Board EDITORS-IN-CHIEF Dana Jalobeanu University of Bucharest, Romania Charles T. Wolfe Ghent University, Belgium ASSOCIATE EDITORS Delphine Bellis University Nijmegen, The Netherlands Zvi Biener University of Cincinnati, OH, USA Angus Gowland University College London, UK Ruth Hagengruber University of Paderborn, Germany Hiro Hirai Radboud University Nijmegen, The Netherlands Martin Lenz University of Groningen, The Netherlands Gideon Manning CalTech, Pasadena, CA, USA Silvia Manzo University of La Plata, Argentina Enrico Pasini University of Turin, Italy Cesare Pastorino TU Berlin, Germany Lucian Petrescu Université Libre de Bruxelles, Belgium Justin E. H. Smith University de Paris Diderot, France Marius Stan Boston College, Chestnut Hill, MA, USA Koen Vermeir CNRS-SPHERE + Université de Paris, France Kirsten Walsh University of Calgary, Alberta, Canada