Kentucky's contribution to the perennially popular American craft of quiltmaking is a rich and varied one. Mary Clarke examines here the state of the craft in Kentucky and finds it as lively today as it was 150 years ago. Like a fingerprint, every Kentucky quilt differs from all others in some respects, whether it is an original creation or a variation of one of the traditional patterns long popular in the United States. And many Kentucky quilts reveal much about the individual maker—her disposition, taste, and lifestyle, the familiar objects that bring joy to her daily life, and her response to events beyond the confines of family and home. Taken as a whole, Kentucky quilts and quilt names reflect the history of the Commonwealth, at every turn showing the intermingling of old and new in the grassroots continuity of an ancient craft that responds to fads and fashions by absorbing and refining them.

Kentucky's contribution to the perennially popular American craft of quiltmaking is a rich and varied one. Mary Clarke examines here the state of the craft in Kentucky and finds it as lively today as it was 150 years ago. Like a fingerprint, every Kentucky quilt differs from all others in some respects, whether it is an original creation or a variation of one of the traditional patterns long popular in the United States. And many Kentucky quilts reveal much about the individual maker—her disposition, taste, and lifestyle, the familiar objects that bring joy to her daily life, and her response to events beyond the confines of family and home. Taken as a whole, Kentucky quilts and quilt names reflect the history of the Commonwealth, at every turn showing the intermingling of old and new in the grassroots continuity of an ancient craft that responds to fads and fashions by absorbing and refining them.

Kentucky Quilts: 1800-1900 Frontispiece; Introduction by Jonathan Holstein; Preface by John Finley; 63 color plates plus b/w photographs; illustrations; Bibliography. An examination of the motifs, makers, and history of nineteenth century Kentucky quilts from throughout the state. Some reviewed patterns include Baby Blocks, Star Quilts, Princess Feathers, Honeycomb, and Crazy Quilts.

Catalog of a traveling exhibition organized by the Kentucky Quilt Project in cooperation with the Museum of History and Science, Louisville, Ky. and the Smithsonian Institution Traveling Exhibition Service.

Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.

Piece dazzling diamond and gorgeous gemstone quilts Add dimension and luminosity to your quilts with gorgeous gemstone piecing! Learn the basics of abstraction and color theory as you piece stunning works of art with gem quilt expert MJ Kinman. After years of perfecting her technique, Kinman explains freezer paper piecing in brilliant detail with jewel quilting ideas to help you express your own creativity. Get helpful advice on fabric selection and quilting patterns to illuminate each cut. A sample gem quilt pattern helps you practice as you follow along step by step. Then find your own muse and bring any gemstone to life in exquisite detail. Just as gems can sparkle and glow in a million different ways, you’ll be inspired by the author’s work and a gallery of student quilts to help you let go of perfection and embrace the chaos of color and light. Shine on! Learn to create freezer-paper patterns for your own gemstone quilts Build skills as you sew a sample diamond quilt top, with step-by-step instructions See a gallery of ground-breaking jewel quilts from the author and her students

Introduction to the quilts, quiltmakers and life of Caohagan Island in the central Philippine region of Visayas.

The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.

In more than 270 color images, hundreds of quilts, juxtaposed for the first time, celebrate and explore the South's rich quilting history. Quilt expert Mary W. Kerr joins 13 other textile historians to show why Southern quilts have a distinctiveness setting them apart, including factors like their patterns, use of tiny pieces, and specific color choices. Learn how the South's quilting traditions developed among all socioeconomic levels, and in communities such as African American, Scots Irish, and German. The use of cotton, the prominence of making-do aesthetics, and other characteristics are discussed, with in-depth looks at topics like feed sack use and tri-color quilts. Explore the classic patterns of Crown of Thorns, Whigs' Defeat, and Double Wedding Ring. Enjoy regional treasures like Texas Rattlesnake, the Shenandoah Valley Farmers Fancy, and many more. This compilation includes quilts from every Deep South state, offering commentary, examples, and insights.

An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.