Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.

Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

American abstract painter Kenneth Noland (1924-2010) was one of the primary exponents of Color Field painting. In the late 1950s and early 1960s, Noland began using two central motifs that would have enduring significance in his work: the circle and the chevron. These seemingly reductive forms also conjured military badges, corporate logos for cars and other consumer products that were omnipresent in postwar America. Kenneth Noland: Paintings 1958-1968 is the first major publication on the artist since his recent death. In it, art historian Paul Hayes Tucker explores Noland's history as a soldier in the United States Army and his subsequent re-entry into a burgeoning American consumer society, portraying his art as inextricable from atomic age America. The book also features rare photographs of the artist as a young man and full-color reproductions of Noland's early formative work.

Looks at David Smiths sculptural work

Here is the revised edition of this popular, practical manual with updated information on everything from on-site preplanning and layout through the construction of footings, foundations, walls, fireplaces, and chimneys. Plus, the book covers improved estimating techniques to help readers win more construction bids and pocket a healthy profit every time. The ideal reference for busy masonry contractors.