Katherine Mansfield had a career-long engagement with the literary marketplace from the age of eighteen. This book examines how she developed as a writer within a range of book and periodical publishing contexts, reconsidering her writing's enactment of a commercially viable modern aesthetic in her experimentation with the short story form.

A reinterpretation of Katharine Mansfield's work that expands our understanding of her place in Modernism.

New Perspectives on Community and the Modernist Subject: Finite, Singular, Exposed offers new approaches to the modernist subject and its relation to community. With a non-exclusive focus on narrative, the essays included provide innovative and theoretically informed readings of canonical modernist authors, including: James, Conrad, Joyce, Woolf, Lawrence, Mansfield, Stein, Barnes and Faulkner (instead of Eliot), as well as of non-canonical and late modernists Stapledon, Rhys, Beckett, Isherwood, and Baldwin (instead of Marsden). This volume examines the context of new dialectico-metaphysical approaches to subjectivity and individuality and of recent philosophical debate on community encouraged by critics such as Alain Badiou, Jean-Luc Nancy, Maurice Blanchot, Giorgio Agamben, Roberto Esposito and Jacques Derrida, among others, of which a fresh re-definition of the modernist subject and community remains to be made, one that is likely to enrich the field of "new Modernist studies". This volume will fill this gap, presenting a re-definition of the subject by complementing community-oriented approaches to modernist fiction through a dialectical counterweight that underlines a conception of the modernist subject as finite, singular and exposed, and its relation to inorganic and inoperative communities.

Reveals how Katherine Mansfield's understanding of art and music shaped and inspired her writingThis volume emphasises the centrality of Katherine Mansfield to the cultural life of her time, illuminating how her love of painting and of music inspired her art. The Fauvist paintings of the Scottish colourist F.D. Fergusson, the music of Debussy, and indeed, of Wagner, all helped to forge a precise aesthetic, founded above all on the intense study and - in the case of music - practice of artistic technique. The essays in this volume explore Mansfield's relationships with the visual arts and with music, bringing to light the way in which these helped to shape the formal qualities of her writing: its beauty of line and intensely musical effects. Mansfield's relationship with Woolf is also strongly in the frame. As befits a volume dedicated to the arts, there is an introduction, poetry and a new short story by highly-acclaimed writers who count Mansfield amongst their chief inspirations.

1922: Literature, Culture, Politics examines key aspects of culture and history in 1922, a year made famous by the publication of several modernist masterpieces, such as T.S. Eliot's The Waste Land and James Joyce's Ulysses. Individual chapters written by leading scholars offer new contexts for the year's significant works of art, philosophy, politics, and literature. 1922 also analyzes both the political and intellectual forces that shaped the cultural interactions of that privileged moment. Although this volume takes post-WWI Europe as its chief focus, American artists and authors also receive thoughtful consideration. In its multiplicity of views, 1922 challenges misconceptions about the "Lost Generation" of cultural pilgrims who flocked to Paris and Berlin in the 1920s, thus stressing the wider influence of that momentous year.

Through her formally innovative and psychologically insightful short stories, Katherine Mansfield is increasingly recognised as one of the central figures in early 20th-century modernism. Bringing together leading and emerging scholars and covering her complete body of work, this is the most comprehensive volume to Mansfield scholarship available today. The Bloomsbury Handbook to Katherine Mansfield covers the full range of contemporary scholarly themes and approaches to the author's work, including: · New biographical insights, including into the early New Zealand years · Responses to the historical crises: the Great War, empire and orientalism · Mansfield's fiction, poetry, criticism and private writing · Mansfield and modernist culture – from Bloomsbury to the little magazines · Mansfield and her contemporaries – Woolf, Lawrence and von Arnim · Mansfield and the arts – visual culture, cinema and music The book also includes a substantial annotated bibliography of key works of Mansfield scholarship from the last 30 years.

The New Zealand-born writer Katherine Mansfield associated intimately with many members of the Bloomsbury group, but her literary aesthetics placed her at a distance from the artistic works of the group. With chapters written by leading international scholars, Katherine Mansfield and the Bloomsbury Group explores this conflicted relationship. Bringing together biographical and critical studies, the book examines Mansfield's relationships – personal and literary – with such major Modernist figures as Virginia Woolf, T.S. Eliot, Aldous Huxley and Walter de la Mare as well as the ways in which her work engaged with and reacted against Bloomsbury. In this way the book reveals the true extent of Mansfield's wider influence on 20th-century modernist writing.

Explores Mansfield's identity as a (post)colonial writer in relation to her foremost reputation as a European modernistIn seeking new possibilities for alignments with, and resolutions to, the contradictory agendas implied by the terms '(post)colonial' and 'modernist', the essays in this volume address the clashing perspectives between Mansfield's life in Europe, where her troubled self-designation as the 'little colonial' became a fertile source of her distinctive brand of literary modernism, and her ongoing, complex relationship with her New Zealand homeland. The contributors investigate Mansfield's (post)colonial modernism in the context both of New Zealand settler-colonial fiction and of her European literary inheritance. Affinities with writers such as Edith Wharton and Robert Louis Stevenson reveal that 'home' can be a diasporic place, combining alienation with belonging. The volume also registers initial responses to the widened scope for Mansfield scholarship launched by the first two volumes of the new Edinburgh Collected Works of Katherine Mansfield.Includes:*Previously unpublished poetry and fiction*Reports of current research findings on Katherine Mansfield*An introduction by Janet Wilson, Professor of English and Postcolonial Studies, University of Northampton *Reviews of recent publications on Mansfield and her contemporaries

A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.

Covering a wide range of historical, theoretical, critical and cultural contexts, this collection studies key issues in contemporary Woolf studies.