Hymn to Kali by Arthur Avalon: First published in 1922, this book is a collection of poems and hymns dedicated to the Hindu goddess Kali, a powerful embodiment of feminine energy and creativity. The book is notable for its lyrical and devotional tone, and its exploration of the spiritual significance of Kali worship. Key Aspects of the book "Hymn to Kali": Poetic Exploration: The book is a poetic exploration of the spiritual significance of Kali worship, highlighting the transformative power of devotion and contemplation. Exploration of Feminine Energy: The book explores the power of feminine energy and creativity, and the transformative potential of harnessing this energy for spiritual purposes. Dedication to Kali: The book is dedicated to Kali, a powerful Hindu goddess associated with death, creation, and the cycles of life and death. Arthur Avalon was the pen name of Sir John Woodroffe, a British judge, scholar, and writer who specialized in Hindu philosophy and spirituality. Hymn to Kali is one of his most famous works, and is an important contribution to the field of comparative religion.

THIS celebrated Kaula Stotra, which is now translated from the Sanskrit for the first time, is attributed to Mahākāla Himself. One of the chief features of this Stotra is that it gives the mantroddhāra of the Dakshina-Kālikā. It not only gives us the Dhyāna, Yantra, Sādhana and Svarūpa-varnanā of the Mahādevī, but it also contains the chief Mantras of Dakṣiṇakālikā. The adjective "Tava manu-samuddharaṇajanu" qualifying "idam stotram" in Śloka 21 expressly states this fact. Among the various Mantras of Dakṣiṇā Kālikā the greatest is the "Vidyā-rājñī" consisting of 22 syllables (Dvāviṁsākṣarī). This mantra gives the fullest and the truest symbol of the Svarūpa of Her. This mantra is contained in the first five Ślokas.

About the Book The Goddess or Devī is God in Its Mother aspect. Devī, who is existence, consciousness and bliss, is thought of as a female, a male or pure Brahman. This volume Hymns to the Goddess is an endeavour of Sir John Woodroffe (Arthur Avalon) to translate the Sanskrit hymns in praise of the Goddess or Devī, scattered in Tantra and Purāṇa texts, Mahābhārata, and in the hymns of Śaṅkarācārya, who was an incarnation of devotion and a great philosopher, Vālmīki and Indra. After a general introduction, the book starts with a hymn to Kālabhairava, the spouse of Devī, followed by Devī stotras. In these hymns, Devī is praised as Bhairavaī, Bhuvaneśvarī, Ādyakālī, Lakṣmī, Tārā, Mahiṣamardinī, Aṇṇapūrṇā, Sarasvatī, Durgā, Tripurā in Tantra texts; Sarvaviśvajananī, Ambikā, Caṇḍikā, Mahādevī and Jagadambikā in Purāṇas; Durgā, Āryā, Durgā in Mahābhārata; Tripurasundarī, Gaṅgā, Ānanadalaharī, Yamunā, Narmadā and Mahālakṣmī. Hymn to Kālī (Karpūrādi Stotra), another book within the book, is a celebrated Kaula stotra, having commentary on the hymns. It, in addition to mantroddhāradhārā, contains stotras of dhyāna, yantra, sādhanā, madya, māṁsa, maithuna and phala-śruti matters. About the Author Sir John George Woodroffe (1865–1936), also known by pseudonym Arthur Avalon, was a British Orientalist whose work helped to develop in the West a deep and wide interest in Hindu philosophy and yogic practices. A lawyer by profession, he developed parallel interest in Sanskrit, Indian philosophy and religion. Sir Woodroffe wrote or translated more than a dozen books: Introduction to the Tantra Sastra; Tantra of the Great Liberation (Mahanirvana Tantra); Hymns to the Goddess; The Serpent Power; Hymn to Kali: Karpuradi-Stotra; The World as Power; The Garland of Letters; Principles of Tantra (2 vols) and Is India Civilized? Essays on Indian Culture are some of them.

The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as "awakeners"—symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents—each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.

The hymns to the Devi in this volume (introduced by a stotra to Her Spouse, the Kalabhairava) are taken from the Tantra, Purana, Mahabharata, and Sankaracarya, who was "the incarnation of devotion" (bhaktavatara) as well as a great philosopher; a fact which is sometimes ignored by those who do not wish to be reminded that he, whose speculative genius they extol, was also the protagonist of the so-called "idolatrous Hinduism." As his great example among many others of differing race and creed tell us, it is not, from the view of religion, the mark of discernment (even though it be the mode) to neglect or disparage the ritual practice which all orthodoxies have prescribed for their adherents. Of the Hymns now published, those from the Mahabharata and Candi have already been translated; Adyakalisvarupastotra has also been previously published as part of a rendering of the Mahanirvana Tantra. It is necessary to study the Hindu commentators and to seek the oral aid of those who possess the traditional interpretation of the Sastra. Without this and an understanding of what Hindu worship is and means, absurd mistakes are likely to be made. The author has therefore availed himself of the Commentaries of Nilakantha on the Mahabharata, of Gopala Chakravarti and Nagogi Bhatta on Candi, and of Nilakantha on the Devibhagavata.

Ba gua is one of the internal styles of the Chinese martial arts, a "circular" walking technique that helps train the mind and body to recognize and accept change. Characterized by its spinning movements and extremely evasive footwork, ba gua is often used as a means to protect others, much like a good mother holding her child’s hand as they cross a busy street. In this combination of philosophical treatise, health manual, and self-defense text, Allen Pittman details the history, philosophy, and techniques of straight-line ba gua zhang, which means “eight trigram palm” in reference to the seminal trigrams of the I Ching. The book contains eight parts corresponding to the eight sections of the I Ching, each representing a different elemental manifestation and martial arts principle. Descriptions of the symbology, cultural, anatomical, and tactical details of each set are taught as well as detailed instructions on the form practice. Illustrated throughout with step-by-step drawings and photographs, the book shows how ba gua zhang, driven by I Ching wisdom, helps students cultivate a sense of centeredness and spontaneity and use this “martial art” in every aspect of their lives.

Tantra is an ancient discipline with deep cosmic roots. Every movement in time and space is ritual for the Tantric sadhaka, and every moment is a moment of transmutation, of alchemy.Shiva and Shakti bring us back to first principles in a feeling way that engages all of our senses, and all levels of our being. The Tantric sadhaka is enlightened by the manifestation of these first principles in their life - physically, psychologically, sociologically, and spiritually.Tantra, Yoga of Ecstasy details ritual, practice, meditation and psychology for the serious student of Tantra. Topics discussed include:Meaning and intent of classical Tantric rituals,Tantric philosophy,How to raise kundalini,Shiva Shakti meditation and Tantric initiation,Tantra, art and creativity,Alchemy of personal transmutation,Unravelling the puzzle of Tantric morality,Tantric use of astrology;