Frontier: the border between two countries; the limits of civilization; the bounds of established knowledge; a new field of activity. At a time when all borders, boundaries, margins, and limits are being—often violently—challenged, erased, or reinforced, we must rethink the concept of frontier itself. But is there even such a concept? Through an original and imaginative reading of Kant, Geoffrey Bennington casts doubt upon the conceptual coherence of borders. The frontier is the very element of Kant’s thought yet the permanent frustration of his conceptuality. Bennington brings out the frontier’s complex, abyssal, fractal structure that leaves a residue of violence in every frontier and complicates Kant’s most rational arguments in the direction of cosmopolitanism and perpetual peace. Neither a critique of Kant nor a return to Kant, this book proposes a new reflection on philosophical reading, for which thinking the frontier is both essential and a recurrent, fruitful, interruption.

A philosophical exploration of Kant’s writings on teleology, history, and politics and how the concept of the frontier shapes—and complicates—his thought. At a time when all borders, boundaries, and limits are being challenged, erased, or reinforced—often violently—we must rethink the concept of frontier. But is there even such a concept? Through an original and imaginative reading of Kant, philosopher Geoffrey Bennington casts doubt upon the conceptual coherence of borders. The frontier is both the central element of Kant’s thought and the permanent frustration of his conceptuality. Bennington brings out the frontier’s complex, abyssal, fractal structure that leaves a residue of violence in every frontier and complicates Kant’s most rational arguments in the direction of cosmopolitanism and perpetual peace. Neither a critique of Kant nor a return to Kant, this book proposes a new reflection on philosophical reading, for which thinking about the frontier is both essential and a recurrent, fruitful, interruption.

"This book is made up of almost entirely unrevised seminar sessions written for part of a three-year project (1989-92) conducted at the University of Sussex"--Inrod

While interest in Kant's philosophy has increased in recent years, very little of it has focused on his theory of science. This book gives a general account of that theory, of its motives and implications, and of the way it brought forth a new conception of the nature of philosophical thought. To reconstruct Kant's theory of science, the author identifies unifying themes of his philosophy of mathematics and philosophy of physics, both undergirded by his distinctive logical doctrines, and shows how they come together to form a relatively consistent system of ideas. A new analysis of the structure of central arguments in the Critique of Pure Reason and the Prolegomena draws on recent developments in logic and the philosophy of science. Professor Brittan's unified account of the philosophies of mathematics and physics explores the nature of Kant's commitment to Euclidean geometry and Newtonian mechanics as well as providing an integrated reading of the Critique of Pure Reason and the Metaphysical Foundations of Natural Science. Contemporary ideas help both to illuminate Kant's position and to show how that position, in turn, illuminates contemporary problems in the philosophy of science. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book argues that everything important about Kant's moral philosophy emerges from common human experience of the conflict between happiness and morality.

Written by Jacques Derrida‘s leading English-language translator and collaborator, this invigorating and intelligent volume displays the continuing power and versatility of deconstruction, presenting it as the most important intellectual movement of our time. Geoffrey Bennington develops a devastating critique of many attempts to clarify or criticize deconstructive thought, and elaborates its potential through original readings of, amongst others, Rousseau, Kant, Hegel, Freud, De Man and Lyotard. While he is principally concerned with a defence of deconstruction in fields where it has long since demonstrated its critical prowess, Bennington also emphasizes its political dimension. Deconstruction is a political thinking, he argues, because it entails an irreducible opening to alterity (if only in the form of reading); and this opening, where the other always might arrive as an event on the frontier of my experience, is a place for legislation.

This book shows how the flawed orientation forming Immanuel Kant’s philosophical project is the same from which the discipline of International Relations (IR) becomes possible and appears necessary. Tracing how core problems in Kant’s thought are inescapably reproduced in IR, this book demonstrates that constructive critique of IR is impossible through mere challenge to its Kantian traditions. It argues that confrontation with the Kantian character of IR demands fundamental withdrawal from their shared aims. Investigating the global limits inherent to epistemological and ontological commitments of Kant’s writings and IR, this interdisciplinary study interrogates the racism, sexism, coloniality, white male privilege, and anthropocentricism of both as sites from which such withdrawal may be initiated. Following queer and feminist examinations of how Kant and IR discipline a joint orientation through sex, gender, and sexuality, it indicates how withdrawal is possible. And, considering how Anishinaabe legal tradition opens freedom beyond the restricting horizons of Kant and IR, this book contemplates withdrawal from both as leading to a global unlimited. An essential text for advanced undergraduate and graduate studies, this book will also be of strong interest to those studying the thinking and writings of Kant, neo- and post-Kantian scholarship, and IR theory.

This important collection of more than twenty original essays by prominent Kant scholars covers the multiple aspects of Kant’s teaching in relation to his published works. With the Academy edition’s continuing publication of Kant’s lectures, the role of his lecturing activity has been drawing more and more deserved attention. Several of Kant’s lectures on metaphysics, logic, ethics, anthropology, theology, and pedagogy have been translated into English, and important studies have appeared in many languages. But why study the lectures? When they are read in light of Kant’s published writings, the lectures offer a new perspective of Kant’s philosophical development, clarify points in the published texts, consider topics there unexamined, and depict the intellectual background in richer detail. And the lectures are often more accessible to readers than the published works. This book discusses all areas of Kant's lecturing activity. Some essays even analyze in detail the content of Kant's courses and the role of textbooks written by key authors such as Baumgarten, helping us understand Kant’s thought in its intellectual and historical contexts. Contributors: Huaping Lu-Adler; Henny Blomme ; Robert Clewis; Alix Cohen; Corey Dyck; Faustino Fabbianelli; Norbert Fischer; Courtney Fugate; Paul Guyer; Robert Louden; Antonio Moretto; Steve Naragon; Christian Onof; Stephen Palmquist; Riccardo Pozzo; Frederick Rauscher; Dennis Schulting; Oliver Sensen; Susan Shell; Werner Stark; John Zammito; Günter Zöller

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Horses serve as central characters in great literary works that span ages and cultures. But why? In The Horse in Literature and Film: Uncovering a Transcultural Paradigm, Francisco LaRubia-Prado, Ph.D. explores the deep symbolic meaning, cultural significance, and projective power that these magnificent animals carry in literature, film, and the human psyche. Examining iconic texts and films from the Middle Ages to the present—and from Western and Eastern cultural traditions—this book reveals how horses, as timeless symbols of nature, bring harmony to unbalanced situations. Regardless of how disrupted human lives become, whether through the suffering caused by the atrocities of war, or the wrestling of individuals and society with issues of authenticity, horses offer an antidote firmly rooted in nature. The Horse in Literature and Film is a book for our time. After an introduction to the field of animal studies, it analyzes celebrated works by authors and film directors such as Leo Tolstoy, Heinrich von Kleist, D.H. Lawrence, Akira Kurosawa, John Huston, Girish Karnad, Michael Morpurgo, and Benedikt Erlingsson. Exploring issues such as power, the boundaries between justice and the law, the meaning of love and home, the significance of cultural belonging, and the consequences of misguided nationalism, this book demonstrates the far-reaching consequences of human disconnection from nature, and the role of the horse in individual and societal healing.