Kant on Causality, Freedom, and Objectivity was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Kant's account of causation is central to his views on objective truth and freedom. The Second Analogy of Experience, in the Critique of Pure Reason,where he provides his defense of the causal principle, has long been the focus of intense philosophical research. In the past twenty years, there have been two major periods of interest in Kantian themes, The first coincided with a general turn away from positivism by analytic philosophers, and resulted in a fruitful interchange between Kant scholars and those who applied Kantian ideas to contemporary philosophical problems. In recent years, a new surge of interest in Kant's work occurred along with the developing controversy over realism generated by the work of Dummett and Putnam. Scholars now appreciate the extent to which the Kantian causal principle is illuminated by the philosopher's argument that his transcendental idealism supports an empirical realism. And in turn, Kant's views on objectivity, causation, and freedom are especially relevant to the philosophical concerns raised by the new debate over realism. The eight papers in this book are drawn from two conferences that honored Lewis White Beck, an influential Kant scholar. Together with the introductory essay by the editors, they show the continuing relevance of Kant's analysis for the present-day philosophy of causation.

Immanuel Kant famously said that he was awoken from his "dogmatic slumbers," and led to question the possibility of metaphysics, by David Hume's doubts about causation. Because of this, many philosophers have viewed Hume's influence on Kant as limited to metaphysics. More recently, some philosophers have questioned whether even Kant's metaphysics was really motivated by Hume. In Knowledge, Reason, and Taste, renowned Kant scholar Paul Guyer challenges both of these views. He argues that Kant's entire philosophy--including his moral philosophy, aesthetics, and teleology, as well as his metaphysics--can fruitfully be read as an engagement with Hume. In this book, the first to describe and assess Hume's influence throughout Kant's philosophy, Guyer shows where Kant agrees or disagrees with Hume, and where Kant does or doesn't appear to resolve Hume's doubts. In doing so, Guyer examines the progress both Kant and Hume made on enduring questions about causes, objects, selves, taste, moral principles and motivations, and purpose and design in nature. Finally, Guyer looks at questions Kant and Hume left open to their successors.

A book about Kant's views on causality as understood in their proper historical context.

This is a short monograph on Kant, specifically his ideas about freedom and morality, but with important relevance to questions at the heart of philosophy.

Traces the development of Kant's views on free will from earlier writings through the three Critiques and beyond.

This 1788 work, based on belief in the immortality of the soul, established Kant as a vindicator of the truth of Christianity. It offers the most complete statement of his theory of free will.

The influence of Kant’s understanding of morality is too strong to be ignored. Hegel, however, fundamentally criticized Kant for offering merely a ‘formal’ model of normativity that cannot sufficiently comprehend human action as free. Instead, Hegel argues in his doctrine of ethical life (Sittlichkeit) that the embeddedness of the acting subject must be taken into account when identifying normativity. Yet the issue of normativity in Kant and Hegel remains contested even today, not least due to the misunderstandings of their conceptions of the topic. The present volume explores developments within recent scholarship which enable a better understanding of the concept of normativity in the thought of Kant and Hegel.

Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.

Provides a unified account of the notion of law - both natural and moral - in Kant's abstract and empirical philosophy.