Voudou, sex, death and revolution are key ingredients in the stunning themes and visual imagery of the street theatre Kanaval of Jacmel, Haiti, where the men drag up, black up, wear cow horns, throw lassos and put snakes in their mouths! Light years away from the government sponsored, tourist-inspired floats of carnival throughout the world, this event is a vessel for Haitian peasants to discuss the local politics of Haiti, talk about the slave revolt that gave birth to Haiti, the first Black Republic, to commune with ancestors both personal and historical and much more. The book is a fascinating combination of photography, cultural and historical analysis and background, anthropology and also includes a set of oral histories by participants in this unique event.

"Leah Gordon has been photographing Jacmel Carnival and recording oral histories with its participants since 1995. Her photographs are stripped of kinesis and exuberance. Leagues away from the sequinned, sanitised, corporate-sponsored carnivals found elsewhere in the Americas, the Madigra troupes of the Haitian port town of Jacmel enact and subvert myth, legends and the nation's own histories, their improvisational costumes and surreal narratives a Vodou-charged blend of folk memory, political satire and personal revelation."--Printed Matter, Inc. website (viewed on June 6, 2022)

This two-volume encyclopedia profiles the contemporary culture and society of every country in the Americas, from Canada and the United States to the islands of the Caribbean and the many countries of Latin America. From delicacies to dances, this encyclopedia introduces readers to cultures and customs of all of the countries of the Americas, explaining what makes each country unique while also demonstrating what ties the cultures and peoples together. The Americas profiles the 40 nations and territories that make up North America, Central America, the Caribbean, and South America, including British, U.S., Dutch, and French territories. Each country profile takes an in-depth look at such contemporary topics as religion, lifestyle and leisure, cuisine, gender roles, dress, festivals, music, visual arts, and architecture, among many others, while also providing contextual information on history, politics, and economics. Readers will be able to draw cross-cultural comparisons, such as between gender roles in Mexico and those in Brazil. Coverage on every country in the region provides readers with a useful compendium of cultural information, ideal for anyone interested in geography, social studies, global studies, and anthropology.

Richly ethnographic and a compelling read, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and J�j, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm.

"An arresting account of the contemporary Haitian-American experience." --Publishers Weekly "This novel in short stories will appeal to readers of literary and Caribbean fiction." --Library Journal "Ulysse displaces and redeems her characters with formidable skill, while her precise cuts through all preconceptions....Intense and necessary." --Booklist "Humanity is lost and found in these stories...Ulysse has created a fascinating world of class and cultural distinctions; her stories are engaging." --Kirkus Reviews "Assimilating qualities of Danticat and Alvarez, Ulysse paints a variegated literary tableau, more sociological than psychological or historical, that translates into fiction the reality, as well as the fragility and vivacity, of life for young Haitian American women of few means." --World Literature Today "A superb novel in the form of interconnected short stories that follow Haitian families as they move between time and place, before and after the devastating earthquake of 2010." --Teaching Tolerance Magazine, Summer 2015 Staff Pick "Powerful, piercing and unforgiving...Drifting transcends escapism, materialism and gaudy promises...Ulysse's prosaic brilliance is unmistakable." --Kaieteur News (Guyana) "Captivating and honest....This novel is a win-win for anyone who enjoys character development just as much as plot." --The Review Lab, Columbia College Chicago "Drifting is an intoxicating account of various short stories by Haitian novelist and literary genius Katia D. Ulysse...highly recommended." --Black Star News "Ulysse paints a vivid picture of customs, culture, and experiences. And like the characters, readers are engulfed in a vast array of emotions." --OOSA Online Book Club "A good, worthwhile read." --Book Lust "Katia D. Ulysse has written an engaging debut novel, Drifting....Drawing on rural Haiti, the class system, Vodou and folklore, Ulysse shows how immigrating to the US, while often seen as the only real option, does not always retain or strengthen families or improve one's economic station." --The World is Robert Katia D. Ulysse's debut provides the rare opportunity to peer into the private lives of four secretive Haitian families. The interwoven narrative spans four decades--from 1970 through 2010--and drifts among various provinces in Haiti, the United States, churches, vodun temples, schools, strip clubs, and the grave. Ulysse introduces us to a childless Haitian American couple risking it all for a baby to call their own; a Florida-based predatory schoolteacher threatening students with deportation if they expose him; and the unforgettable Monsieur Boursicault, whose chain of funeral parlors makes him the wealthiest man in Haiti. This daring work of fiction is a departure from the standard narrative of political unrest on the island. Ulysse's characters are everyday people whose hopes for distant success are constantly challenged--but never totally swayed--by the hard realities accompanying the immigrant's journey.

This volume provides the reader with an update on the ongoing research in creole studies. The papers represent several lines of research in the study of Creole languages. Central issues in phonology, semantics, lexicon and syntax are addressed in various creole languages. These include Cape Verdean Creole, Haitian Creole, Lesser Antillean Creoles, Kriol, Saramaccan, and Sranan.

This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.

Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or "big men." She focuses on six artists and their work: writer Dany Laferrière, director Raoul Peck, rap artist Wyclef Jean, artist Jean-Michel Basquiat, drag queen performer and poet Assotto Saint, and queer drag king performer Dréd (a.k.a. Mildréd Gerestant). For Braziel, these individuals confront the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist "domestic" imperialism that targets immigrants, minorities, women, gays, and queers. This is a groundbreaking study at the intersections of gender and sexuality with race, ethnicity, nationality, and diaspora.

Printed Directory of 1999-2000 Edition Lions District 324B1, was released by MJF Lion Alagu Jayabalan, during his regime. This Digital Edition is released in 2016 October as an Archive, as a part of Centennary Celebrations of Lions Clubs International, by Lion Dr Er J Shivakumaar, DC-Information Technology, District 324B1. This Digital Edition will certainly enable Lions read the older Directories in their Mobile Phones and eReaders.