The epic story of Rama, which is part of the Indian collective consciousness, has been retold in many regional languages. Pre-eminent among the many vernacular retellings of the Ramayana is the twelfth-century Tamil version by Kamban. The son of a temple drummer, Kamban is reputed to have had an impressive mastery of Tamil and Sanskrit classics. Fascinated by the lore of Ramayana, he immersed himself totally in it. Though Kamban acknowledges his indebtedness to the Sanskrit version of the Ramayana by Valmiki, his is an independent work, enriched by various religious, philosophical and literary influences. The Kamba Ramayana differs from Valmiki's in significant ways. Though cast in the heroic mould of a Purushotama or 'the best among men', Valmiki's Rama is still a man. Kamban, on the other hand, never allows the reader to forget the godhood of Rama. His Ravana too, though flawed, is a heroic figure. While Valmiki's diction is sparse and direct, Kamban's exuberant prose sparkles with wit and inventiveness. Translated into English by the late P.S. Sundaram, this edition has been abridged and edited by his long-time friend N.S. Jagannathan. translation retains the magic and poetry of the original. A major new addition to the Penguin Classics The classic Tamil work now finally available in an accessible single volume edition

The Story Of Rama And Sita Has A Unique Status In The Literature Of Almost Every Language Of Asia, Thanks To Its Extolment Of A Value-Based Life As Superior To One That Prizes Power Or Pelf; It Belongs To The World. This Book Offers A Critical And Comparative Study Of The Earliest Valmiki'S Classic In Sanskrit, Known As Adi-Kavya, And The First Version In The Tamil Language, Which Arose Ten Centuries Later. The Author, Mr. K.S. Srinivasan, Is A Recognised Scholar In The Field.

One of India’s greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BCE, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.

Vikrant Pande and Neelesh Kulkarni's quest to retrace the trail of Rama's fabled travels during his years in exile began with their trying to locate Chitrakoot on the map and realizing that they had little idea where it might be. Curious about the places mentioned in the Ramayana, they set off on a journey of their own, following Rama's route from Ayodhya to the Dandakaranya forest and Panchavati (near Nashik) and on to Kishkindhya (close to Hampi), Rameshwaram and Sri Lanka. Along the way they would discover how closely the narrative of the Ramayana is linked to local folklore, and how the stories of the Ramayana and the moral framework that binds them together still speaks to the people who live in the land across which Rama, Sita and Lakshman made their journey. For the armchair traveller as well as the enthusiast for epic tales, this is a wonderful book with which to revisit the world of the Ramayana.

An epic fantasy based on the ancient Hindu classic finds young Rama, heir to the throne of Ayodhya, called upon by the legendary mage Vishwamitra when two powerful demons raise an army to defeat the human world. 20,000 first printing.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a Bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onward, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 8 MAY, 1983 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. LIV, No. 19 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-50 ARTICLE: 1. Poetry Recitation And Appreciation 2. Preserving Art : New Technologies 3. Books On My Mental Shelf 4. Sleep Disturbances 5. Zero: The Hero of Mathematics AUTHOR: 1. Jal P. Gimi 2. G. Nagarajan 3. K. S. Duggal 4. Dr. Amal K. Mullick 5. Dr. P. C. Vaidya KEYWORDS : 1. Soul satisfying 2. Illumination Technology 3. Proficiency 4. Two categories 5. Place value system Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

The greatest Indian epic, one of the world's supreme masterpieces of storytelling A Penguin Classic A sweeping tale of abduction, battle, and courtship played out in a universe of deities and demons, The Ramayana is familiar to virtually every Indian. Although the Sanskrit original was composed by Valmiki around the fourth century BC, poets have produced countless versions in different languages. Here, drawing on the work of an eleventh-century poet called Kamban, Narayan employs the skills of a master novelist to re-create the excitement he found in the original. A luminous saga made accessible to new generations of readers, The Ramayana can be enjoyed for its spiritual wisdom, or as a thrilling tale of ancient conflict. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.