Kali is the Goddess who takes away darkness. She cuts down all impurities, consumes all iniquities, purifies, Her devotees with the sincerity of Her Love. Now we can worship Her according to the ancient tradition. Kali Puja is a treasure house of Her Wisdom. It contains abundance Kali's tools for living: Her sattvic worship, Her Hundred Names, Her Thousand Names, Her Armor, the mantras for offering bhanga, alcohol, animal sacrifice and how to give birth to spiritual children. These offerings have great spiritual significance when performed with the mantras which explain the meanings and appropriate circumstances for such worship.

This book is compiled with the goal of explaining the hidden history, significance, and meaning of the mantras used in common Hindu puja rituals performed by the Bengalis to the Bengali immigrants.

This booklet presents a ceremony in the tradition of Sri Ramakrishna, who worshiped the Divine Mother with selfless devotion and a longing heart. With practice it can be completed within a short time. It can be used for daily worship or for special days sacred to Her, such as the new moon.

"Kal" is Time, "KALI" is She Who is Beyond Time. She leads our awareness into timelessness. Kali is also is the Goddess who takes away darkness. She cuts down all impurities, consumes all iniquities, and purifies the hearts of Her devotees. Now we can worship Her according to the ancient tradition. The complete worship of the Divine Mother who Takes away Darkness includes Her advanced puja, Her thousand names, the mantras and mudras for traditional offerings, as well as the systems of worship for conceiving spiritual children, offering bhang and alcohol. Also available to accompany the text is a beautiful CD or cassette of Shree Maa's recitation of the thousand names. It includes the original Sanskrit mantras, Roman transliteration and English translation.

Translating Kali's Feast is an interdisciplinary study of the Goddess Kali bringing together ethnography and literature within the theoretical framework of translation studies. The idea for the book grew out of the experience and fieldwork of the authors, who lived with Indo-Caribbean devotees of the Hindu Goddess in Guyana. Using a variety of discursive forms including oral history and testimony, field notes, songs, stories, poems, literary essays, photographic illustrations, and personal and theoretical reflections, it explores the cultural, aesthetic and spiritual aspects of the Goddess in a diasporic and cross-cultural context. With reference to critical and cultural theorists including Walter Benjamin and Julia Kristeva, the possibilities offered by Kali (and other manifestations of the Goddess) as the site of translation are discussed in the works of such writers as Wilson Harris, V.S. Naipaul and R.K. Narayan. The book articulates perspectives on the experience of living through displacement and change while probing the processes of translation involved in literature and ethnography and postulating links between ‘rite' and ‘write,' Hindu ‘leela' and creole ‘play.' The author wrote the description of the Big Puja (namely chapter 9, 10, 11, and 13) and the Guyana Kali Puja Lexicon (chapter 17) in collaboration with Guyanese scholar Karna Singh.

Encountering Kali explores one of the most ramarkable divinities the world has seen. The Hindu goddess Kali is simultaneously understood as a blood thirsty warrior a deity of ritual possession a tantric sexual partner and an all loving compassionate mothe. Popular and scholarly interest in her has been on the rise in the west in recent years. Responding to this phenomenon McDermott and Kripal`s volume focuses on the complexities involved in interpreting Kali in both her indigenous south Asian settings and her more recent Western incarnation. Through the shifting lenses of scriptural history temple architecture political reflection and the goddess`s recent guises on the Internet the contributors pose questions that illuminate our understanding of Kali while addressing the problems and promises inherent in every act of cross cultural interpretation.

"Never before in print have I seen Her brought to life with such passion and truth. Harding brings Mother Kali to everyone who sees her path".

Supernatural, surreal, suspense stories from day to day human activities written in a nostalgic and laid-back style.

Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.

This book offers fresh theoretical, methodological and empirical analyses of the relation between religion and the city in the South Asian context. Uniting the historical with the contemporary by looking at the medieval and early modern links between religious faith and urban settlement, the book brings together a series of focused studies of the mixed and multiple practices and spatial negotiations of religion in the South Asian city. It looks at the various ways in which contemporary religious practice affects urban everyday life, commerce, craft, infrastructure, cultural forms, art, music and architecture. Chapters draw upon original empirical study and research to analyze the foundational, structural, material and cultural connections between religious practice and urban formations or flows. The book argues that Indian cities are not ‘postsecular’ in the sense that the term is currently used in the modern West, but that there has been, rather, a deep, even foundational link between religion and urbanism, producing different versions of urban modernity. Questions of caste, gender, community, intersectional entanglements, physical proximity, private or public ritual, processions and prayer, economic and political factors, material objects, and changes in the built environment, are all taken into consideration, and the book offers an interdisciplinary analysis of different historical periods, different cities, and different types of religious practice. Filling a gap in the literature by discussing a diversity of settings and faiths, the book will be of interest to scholars to South Asian history, sociology, literary analysis, urban studies and cultural studies.