Four haunting images by one of the 20th century's most original artists, adapted as tattoo art: Self-Portrait with Monkeys, Diego and I, The Little Deer, and Self-Portrait with Collar of Thorns.

Four paintings adapted as "body art" include Self-Portrait, Bouquet of Sunflowers, The Church at Auvers, and Self-Portrait with Bandaged Ear.

Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.

Four eye-catching tattoos based on works by one of Mexico's greatest and most popular artists. Included are Nude with Calla Lilies (1944), Flower Seller (1942), and details from The Burning of the Judases (1923), and Day of the Dead—City Fiesta (1923). 4 designs on 2 plates.

Papiha Saha, an educationist and a communication designer, has authored a few series on Art Education. With a keen eye for the aesthetics, she has received National Scholarship and has been felicitated with a few awards for her contribution to the eld of Visual Communication.

Tattoo artist Megan Massacre presents a beautiful collection of her best work, with instructive how-to and inspiration for both professional tattoo artists as well as tattoo aficionados. With a personal behind-the-scenes peek into the making of a tattoo, from concept to execution, plus fan favorite tattoos and tattoo cover-ups, this approachable, full-color paperback will feature everything Massacre has learned over the years. Part idea sourcebook, part tattoo opus, this is an art book that tattoo fans will be eager to read and display.

Women in the Arts: Eccentric Essays in Music, Visual Arts, and Literature is a multi-disciplined celebration of past and present women creators. It marks a new departure in women’s studies, for it presents an interdisciplinary emphasis on the long-neglected area of women’s contributions to the various genres of the arts. Because of its unique historical approach, this pioneering collection of essays is useful in the areas of humanities and women’s studies as scholarly or pleasure readings. Many “firsts” are included in this anthology. There are chapters by three prominent award-winning living composers that discuss the plight of women in this male-dominated field and the pioneering contemporary innovations to the discipline of musical composition that women have contributed. Another chapter brings to light pioneering research on the names and musical compositions of the earliest women composers. Another gives historical evidence of the earliest documented women’s conservatory and its performers in the United States located in the Moravian Young Ladies’ Seminary in Antebellum Bethlehem, Pennsylvania. The chapter on the MacDowell Colony reveals the history of how Marian MacDowell and her network of women’s music clubs helped to build the MacDowell Colony, a haven for artists that has continued through the twenty-first century. In the visual arts, one essay brings forth visual representations of women’s subjugation; another analyzes the photographic innovations and historical work of the woman pioneer, Nellie Ladd; the artistic contributions of two women of color, Josephine Baker and Frida Kahlo, are contrasted in a historical perspective; and a fascinating historical analyses of women and tattoos is presented. In the area of literature, the “Potters” are celebrated for pioneering the first serial hand-made magazine in 1904; another writer, discusses how she represents the role of motherhood in her female characters; and arguments are presented of how women poets give voice to spiritual feminism. The thirteen diverse essays present original contributions to the disciplines of music, visual arts, and literature. By bringing forth this collection, it is hoped that there will be greater appreciation for the great diversity and range of women creators and the obstacles that they had to overcome. It is hoped that the essays will provide a historical documentation of the artistic voice of women that have until now been neglected.

Researcher and educator of the arts Dr. Valerie Flamini is your expert guide for meaningful conscious experiences. Her research in the areas of flow theory and mindfulness revealed ways to foster elevated conscious experiences with the arts. This book may be useful to the typical person who appreciates the arts as well as those who are creators and performers of art. The chapters in this book progress from a novice approach of mindfulness during artistic engagement to activities which require more conscious control and creative output. A variety of activities are included such as sound meditation, crafting, and even cloud gazing! Chapters are rich with examples and context. Da Vinci to the Grateful Dead will inspire meaningful experiences with personalized intention. The idea is for the reader to build skills of conscious control necessary for optimum experiences as they progress through the guide. As a result, the reader may be able to foster flow in everyday activities by exercising the necessary skills in a pleasurable way, through art! Acquiring these skills may bring more enjoyment and general happiness to your everyday experiences. Inside you will discover: ~ Researched skills for bringing more flow to your daily experiences. ~ Engaging narrative about art, architecture, and music including context for indigenous, ancient, and modern artistic practices. ~ Encouraging ways to bring more self-awareness, compassion, conscious control, somatic awareness, and mindfulness to any creative endeavor.

Frida Kahlo was born in 1907 to parents of German and Spanish descent, in Coyoacan, outside Mexico City. After contracting polio at age six, Frida also suffered severe injuries in a bus accident. Her time spent in recovery turned her toward a painting career. These experiences, combined with a difficult marriage to the artist Diego Rivera, generated vibrant works depicting Frida's experiences with pain as well as the symbolism and spirit of Mexican culture. Though she died in 1954, interest in her work continues to grow, with museum exhibitions and publications around the world. This biography will introduce art students and adult readers to one of the Latino culture's most beloved artists. In 2002, the film Frida introduced the artist and her works to a new audience. In 2007, the 100th anniversary of Kahlo's birth, a major exhibition of her work was held at the Museum of the Fine Arts Palace in Mexico. In 2007 through 2008, another major exhibition began its journey to museums throughout the United States.

-Three friends, two love stories, one convention---Cover.