Cassie remains in therapy along with Alan and Alicia Afterbirth. A small band of barking mad souls who meet every Wednesday at the local NHS Crumpled Clinic. Pete is still pissed and Mary is now digging in her dahlias with a dildo as she freefalls into the darkness that is dementia. Life eh?

"It is widely acknowledged that Kafka's daytime occupation as a specialist in industrial accident insurance contributed in a significant way to his fiction. Corngold and Wagner frame Kafka's writings as cultural events, each work reflecting the economic and cultural discourses of his epoch. In pursuing Kafka's avowed interest in the theory and practice of insurance, the authors view the two systems of his literary worlds--the official and the personal--as a "bundling" together of the various cultural accidents of Kafka's time. The work of two of the leading scholars of the single most influential writer of literary modernity, Franz Kafka: The Ghosts in the Machine constitutes a breathtakingly original advance in the study of both the more famous and less well-known works of this enigmatic master."--From publisher description.

Everybody knows the face of Franz Kafka, whether they have read any of his works or not. And that brooding face carries instant images: bleak and threatening visions of an inescapable bureaucracy, nightmarish transformations, uncanny predictions of the Holocaust. But while Kafka's genius is beyond question, the image of a mysterious, sickly, shadowy figure who was scarcely known in his own lifetime bears no resemblance to the historical reality. Franz Kafka was a popular and well-connected millionaire's son who enjoyed good-time girls, brothels, and expensive porn, who landed a highly desirable state job that pulled in at least $90,000 a year in today's dollars for a six-hour day, who remained a loyal member of Prague's German-speaking Imperial elite right to the end, and whose work was backed by a powerful literary clique. Here are some of the prevalent Kafka myths: *Kafka was the archetypal genius neglected in his lifetime. *Kafka was lonely. *Kafka was stuck in a dead-end job, struggling to find time to write. *Kafka was tormented by fear of sex. *Kafka was unbendingly honest about himself to the women in his life – too honest. *Kafka had a terrible, domineering father who had no understanding of his son's needs. *Kafka's style is mysterious and opaque. *Kafka takes us into bizarre worlds. James Hawes wants to tear down the critical walls which generations of gatekeepers---scholars, biographers, and tourist guides---have built up around Franz Kafka, giving us back the real man and the real significance of his splendid works. And he'll take no prisoners in the process.

"Including selections from the newly discovered Journals of K."

A superb new translation by Michael Hofmann of some of Kafka's most frightening, strange and visionary short fiction After Franz Kafka's death, in perhaps the most important of all acts of literary disobedience, his executor refused to agree to Kafka's wish that his great mass of unpublished fiction be destroyed. This fiction included not only The Castle and The Trial but also the amazingly varied, chilling and ingenious short works collected in The Burrow and Other Stories. These tales, some little more than a page, others much more substantial, are among the greatest works of Central European literature. They vary from the tiny and horrifying 'Little Fable' to the elaborate waking nightmares of 'Building the Great Wall of China' and the title story 'The Burrow', where an unidentified creature describes its creation of an endlessly elaborate burrow to protect itself from unidentified enemies, but with every trap or tunnel only creating further terrors and uncertainty.