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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The author shows how the history of the classical tradition in Russia cannot be separated from the history of Russia's orientation to Western Europe in general. His book, based on many little-known and previously unexplored Russian materials, is the result of the first comprehensive research on the study of the Greek and Roman classics in Russia, and its sociocultural —utopian as well as ideological— function within the framework of Russian cultural and intellectual history and Russian educational policy from the accession of Peter the Great to the death of Nicholas I. A tradition does not exist apart from the people who adhere to it and the networks they create in order to ensure some kind of growth and continuity. Therefore the author has ordered his material into an interpretive framework based on a prosopographical approach towards the subject. Among specific writers and poets discussed are Pushkin, Gogol, Goncharov and Turgenev.