“A compelling, dramatic account of the Royal Navy's last great sea battle.” —Robert K. Massie, Pulitzer Prize–winning and New York Times–bestselling author of Dreadnought More than a century later, historians still argue about this controversial and misunderstood World War I naval battle off the coast of Denmark. It was the twentieth century’s first engagement of dreadnoughts—and while it left Britain in control of the North Sea, both sides claimed victory and decades of disputes followed, revolving around senior commanders Admiral Sir John Jellicoe and Vice Admiral Sir David Beatty. This book not only retells the story of the battle from both a British and German perspective based on the latest research, but also helps clarify the context of Germany’s inevitable naval clash and the aftermath after the smoke had cleared.

The recent centenary of WWI has prompted a shift in the way attention is focused on legacy shipwrecks. This timely book considers the development of the laws that apply to these wrecks and the issues that surround them, and deftly analyses the adequacy of the existing legal framework to fulfil its promise of protecting legacy wrecks for future generations as historical and archaeological resources, memorials and, most importantly, as maritime war graves. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}

The German High Seas Fleet was one of the most powerful naval forces in the world, and had fought the pride of the Royal Navy to a stalemate at the battle of Jutland in 1916. After the armistice was signed, ending fighting in World War I, it surrendered to the British and was interned in Scapa Flow pending the outcome of the Treaty of Versailles. In June 1919, the entire fleet attempted to sink itself in the Flow to prevent it being broken up as war prizes. Of the 74 ships present, 52 sunk and 22 were prevented from doing so by circumstance and British intervention. Marine archaeologist and historian Dr Innes McCartney reveals for the first time what became of the warships that were scuttled, examining the circumstances behind the loss of each ship and reconciling what was known at the time to what the archaeology is telling us today. This fascinating study reveals a fleet lost for nearly a century beneath the waves.

SHORTLISTED FOR THE WALTER SCOTT PRIZE 2020 A stirring, exquisitely rendered tale of homecoming; the final instalment in Tim Pears's epic West Country Trilogy Selected as a book of 2019 by the Guardian, Scotsman and The Times It is 1916. The world has gone to war, and young Leo Sercombe, hauling coal aboard the HMS Queen Mary, is a long way from home. The wild, unchanging West Country roads of his boyhood seem very far away from life aboard a battlecruiser, a universe of well-oiled steel, of smoke and spray and sweat, where death seems never more than a heartbeat away. Skimming through those West Country roads on her motorcycle, Lottie Prideaux defies the expectations of her class and sex as she covertly studies to be a vet. But the steady rhythms of Lottie's practice, her comings and goings between her neighbours and their animals, will be blown apart by a violent act of betrayal, and a devastating loss. In a world torn asunder by war, everything dances in flux: how can the old ways life survive, and how can the future be imagined, in the face of such unimaginable change? How can Leo, lost and wandering in the strange and brave new world, ever hope to find his way home? The final instalment in Tim Pears's exquisite West Country Trilogy, The Redeemed is a timeless, stirring and exquisitely wrought story of love, loss and destiny fulfilled, and a bittersweet elegy to a lost world.

A deep dive into the biggest salvage operation in history: the recovery of German warships—the Allies’ spoils of World War I—from Scottish waters. On Midsummer’s Day 1919 the interned German Grand Fleet was scuttled by their crews at Scapa Flow in the Orkney Islands despite a Royal Navy guard force. Greatly embarrassed, the Admiralty nevertheless confidently stated that none of the ships would ever be recovered. Had it not been for the drive and ingenuity of one man there is indeed every possibility that they would still be resting on the sea bottom today. Cox’s Navy tells the incredible true story of Ernest Cox, a Wolverhampton-born scrap merchant, who despite having no previous experience, led the biggest salvage operation in history to recover the ships. The 28,000-ton Hindenberg was the largest ship ever salvaged. Not knowing the boundaries enabled Cox to apply solid common sense and brilliant improvisation, changing forever marine salvage practice during peace and war.

For over 40 years, Warship has been the leading annual resource on the design, development, and deployment of the world's combat ships. Featuring a broad range of articles from a select panel of distinguished international contributors, this latest volume combines original research, new book reviews, warship notes, an image gallery, and much more, maintaining the impressive standards of scholarship and research with which Warship has become synonymous. In the 2019 edition of this celebrated title, articles include Hans Lengerer's exploration of the genesis of the Six-Six Fleet, Michele Cosentino's look at Project 1030, Italy's attempt to create a torpedo-armed attack and ballistic missile submarines, and A D Baker III's drawing feature on the USS Lebanon. Detailed and accurate information is the keynote of all the articles, which are fully supported by plans, data tables and stunning photographs.

This illustrated study of the German Imperial Navy presents a ship-by-ship history from the dreadnaught era through WWI. The battleships of the Third Reich have been written about exhaustively, but there is little in English devoted to their predecessors of the Second Reich. In The Kaiser’s Battlefleet, Aidan Dodson fills this significant gap in German naval history by covering these capital ships and studying the full span of battleship development during this period. Kaiser’s Battlefleet presents a chronological narrative that features technical details, construction schedules and the ultimate fates of each ship tabulated throughout. With a broad synthesis of German archival research, Dodson provides fresh data and corrects significant errors found in standard English-language texts. Heavily illustrated with line work and photographs drawn from German sources, this study will appeal to historians of WWI German as well as battleship modelmakers.