One of the most unlikely members of the Justice League of America ever (okay, THE most unlikely) stars in his own title! Vibe will soon discover he's one of the most powerful individuals on Earth. But how did Vibe get his abilities? What is the cost to them? And why does the JLA want him on the team so desperately? Co-written by Geoff Johns (JUSTICE LEAGUE, GREEN LANTERN) and Andrew Kreisberg (co-creator of ARROW), this volume collects Justice League of America's Vibe issues #1-10.

Why is Vibe battling Batman? Our hero gets in way over his head when he's forced to turn against A.R.G.U.S.

A LEGENDS crossover, continued from COSMIC BOY #1. As Darkseid's machinations turn the populace against heroes, Professor Ivo plots the ultimate destruction of the Justice League of America. Continued in SECRET ORIGINS #10.

Spinning out of JUSTICE LEAGUE OF AMERICA (2013- ), Vibe rocks his way into his own series with a debut issue cowritten by Geoff Johns! How did Vibe get his abilities? What is the cost to them? And why does the JLA want him on the team so desperately?

One of the most unlikely members of the Justice League of America ever (okay, THE most unlikely) stars in his own title! Vibe will soon discover he's one of the most powerful individuals on Earth. But how did Vibe get his abilities? What is the costto them? And why does the JLA want him on the team so desperately? Co-written by Geoff Johns (JUSTICE LEAGUE, GREEN LANTERN) and Andrew Kreisberg (co-creator of ARROW), this volume collects Justice League of America's Vibe issues #1-10.

"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston"

The League uncovers the leader of the Secret Society of Super-Villains--but can such a diverse group of heroes defeat the collective might of the Society?

With the villain Libra having stolen half of their powers and abilities in their last adventure, the Justice League members are desperate for a way to recover them. But when they revive Amazo in order to do so, they must fight a “War with the One-Man Justice League!”

Winner of the 2018 Eisner Award Winner for Best Scholarly/Academic Work Whether good or evil, beautiful or ugly, smart or downright silly, able-bodied or differently abled, gay or straight, male or female, young or old, Latinx superheroes in mainstream comic book stories are few and far between. It is as if finding the Latinx presence in the DC and Marvel worlds requires activation of superheroic powers. Latinx Superheroes in Mainstream Comics blasts open barriers with a swift kick. It explores deeply and systematically the storyworld spaces inhabited by brown superheroes in mainstream comic book storyworlds: print comic books, animation, TV, and film. It makes visible and lets loose the otherwise occluded and shackled. Leaving nothing to chance, it sheds light on how creators (authors, artists, animators, and directors) make storyworlds that feature Latinos/as, distinguishing between those that we can and should evaluate as well done and those we can and should evaluate as not well done. The foremost expert on Latinx comics, Frederick Luis Aldama guides us through the full archive of all the Latinx superheros in comics since the 1940s. Aldama takes us where the superheroes live—the barrios, the hospitals, the school rooms, the farm fields—and he not only shows us a view to the Latinx content, sometimes deeply embedded, but also provokes critical inquiry into the way storytelling formats distill and reconstruct real Latinos/as. Thoroughly entertaining but seriously undertaken, Latinx Superheroes in Mainstream Comics allows us to truly see how superhero comic book storyworlds are willfully created in ways that make new our perception, thoughts, and feelings.

Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.