The next era of the Justice League begins as heroes quit, villains join and a Justice League roster you've never seen before emerges, led by the world's greatest hero: Lex Luthor!

The follow-up to the critically acclaimed, Eisner Award-nominated JUSTICE LEAGUE: A CRY FOR JUSTICE. Green Arrow has become a fugitive after killing the villain Prometheus for destroying Star City and murdering the daughter of his former sidekick, Arsenal. Now, the Justice League of America must hunt down their former teammate, while Arsenal comes to grips with the death of his offspring and the loss of his arm at the hands of Prometheus. Collects JUSTICE LEAGUE: RISE AND FALL SPECIAL, THE RISE OF ARSENAL #1-4, GREEN ARROW #31-32.

SUPERSTAR ARTIST JIM LEE BRINGS TOGETHER THE WORLD’S GREATEST HEROES…FOR THE FIRST TIME! It’s the dawn of a new age. Superheroes-like Superman in Metropolis and Gotham’s Dark Knight, Batman-are new and frightening to the world at large. But when a series of strange attacks unleashes an otherworldly threat on Earth, these heroes will have to stand together…if they can stand each other! Superman. Batman. Wonder Woman. Green Lantern. Flash. Aquaman. Cyborg. Though young and inexperienced, brash and overconfident, each one alone is a powerful force in the battle of good against evil. Together, they may be the only thing on Earth that can stop the alien warlord Darkseid from claiming our planet as his own. Together…they will become the Justice League! Jim Lee’s stunning artwork is featured in this collection as never before-in his original pencils. Written by the one and only Geoff Johns, JUSTICE LEAGUE UNWRAPPED BY JIM LEE provides a glimpse into the process behind the most talked-about comic book of the new millennium. Collects JUSTICE LEAGUE 1-12.

Witness legendary duo Geoff Johns and Jim Lee on their all-new Justice League origin story! Collecting their entire run along with supplemental origin stories of the entire Justice League, this omnibus is a must have for any collector. In a world where inexperienced superheroes operate under a cloud of suspicion from the public, loner vigilante Batman has stumbled upon a dark evil that threatens to destroy the earth as we know it. Now, faced with a threat far beyond anything he can handle on his own, the Dark Knight must trust an alien, a Scarlet Speedster, an accidental teenage hero, a space cop, an Amazon Princess and an undersea monarch. Will Superman, the Flash, Cyborg, Green Lantern, Wonder Woman and Aquaman be able to put aside their differences and come together to save the world? Or will they destroy each other first? Collects Justice League #0-22; Aquaman #14-16; Justice League Dark #22-23; DC Comics - The New 52 FCBD Special Edition #1; Justice League of America #6-7; Trinity of Sin: The Phantom Stranger #11; Constantine #5; Trinity of Sin: Pandora #1-3.

"In a world where inexperienced superheroes operate under a cloud of suspicion from the public, loner vigilante Batman has stumbled upon a dark evil that threatens to destroy Earth as we know it. Faced with a threat far beyond anything he can handle on his own, the Dark Knight must trust an alien, a Scarlet Speedster, an accidental teenage hero, a space cop, an Amazon Princess, and an undersea monarch to help him. Can Batman, Superman, the Flash, Cyborg, Green Lantern, Wonder Woman, and Aquaman put aside their differences to save the world? Or will they destroy one another first?"--

Trinity War' part 6, continued from JUSTICE LEAGUE DARK #23. The Trinity War comes to its climax, but that doesn't mean all ends well for our heroes. The secret behind Pandora's Box is revealed and it means the end of the Justice Leagues!

While people used to conceal the fact that they were gay or lesbian to protect themselves from stigma and discrimination, it is now commonplace for people to "come out" and encourage others to do so as well. Come Out, Come Out, Whoever You Are systematically examines how coming out has moved beyond gay and lesbian rights groups and how different groups wrestle with the politics of coming out in their efforts to resist stigma and enact social change. It shows how different experiences and disparate risks of disclosure shape these groups' collective strategies. Through scores of interviews with LGBTQ+ people, undocumented immigrant youth, fat acceptance activists, Mormon fundamentalist polygamists, and sexual harassment lawyers and activists in the era of the #MeToo movement, Come Out, Come Out, Whoever You Are explains why so many different groups gravitate toward the term coming out. By focusing on the personal and political resonance of coming out, it provides a novel way to understand how identity politics work in America today.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Since Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as Birth, The Piano, The Wrestler and Breaking the Wave, there is also a unique chapter co-written by documentary film-maker Tom Hurvitz and New York Jungian analyst Margaret Klenck. Other areas of discussion include: the way in which psychological issues come under scrutiny in many movies the various themes that concern Jungian writers on film how Jungian ideas on psychological personality types can be applied in fresh ways to analyse a variety of characters. The book also includes a glossary to help readers with Jungian words and concepts. Jung and Film II is not only a welcome companion to the first volume, it is an important stand- alone work essential for all academics and students of analytical psychology as well as film, media and cultural studies.