ER nurse and reformed bad girl Jessica Bradford is one step away from landing Dr. Perfect, aka sexy, heroic Ben Torres--the hot fudge and cherry on top of her hard work scooping out a respectable life. Ben learned the art of sacrifice from his missionary parents, but when a drunk driver he saved kills three people, he quits. To be precise, the fist he plants in the man's face gets him suspended. And the first dish he wants on his newly empty plate is Jessica--preferably naked. Jessica can't believe the Ben she's found drowning his sorrows in a bar is her knight in shining scrubs. And he won't be pried loose until she bets 48 hours of her time in a game of pool. She loses. And the next morning she stands to lose much more. The Chief of Staff's recommendation for the promotion she's been after rides on her ability to keep Ben out of trouble until things blow over. Except "trouble" is all Ben wants. And despite herself, Jessica finds that she's more than willing to go down with him...

An introduction to the saint who is the inspiration for giving.

"Bestselling author Glenn Beck re-tells the story of Santa Claus, imagining him at the first Christmas and casting him as a guardian for the infant and adult Jesus"--

A freewheeling, sharp-shooting indictment of a tech-besotted culture. With razor wit, Nicholas Carr cuts through Silicon Valley’s unsettlingly cheery vision of the technological future to ask a hard question: Have we been seduced by a lie? Gathering a decade’s worth of posts from his blog, Rough Type, as well as his seminal essays, Utopia Is Creepy is “Carr’s best hits for those who missed the last decade of his stream of thoughtful commentary about our love affair with technology and its effect on our relationships” (Richard Cytowic, New York Journal of Books). Carr draws on artists ranging from Walt Whitman to the Clash, while weaving in the latest findings from science and sociology. Carr’s favorite targets are those zealots who believe so fervently in computers and data that they abandon common sense. Cheap digital tools do not make us all the next Fellini or Dylan. Social networks, diverting as they may be, are not vehicles for self-enlightenment. And “likes” and retweets are not going to elevate political discourse. Utopia Is Creepy compels us to question the technological momentum that has trapped us in its flow. “Resistance is never futile,” argues Carr, and this book delivers the proof.

This is a book for kids (and their parents) who are heartbroken about Santa Claus. "You might think there is no more magic in the world. But the truth is much more interesting." You see, Saint Nicholas didn't HAVE magic-- he was an opening for magic. But he was never supposed to be the only one.The story got twisted, you see. Real magic was never about presents or a man in a red suit-- real magic is wilder and deeper than that. You might call it love, or kindness, or human goodness. The question is, will you become part of true magic? Will you bring more kindness and courage into the world? Will you join the Secret Society of Saint Nicholas?

Forget naughty or nice; this is a battle of good and evil. Luminary Joyce and co-author Geringer deliver the first book in a new series. Before Santa was Santa, he was Nicholas St. North--a daredevil swordsman whose prowess with double scimitars was legendary. Illustrations.

A retired group of legendary mercenaries get the band back together for one last impossible mission in this award-winning debut epic fantasy. "Fantastic, funny, ferocious." -- Sam Sykes Clay Cooper and his band were once the best of the best, the most feared and renowned crew of mercenaries this side of the Heartwyld. Their glory days long past, the mercs have grown apart and grown old, fat, drunk, or a combination of the three. Then an ex-bandmate turns up at Clay's door with a plea for help -- the kind of mission that only the very brave or the very stupid would sign up for. It's time to get the band back together.

UK edition. The day-to-day adventures of an amusing, endearing young school boy.

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.