'Having a baby is like watching two very inefficient removal men trying to get a very large sofa through a very small doorway, only in this case you can't say, "Oh, sod it, bring it through the French windows"' Victoria Wood 'It's not easy being a mother. If it were, fathers would do it' Dorothy, The Golden Girls Motherhood is a tough job and a serious business. Which means there's all the more reason to step back and see the funny side of it, and Just Like Mum Says is packed with humorous insights and wry observations on all matters maternal. Tracing the course of mothering through pregnancy, the terrible twos, the teenage years and the empty nest, Just Like Mum Says includes wise and witty words from celebrated matriarchs from Marge Simpson to Sharon Osbourne, and Victoria Beckham to Victoria Wood. In short, Just Like Mum Says amuses, delights, enlightens and touches the heart - just like Mum. 'When my husband comes home, if the kids are still alive, I figure I've done my job' Roseanne

Brutal, brave, hilarious -- a full-frontal memoir about surviving the very worst that life can throw at you. Rosie Waterland has never been cool. Growing up in housing commission, Rosie was cursed with a near perfect, beautiful older sister who dressed like Mariah Carey on a Best & Less budget while Rosie was still struggling with various toilet mishaps. She soon realised that she was the Doug Pitt to her sister's Brad, and that cool was not going to be her currency in this life. But that was only one of the problems Rosie faced. With two addicts for parents, she grew up amidst rehab stays, AA meetings, overdoses, narrow escapes from drug dealers and a merry-go-round of dodgy boyfriends in her mother's life. Rosie watched as her dad passed out/was arrested/vomited, and had to talk her mum out of killing herself. As an adult, trying to come to grips with her less than conventional childhood, Rosie navigated her way through eating disorders, nude acting roles, mental health issues and awkward Tinder dates. Then she had an epiphany: to stop pretending to be who she wasn't and embrace her true self -- a girl who loved drinking wine in her underpants on Sunday nights -- and become an Anti-Cool Girl. An irrepressible, blackly comic memoir, Rosie Waterland's story is a clarion call for Anti-Cool Girls everywhere. 'Individual, wounded, brilliant and hilarious' Sydney Morning Herald 'If Augusten Burroughs and Lena Dunham abandoned their child in an Australian housing estate, she'd write this heartbreaking, hilarious book. It made me laugh uproariously, then feel terrible for her, then laugh all over again. Sorry, Rosie.' Dominic Knight, The Chaser 'Hilarious, wise, gutsy, clear-eyed, devastating and uplifting. It's a marvel.' Richard Glover The Anti Cool Girl was shortlisted for the 2016 Indie Book Awards and for the 2016 ABIA Awards for Biography of the Year, and in addition was the Winner of the 2016 ABIA Awards People's Choice for the Matt Richell Award for New Writer of the Year

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.

"The new year was already some hours old, but the world to which it had come was still dark. Dark with a curious obscurity, that was absolutely opaque yet faintly luminous, because of the white fog which lay on all things and hid them from the stars; for the sky above was clear, cold, almost frosty. That was why the fog, born, not of cool vapour seeking for cloud life among the winds of heaven, but of hot smoke loving the warmth of dust and ashes, clung so closely to the earth; to its birthplace. It was an acrid, bitter smoke, not even due to the dead hearthfires of a dead day, since they--like all else pertaining to the domestic life of India--give small outward sign of existence, but to the smouldering piles of litter and refuse which are lit every evening upon the outskirts of human habitation. Dull heaps with a minimum of fire, a maximum of smoke, where the humanity which has produced the litter, the refuse, gathers for gossip or for warmth. Even in the fields beyond the multitude of men, where some long-limbed peasant, watching his hope of harvest, dozes by a solitary fire, this same smoke rises in a solid column, until--beaten down by the colder moister air above--it drifts sideways to spread like a vast cobweb over the dew-set carpet of green corn. ... --Taken from prologue

"I tore through this urgent, timely, and deeply disturbing tale.”—Andrea Bartz, New York Times bestselling author of We Were Never Here Spine-chilling and sharp, Anne Heltzel's Just Like Mother is a modern gothic from a fresh new voice in horror, and “will disturb readers to their core.” (Library Journal) A GoodReads Choice Award Finalist for Best Horror, and named one of the Best Books of 2022 by LitReactor! The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry—baby fever comes with the territory. The more Maeve immerses herself in Andrea’s world, the more disconnected she feels from her life back in the city; and the cousins’ increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come... "A fierce, frightening novel."—Rachel Harrison, author of Cackle At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home. Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.