In the twelfth book in an acclaimed series, retired Amsterdam policeman Henk Grijpstra gets a frantic telephone call from his old partner, Rinus de Gier, who thinks he may have killed his girlfriend. He is being blackmailed and can’t remember if he did it; he was just too drunk. But if he did, where is the corpse? Would his old partner please fly over to the US at once? Urged on by their former superior officer, the commissaris, Grijpstra grudgingly travels to Maine to rescue his partner and to confront his own demons as well as de Gier’s.

During a random break-in, three heroin addicts discover the corpse of banker Martin Ijsbreker. They arrange his death to look like a suicide and flee with his valuables, but are found dead of an overdose the next day. The investigating officer dismissed their deaths as an accident, but the commissaris suspects that his cousin and childhood nemesis, Willem Fernandus, murdered Ijsbreker to protect his own shares in the dead man’s bank. When the two finally confront each other as adversaries, someone will die.

Retired Amsterdam policeman Grijpstra receives a frantic late-night phone call from his old partner, de Gier—now living on an island near Jameson, Maine—who fears he may have accidentally killed his girlfriend. He is being blackmailed and can’t remember if he did it; he was just too drunk. Would his old partner please fly over at once? Grijpstra grudgingly makes his way to the US to help his old partner and confronts his own demons along the way.

The beloved Amsterdam Cops - Henrik Grijpstra and Rinus de Gier - have appeared in fourteen novels and thirteen short stories. All of the stories are now collected in this volume and are published here for the first time in paperback. 'The changes van de Wetering rings on the short-story formula do more than any other recent writer's work to inspire confidence in the form.' Kirkus Review 'Excellent news for fans...a series of first class crime stories.' - Bookman News

The ninth Amsterdam Cops mystery Sergeant de Gier spots a vulture at the scene of a murder in Amsterdam’s red light district. The victim, a despicable and widely hated pimp, is now only a police matter to be disposed of with typical Dutch tidiness. However, once Grijpstra, de Gier and the canny commissaris get involved, their search leads to a denouement infinitely more shocking than the crime itself.

Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairytale while exploring the classic Southern themes of good and evil.

They take place on desolate highways, in a dark and lonely wood, in ordinary neighborhoods just like your own. Tales of everyday people caught up in indomitable situations. Dread-inducing moments with an air of plausibility-while you hope to god they aren't actually true. Urban legends, modern folklore, or creepypasta. Whatever you call them, they represent shards of our deepest anxieties as individuals, as a society. CORPSE COLD: NEW AMERICAN FOLKLORE evokes the spirit of the campfire tales you heard as a kid. This 20-story anthology offers refreshing, mature reinterpretations of time-tested stories, and wholly original legends that explore the twisted labyrinth of modern myth. Each tale is brought to life and made all the more unsettling by the striking, grisly illustrations of artist Chad Wehrle.

“A twisty, cold-case mystery custom made for fans of Sara Shepard, PLL and Veronica Mars! The edge-of-your-seat plot, sinister backstory and smart, brave and irreverent main character made this whodunit unputdownable.”—Justine Magazine In To Catch a Killer, a contemporary mystery by debut author Sheryl Scarborough, a teenage girl uses forensic science to solve the cold-case murder of her mother. Erin Blake has one of those names. A name that is inextricably linked to a grisly crime. As a toddler, Erin survived for three days alongside the corpse of her murdered mother, and the case—which remains unsolved—fascinated a nation. Her father's identity unknown, Erin was taken in by her mother's best friend and has become a relatively normal teen in spite of the looming questions about her past. Fourteen years later, Erin is once again at the center of a brutal homicide when she finds the body of her biology teacher. When questioned by the police, Erin tells almost the whole truth, but never voices her suspicions that her mother's killer has struck again in order to protect the casework she's secretly doing on her own. Inspired by her uncle, an FBI agent, Erin has ramped up her forensic hobby into a full-blown cold-case investigation. This new murder makes her certain she's close to the truth, but when all the evidence starts to point the authorities straight to Erin, she turns to her longtime crush (and fellow suspect) Journey Michaels to help her crack the case before it's too late. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Pablo Neruda's debut, never before published in its entirety in English, is the latest volume in Copper Canyon's best-selling series.

An emerging cult classic about America's cultural meltdown—and a surprising solution. A prophetic examination of Western decline, The Twilight of American Culture provides one of the most caustic and surprising portraits of American society to date. Whether examining the corruption at the heart of modern politics, the "Rambification" of popular entertainment, or the collapse of our school systems, Morris Berman suspects that there is little we can do as a society to arrest the onset of corporate Mass Mind culture. Citing writers as diverse as de Toqueville and DeLillo, he cogently argues that cultural preservation is a matter of individual conscience, and discusses how classical learning might triumph over political correctness with the rise of a "a new monastic individual"—a person who, much like the medieval monk, is willing to retreat from conventional society in order to preserve its literary and historical treasures. "Brilliantly observant, deeply thoughtful ....lucidly argued."—Christian Science Monitor