Jurji Zaidan was one of the leading thinkers of the Arab renaissance. Through his historical novels, his widely read journal, al-Hilal, which is still published today, and his scholarly works, he forged a new cultural Arab identity. In this book, Philipp shows how Zaidan popularized the idea of society that was based on science and reason, and invoked its accessibility to all who aspired to progress and modernity. In the first section, Philipp traces the arc of Zaidan’s career, placing his writings within the political and cultural contexts of the day and analyzing his impact on the emerging Arab nationalist movement. The second part consists of a wide selection of Zaidan’s articles and book excerpts translated into English. These pieces cover such fields as religion and science, society and ethics, and nationalism. With the addition of a comprehensive bibliography, this volume will be recognized as the authoritative source on Zaidan, as well as an essential contribution to the study of Arabic cultural history.

Jurji Zaidan's Contributions to Modern Arab Thought and Literature consists of a series of essays commissioned by the Zaidan Foundation for a Symposium sponsored by the Library of Congress, the Kluge Center and the Zaidan Foundation and held at the Library of Congress on June 5th, 2012 in Washington DC. The essays were prepared by a group of eminent scholars in literature, history and other disciplines in leading universities in the US, Canada, France and the Middle East working on the Nahda or Arab awakening of the late nineteenth and early twentieth centuries and, in particular, on Jurji Zaidan's leading role in this movement. The scope of the essays cover many areas that Zaidan influenced in important ways-in particular his role as historical novelist, journalist, political scientist, educator and social reformer. Contributors include Professors Roger Allen of the University of Pennsylvania, Georges Corm of Saint-Joseph University, Michael Cooperson of UCLA, Anne-Laure Dupont and Zaïneb Ben Lagha from the Sorbonne, Marwa Elshakry from Columbia University, William Granara from Harvard University, Jens Hanssen from the University of Toronto, Thomas Philipp from Erlangen-Nürnberg, as well as Dr Ismail Serageldin, Director of the Library of Alexandria and Dr George C. Zaidan. Additionally, this volume includes translated articles by Jurji Zaidan relevant to some of the themes of the essays. This volume complements another work sponsored by the Zaidan Foundation entitled "Jurji Zaidan and the Foundations of Arab Nationalism" by Thomas Philipp and published by Syracuse University Press. The latter book focuses on an evaluation of how Jurji Zaidan's approach to history and the Arabic language shaped Arab nationalism

How Arabic influenced the evolution of vernacular literatures and anticolonial thought in Egypt, Indonesia, and Senegal Sacred Language, Vernacular Difference offers a new understanding of Arabic’s global position as the basis for comparing cultural and literary histories in countries separated by vast distances. By tracing controversies over the use of Arabic in three countries with distinct colonial legacies, Egypt, Indonesia, and Senegal, the book presents a new approach to the study of postcolonial literatures, anticolonial nationalisms, and the global circulation of pluralist ideas. Annette Damayanti Lienau presents the largely untold story of how Arabic, often understood in Africa and Asia as a language of Islamic ritual and precolonial commerce, assumed a transregional role as an anticolonial literary medium in the nineteenth and twentieth centuries. By examining how major writers and intellectuals across several generations grappled with the cultural asymmetries imposed by imperial Europe, Lienau shows that Arabic—as a cosmopolitan, interethnic, and interreligious language—complicated debates over questions of indigeneity, religious pluralism, counter-imperial nationalisms, and emerging nation-states. Unearthing parallels from West Africa to Southeast Asia, Sacred Language, Vernacular Difference argues that debates comparing the status of Arabic to other languages challenged not only Eurocentric but Arabocentric forms of ethnolinguistic and racial prejudice in both local and global terms.

The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.

“With extraordinary linguistic range, Calderwood brings us the voices of Arabs and Muslims who have turned to the distant past of Spain to imagine their future.” —Hussein Fancy, Yale University How the memory of Muslim Iberia shapes art and politics from New York and Cordoba to Cairo and the West Bank. During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth or in Poems shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa. From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same past may be imagined, but the present-day communities and future visions those relationships foster are real. Where do these notions of al-Andalus come from? How do they translate into aspiration and action? Eric Calderwood traces the role of al-Andalus in music and in debates about Arab and Berber identities, Arab and Muslim feminisms, the politics of Palestine and Israel, and immigration and multiculturalism in Europe. The Palestinian poet Mahmud Darwish once asked, “Was al-Andalus / Here or there? On earth ... or in poems?” The artists and activists showcased in this book answer: it was there, it is here, and it will be.

Explores the many facets of Arab political thought from the nineteenth century to the present day.

What is the relationship between thought and practice in the domains of language, literature and politics? Is thought the only standard by which to measure intellectual history? How did Arab intellectuals change and affect political, social, cultural and economic developments from the eighteenth to the twentieth centuries? This volume offers a fundamental overhaul and revival of modern Arab intellectual history. Using Hourani's Arabic Thought in the Liberal Age, 1798–1939 (Cambridge, 1962) as a starting point, it reassesses Arabic cultural production and political thought in the light of current scholarship and extends the analysis beyond Napoleon's invasion of Egypt and the outbreak of World War II. The chapters offer a mixture of broad-stroke history on the construction of 'the Muslim world', and the emergence of the rule of law and constitutionalism in the Ottoman empire, as well as case studies on individual Arab intellectuals that illuminate the transformation of modern Arabic thought.

From the “Great Arab Revolt” against Ottoman rule in World War I to the upheavals of the Arab Spring, this text analyzes a century of modern Arab history through the lens of three intertwined notions: the idea of a single Arab nation, the reality of multiple Arab states, and the competition between them over both concrete and symbolic interests. These concepts are presented against the background of Great Power involvement in the region, regional issues such as the Arab-Israeli conflict and the Iran-Iraq war, and the rise of political Islam. The evolution of regional Arab politics is examined from its infancy at the beginning of the 20th century to the profound challenges posed by the upheavals of the Arab Spring, and through the emergence of multiple Arab states organized under the League of Arab States, the pan-Arab heyday of Gamal Abdel Nasser between 1955 and 1967, and the subsequent consolidation of a multi-polar Arab state system. This history highlights the changing nature of modern Arab identity, the achievements and shortcomings of Arab state formation processes, and the influence of enduring communal, tribal, religious and ethnic identities on the modern Arab order. Altogether, these factors help explain contemporary Arab realities and why the Arab nationalist dream of achieving power and prosperity in line with an idealized image of the past, has proven elusive. This failure, in turn, has fueled both the recent upheavals and limited the prospects for successful outcomes. This broad and readable synthesis covers the political, economic, social, and cultural history of the Arab region. By reexamining what “being Arab” means today, politically and culturally, it will be a valuable text to students seeking to understand the modern Middle East.

This volume aims at confronting the image of the Middle East as a region that is fraught with totalitarian ideologies, authoritarianism and conflict. It gives voice and space to other, more liberal and adaptive narratives and discourses that endorse the right to dissent, question the status quo, and offer alternative visions for society.

In this innovative history of reading and writing, Hoda Yousef explores how the idea of literacy and its practices fundamentally altered the social fabric of Egypt at the turn of the twentieth century. She traces how nationalists, Islamic modernists, bureaucrats, journalists, and early feminists sought to reform reading habits, writing styles, and the Arabic language itself in their hopes that the right kind of literacy practices would create the right kind of Egyptians. The impact of new reading and writing practices went well beyond the elites and the newly literate of Egyptian society, and this book reveals the increasingly ubiquitous reading and writing practices of literate, illiterate, and semi-literate Egyptians alike. Students who wrote petitions, women who frequented scribes, and communities who gathered to hear a newspaper read aloud all used various literacies to participate in social exchanges and civic negotiations regarding the most important issues of their day. Composing Egypt illustrates how reading and writing practices became not only an object of social reform, but also a central medium for public exchange. Wide segments of society could engage with new ideas about nationalism, education, gender, and, ultimately, what it meant to be part of "modern Egypt."