Jurgen, A Comedy of Justice is a fantasy novel by American writer James Branch Cabell, which gained fame (or notoriety) shortly after its publication in 1919. It is a humorous romp through a medieval cosmos, including a send-up of Arthurian legend, and excursions to Heaven and Hell as in The Divine Comedy. Cabell's work is recognized as a landmark in the creation of the comic fantasy novel, influencing Terry Pratchett and many others.

Satiric and symbolic romance in which Manuel's widow institutes the cult of the Redeemer of Poictesme.

Figures of Earth is the second installment in James Branch Cabell’s Biography of the Life of Manuel, set in the imaginary province of Poictesme. Young Manuel is a simple, well-liked swineherd who is often seen continually reshaping a small figure he made from the marsh clay from the pool of Haranton. One day, a stranger appears and tells Manuel of an adventure to save the Count of Arnaye’s daughter from a wizard who carried her off to the gray mountain called Vraidex. Manuel accepts this adventure (and many more that follow)—and his life will never be the same. The book was originally published in 1921 and was dedicated to “six most gallant champions,” each of whom were real persons who came to Cabell’s defense during the legal battle over alleged obscenity in his previous novel, Jurgen. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

In this fascinating work of historical fiction, Pulitzer Prize-winning author Lawrence Wright captures all the gripping drama and black humor of Panama during the final, nerve-racking days of its legendary dictator, Manuel Antonio Noriega. It is Christmas 1989, and Tony Noriega's demons are finally beginning to catch up with him. A former friend of President Bush, Fidel Castro, and Oliver North, this universally reviled strongman is on the run from the U.S. Congress, the Justice Department, the Colombian mob, and a host of political rivals. In his desperation, he seeks salvation from any and all quarters -- God, Satan, a voodoo priest, even the spirits of his murdered enemies. But with a million-dollar price on his head and 20,000 American soldiers on his trail, Noriega is fast running out of options. Drawn from a historical record more dramatic than even the most artful spy novel, God's Favorite is a riveting and darkly comic fictional account of the events that occurred in Panama from 1985 to the dictator's capture in 1989. With an award-winning journalist's eye for detail, Lawrence Wright leads the reader toward a dramatic face-off in the Vatican embassy, where Noriega confronts his psychological match in the papal nuncio.

Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.

There is a cancer at the heart of the mighty Cerani Empire: a plague that attacks young and old, rich and poor alike. Geometric patterns spread across the skin, until you die in agony, or become a Carrier, doing the bidding of an evil intelligence, the Pattern Master. Anyone showing the tell-tale marks is put to death; that is Emperor Beyon's law... but now the pattern is running over his arms. His body servants have been executed, he ignores his wives, but he is doomed, for soon the pattern will reach his face. While Beyon's agents scour the land for a cure, Sarmin, the Emperor's only surviving brother, awaits his bride, Mesema, a windreader from the northern plains. Unused to the Imperial Court's stifling protocols and deadly intrigues, Mesema has no one to turn to but an ageing imperial assassin, the Emperor's Knife. When Beyon's patterns are revealed and the Grand Vizier seizes the throne, the Knife spirits her to safety. As long-planned conspiracies boil over into open violence, the invincible Pattern Master appears from the deep desert. Now only three people stand in his way: a lost prince, a world-weary killer, and a young girl from the steppes who saw a path in a pattern once, among the waving grasses - a path that just might save them all.

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.