Scott Mitchell, Britain’s toughest private eye, finds himself marked for murder in this gritty hardboiled mystery. In a freezing London flat, Scott Mitchell fights to stay warm. His thermos is empty and his hands are numb, but he keeps his vigil for the best reason in the world: He needs the money. A sleazy developer hired him to keep track of the comings and goings in the building across the road, but after too many hours of inactivity, Mitchell decides to do something unorthodox. He goes across the street and lets himself inside. It’s the worst decision he’ll ever make. Mitchell has just stepped inside when a blackjack cracks him across the skull, and he crashes to the floor. When he comes to, he finds a photo of a beautiful woman—and a dead girl lying on the bed. Mitchell has fallen face-first into a murder scene, and it won’t be long before he’s wishing he’d frozen instead. A hardboiled mystery in the tradition of Raymond Chandler and John D. MacDonald, Junkyard Angel grips readers from the first page and doesn’t let go. From the creator of legendary detective Charlie Resnick, the Scott Mitchell Mysteries give us the toughest private eye to ever walk the streets of London. Junkyard Angel is the 3rd book in the Scott Mitchell Mysteries, but you may enjoy reading the series in any order.

Dead End Beach It’s the end of the road, the last town on the road and the very last beach at the end of the road. It’s the end of the season. The party is shaping up to be the biggest party-til-you-drop long time. The biker from Louisiana, Fawke has been waiting for this opportunity to get Irene out of the bar and into a situation where he can get to know her better. What he chooses to do depends on Irene. If he’s leaving he must decide soon. There are only a few weeks between fall and winter. Wild in Willow A family Christmas celebration scheduled early due to the oldest son's business commitments has his parents on edge. A growing schism between the oldest son and his parents threatens to fracture the family beyond repair. The youngest daughter hasn’t confided her pregnancy to the parents. Things will get Wild in Willow. Price of the Little Blue Pill Growing old isn’t for wusses. If they must spend their thirtieth wedding anniversary on the garage floor, Andy wants to do a bang-up job. Getting it up and doing it right is getting harder by the day. But his beloved wife, Sugar, doesn’t want him taking the little blue pill. How much can Andy sneak past her? What will the little blue pill cost him? The Father-in-Law Effect His Father-in-law is making his life miserable. His uncle ran off to Hawaii and the young father is a manager without authority. An out of town project will take more time from his family. His wife and mother-in-law are going to make changes. Homesteader Christmas Disaster Sweet story of Christmas deferred. Winner of the 2016 Scribe Awards, Best Anthology, Holiday Heartwarmers!. A pregnant pig, the failure of an electrical breaker and below zero temperatures make it hard for Tina Jean to keep the homestead running until Jimmy and their oldest son, Kyle get home, somehow. Iceworm Ida worries about her parents and their marriage. Is her mother tired of living at the end of a dirt road the state closes in winter? If her mother intends to leave, Ida isn't going with her, and the old cabin will be a good place to hide. Back Bay A young woman must leave her isolated home. Before leaving she finds something in the waters of Back Bay.

Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.

Canbur Rock, a frozen mountain town. Underneath it, something is boiling. But even as the heat eats everything that is alive on the mountainside, it may not be enough to thaw human coldness. Five young men and women—some growing up, others down— will enter the furnace—some encounter adventure, others war—and bring back to the surface whatever they may find. Those who find adventure will burn. Those who find war will freeze. No matter which direction you chose to go, it will be away from home.

Alive with insight, wit and Dyer's characteristic irreverence, this collection of essays offers a guide around the cultural maze, mapping a route through the worlds of literature, art, photography and music. Besides exploring what it is that makes great art great, Working the Room ventures into more personal territory with extensive autobiographical pieces - 'On Being an Only Child', 'Sacked' and 'Reader's Block', among other gems. Dyer's breadth of vision and generosity of spirit combine to form a manual for ways of being in - and seeing - the world today.

Trash has been blowing across the rock'n'roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's "trash trope." Trash is an obvious physical presence on the rock scene -- think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. But Is It Garbage? spills over with challenging insights into how rock's creators, critics, and consumers transform, and are transformed by, trash as a fact and a concept. In the music's preoccupation with its own trashiness readers will perceive a wellspring of rock innovation and inspiration -- one largely overlooked and little understood until now.

Written by longtime fan and author of the popular Damned website, Barry Hutchinson, celebrates the band's first 20 years - often referred to as the chaos years.

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A savage journey into the heart of Hunter S. Thompson's Las Vegas with the Good Doctor as tour guide. A Lord-of-the-Rings-like adventure in the city's underground flood channels. A seven-day stay at a seedy motel on East Fremont Street. The stories in My Week at the Blue Angel aren't about Steve Wynn, Cirque du Soleil, or how to play poker, and they aren't set in Caesars Palace, XS Nightclub, or a 2,000-seat showroom. They're about prostitutes, ex-cons, and the homeless, and they're set under Caesars Palace and in trailer parks and weekly motels. In this creative nonfiction collection, Matthew O'Brien--author of Beneath the Neon: Life and Death in the Tunnels of Las Vegas--and veteran photographer Bill Hughes show a side of the city rarely seen. A side beyond the neon lights, themed facades, and motel-room doors. A side beyond the barbwire fences, No Trespassing signs, and midnight shadows.