From award-winning author John Elizabeth Stintzi, Junebat is a form- and gender-disrupting debut collection that grapples with the pain of uncertainty on the path towards becoming. John Elizabeth Stintzi’s unforgettable debut collection, Junebat, grapples with the pain of uncertainty on the path towards becoming. Set during the year Stintzi lived in deep isolation in Jersey City, NJ, these poems map the depression the poet struggled with as they questioned and came to grips with their gender identity. Through the invention of the Junebat — a contradictory, evolving, ever-perplexing creature — Stintzi is able to create a self-defined space within the poems where they can reside comfortably, beyond the firm boundaries of the gender binary or the plethora of identities gathered under the queer umbrella. As the speaker of the poems begins to emerge from their depression, the second wing of the book tracks their falling in love with a young woman surfacing from the end of her marriage. Challenging, heartbreaking, soaring, and powerfully new, the poems in Junebat demolish false walls and pull the reader to the dark edges of the mind, showing us how identity doesn’t have to be rigid or static but can be defined by confusion and contradiction, possibility and a metamorphosis that never ends.

Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen -- almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again -- only this time, they’re running back to their mother. Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease -- they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured. This beautiful, tenderly written debut novel by Bronwen Wallace Award for Emerging Writers winner John Elizabeth Stintzi explores what haunts us most, bearing witness to grief over not only what is lost, but also what remains. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

The brilliant new novel from the fiercely talented author of Vanishing Monuments, shortlisted for the Amazon Canada First Novel Award On the morning of June 2, 2016, a jogger in Central Park notices a mass of stone in the centre of the reservoir, a mass that—three weeks later—will have grown into an active stratovolcano nearly two and a half miles tall. This inexplicable event seems to coincide with an escalation of strange phenomena happening around the world. For readers of Karen Tei Yamashita and Haruki Murakami and fans of David Mitchell’s Cloud Atlas and Olga Tokarczuk’s Flights, My Volcano sets the mythic and absurd against the starkly realistic, attempting to portray what it feels like to live in a burning world stricken numb. My Volcano is a pre-apocalyptic vision following a global and diverse cast of characters, each experiencing private and collective eruptions: an eight-year-old boy in Mexico City finds himself 500 years in the past, where he lives through the fall of the Aztec Empire; a folktale scholar in Tokyo studies a story with indeterminate origins about a woman coming down a mountain to destroy villages and towns; a white trans writer living in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse with Doctors without Borders works with Syrian refugees in Greece as she tries to grapple with the trauma of surviving an American bombing of a hospital in Kunduz, Afghanistan; a nomadic herder in Mongolia is stung by a bee and finds himself transformed into a green, thorned, flowering creature that aims to cleanse the world’s most polluted places on its path toward assimilating every living thing on Earth into its consciousness. With audacious structure and poetic prose, My Volcano is an electrifying tapestry on fire. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

"Hats and Bats"! Underestimate the Mad Hatter at your own peril. Batman takes on one of his most dangerous and deranged foes in a mind-bending tale from the powerhouse creative team of writer Scott Snyder and artist Giuseppe Camuncoli!

Daniel is a young Métis man searching for a way to exist in a world of lateral violence, intergenerational trauma and systemic racism. Facing obstacles of his own at every turn, he observes and learns from the lived realities of his family members, friends, teachers and lovers. He finds hope in the inherent connection of Indigenous Peopls to the land, and the permanence of culture, language and ceremony in the face of displacement. Set in Edmonton, this story considers Indigenous youth in relation to the urban constructs and colonial spaces in which they survive—from violence, whitewashing, trauma and racism to language revitalization, relationships with Elders, restaking land claims and ultimately, triumph. Based on Papaschase and Métis oral histories and lived experience, Conor Kerr’s debut novel will not soon be forgotten.

In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

A revelatory book about gender, mental illness, parenting, mortality, bike mechanics, work, class, and the task of living in a body. Inquisitive and expansive, Like a Boy but Not a Boy explores author andrea bennett's experiences with gender expectations, being a non-binary parent, and the sometimes funny and sometimes difficult task of living in a body. The book's fourteen essays also delve incisively into the interconnected themes of mental illness, mortality, creative work, class, and bike mechanics (apparently you can learn a lot about yourself through trueing a wheel). In ''Tomboy,'' andrea articulates what it means to live in a gender in-between space, and why one might be necessary; ''37 Jobs 21 Houses'' interrogates the notion that the key to a better life is working hard and moving house. And interspersed throughout the book is ''Everyone Is Sober and No One Can Drive,'' sixteen stories about queer millennials who grew up and came of age in small Canadian communities. With the same poignant spirit as Ivan Coyote's Tomboy Survival Guide, Like a Boy addresses the struggle to find acceptance, and to accept oneself; and how one can find one's place while learning to make space for others. The book also wonders what it means to be an atheist and search for faith that everything will be okay; what it means to learn how to love life even as you obsess over its brevity; and how to give birth, to bring new life, at what feels like the end of the world. With thoughtfulness and acute observation, andrea bennett reveals intimate truths about the human experience, whether one is outside the gender binary or not.

The Rapids is an exploration of manic depression (also known as bipolar disorder). With reflections on artists such as Carrie Fisher, Kanye West, Saul Bellow, Paul Thomas Anderson, and Spalding Gray, Sam Twyford-Moore takes readers on a literary and cultural tour of mania and what it means to live with a diagnosis of "bipolarity" in contemporary society. He also looks at the condition in our digital world, where someone’s manic episode can unfold live in real time, watched by millions. His own story, told unflinchingly, is shocking and sometimes darkly comic. It gives the book an edge that is not always comfortable but full of insight and empathy. Smart, lively, and well-researched, The Rapids manages to be both a wild ride and introspective at once, exploring a condition that touches thousands of people, directly or indirectly.