‘What do you do when the Second Coming is scheduled for next Wednesday? . . . Assemble at your nearest church? Make sure you’ve got clean underwear on? Confess those last sins? Send some goodbye texts to unbelieving friends? Take Paracetamol in case the rapture gives you the bends?’ Those and other neglected theological questions are rigorously examined in this book. With its gently satirical take on some of the weird ways in which people express their beliefs, it’s a book that will help you appreciate the true value of religion by exploring the comedy of its wilder excesses. Whether you’re a believer or a non-believer, fond of religion or a more than just a bit suspicious of it, you’ll find your assumptions are far from safe after reading it!

This book deals with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world. It reflects an increasingly popular leitmotif in literature and visual arts of the 21st century: humanity’s fear of extinction and its quest for survival -- in revenant, supernatural, or living human form. It is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The third, The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016), focused on a range of supernatural beings in literature, film, and other forms of popular culture.

Fifteen-year-old Morag Narmo really doesn't want to go to school any more. She and her siblings would rather feed their heads into the waste-disposal unit than "do the academical". So they are all stunned when their parents whisk them out of school and embark on a home-schooling experiment. But with five children, two unruly pets and some extremely eccentric attitudes, the educational experiment soon descends into chaos... Witty, razor-sharp and laugh-out-loud funny, The Chronicles of Narmo show us how before Caitlin Moran knew How to be a Woman, she had to find out How to be a Girl.

'What do you do when the Second Coming is scheduled for next Wednesday? . . . Assemble at your nearest church? Make sure you've got clean underwear on? Confess those last sins? Send some goodbye texts to unbelieving friends? Take Paracetamol in case the rapture gives you the bends?' Those and other neglected theological questions are rigorously examined in this book. With its gently satirical take on some of the weird ways in which people express their beliefs, it's a book that will help you appreciate the true value of religion by exploring the comedy of its wilder excesses. Whether you're a believer or a non-believer, fond of religion or a more than just a bit suspicious of it, you'll find your assumptions are far from safe after reading it!

Robert Saler examines the small but influential Death to the World movement in US Eastern Orthodox Christianity. Presenting a case study in theological aesthetics, Saler demonstrates how a relatively small consumer phenomenon within US Eastern Orthodoxy sits at the centre of a variety of larger questions, including: - The relationship between formal ecclesial and para-church structures - The role of the Internet in modern religiosity - Consumer structures and patterns as constitutive of piety - How theology can help us understand art and vice versa Understanding "Death to the World" as an instance of lived religion tied to questions of identity, politics of religious purity, relationships to capitalism, and concerns over conspiracy theory helps us to see how studies of uniquely American Eastern Orthodox identity must address these broader cultural strands.

In these incendiary essays, George Monbiot tears apart the fictions of religious conservatives, the claims of those who deny global warming and the lies of the governments and newspapers that led us into war. He takes no prisoners, exposing government corruption in devastating detail while clashing with people as diverse as Bob Geldof, Ann Widdecombe and David Bellamy. But alongside his investigative journalism, Monbiot's book contains some remarkable essays about what it means to be human. Monbiot explores the politics behind Constable's The Cornfield, shows how driving cars has changed the way we think and argues that eternal death is a happier prospect than eternal life.

A CATALOGUE OF THE EXTRAORDINARY, THE STRANGE AND THE DOWNRIGHT CREEPY... Discover the unexplained mysteries and unsettling oddities of the modern world, from a beach in British Columbia awash with human feet, to the 'tulpamaneers' who claim to be channeling the living spirit of My Little Pony. Ponder terrifying thought experiments (can you think yourself to death?), and reflect on life's great questions (was the Garden of Eden located in Bedford?). In THE MYSTERIUM David Bramwell and Jo Keeling (authors of THE ODDITORIUM), present a user guide to the strange and unexplained corners of modern life. THE MYSTERIUM catalogues a host of bizarre, funny and intriguing stories for a post-Nessie generation still fascinated by the unknowable. Drawing on contemporary folklore, unsolved mysteries, and unsettling phenomena from the dark corners of the internet, this book celebrates the joy of asking questions and the thrill of finding answers which stop you dead in your tracks. Featuring a group of men who scared themselves to death, Space's version of the Bermuda Triangle, a cat who can sniff out the dying and the tale of Slenderman, the monster who stepped out of Photoshop and into our nightmares, this fascinating book is a catalogue of the extraordinary, the strange, the mysterious and the downright creepy. Includes a Foreword by Dan Schreiber, comedian and host of the No Such Thing As A Fish podcast.

- 'Are we not here now;' - continued the corporal, 'and are we not' - (dropping his hat plumb upon the ground - and pausing, before he pronounced the word) - 'gone! in a moment?' The descent of the hat was as if a heavy lump of clay had been kneaded into the crown of it. - Nothing could have expressed the sentiment of mortality, of which it was the type and forerunner, like it, - his hand seemed to vanish from under it - it fell dead... Ye who govern this mighty world and its mighty concerns with the engines of eloquence [...] meditate, I beseech you, upon Trim's hat. The subject of this book grew naturally, over many years, from Sandy's academic work, especially that on Pope, Swift, and Johnson, and some versions of it have appeared in essay form or as chapters in earlier publications.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.