Jekk Turner was given an order to save me but he came too late as I was already caught between the realms. I had become accustomed to a life filled with betrayal, torment and loss. Even my daughter manoeuvred me but my life wasn’t a game. It was a story and I was the only one who could provide an ending. To get there, I had to endure mixed emotions and spirits whilst living through a divorce. Sometimes, we have to let go of those we love to find out who we really are. And once realised, I found myself living where the gods are real and where I could bind my soul. I share with you my journal, which I wrote, when I existed amongst you as Juliette Miller.

On the run from a lecherous laird, a Scottish kitchen maid stumbles into the life of a dutiful warrior in this historical romance series debut. Since her adoption by peasants of the Ogilvie Clan, Roses has been marked as an outsider. Her fair hair and golden complexion set her apart, as does a mysterious tattoo she keeps hidden at all costs. So, when Laird Ogilvie corners her with an indecent proposal, Roses has no ties to stop her from fleeing. Outcast and alone, her escape across the Highlands is interrupted by Wilkie Mackenzie, the wild and handsome brother of nearby Clan Mackenzie’s leader. Wilkie is honor bound to marry into the family of a valuable ally. But when Roses sweeps him off his feet—literally—settling for an arranged match is no longer an option. Torn between duty and desire, Wilkie dedicates himself to Roses’s protection, but Laird Ogilvie knows her secret and will stop at nothing to steal Roses back. Now, these star-crossed lovers find themselves in a fight to defend both their hearts—and their lives. Praise for Highlander Claimed “Miller makes a stunning debut with the first in her Clan Mackenzie trilogy. It’s an action-packed romance full of fierce warriors, strong women, rebelling clans and secrets worth killing for. Her well-developed characters, accurate historical settings and dashing heroes will win over readers.” —RT Book Reviews

A rising star is back with her second lavish and scandalous historical tale in her Clan Mackenzie trilogy. In the midst of a Clan divided, two unlikely allies must confront the passion that binds them . . . and the treachery that may part them forever. Original.

In the historical romance, a powerful Highland laird with everything to lose must risk it all for the lass who storms into his keep—and his heart. Raised on the debauched margins of society, Amelia Taylor depends upon her quick wit and fiery spirit to survive. When danger closes in on her already precarious home, she flees into the Highlands and finds refuge in the iron-strong circle of Clan Mackenzie. There, her lack of propriety and intriguing beauty draw the attention of their formidable leader. But to remain safe from pursuit, she must conceal her identity, even if it means deceiving Laird Knox Mackenzie. A fiercely guarded and staunchly moral warrior, Knox never expected a ravishing stranger like Amelia to reawaken his desires. Yet as their heated confrontations unlock untold passion, temptation proves impossible to resist. So, when Amelia’s tapestry of lies begins to unravel, the secrets from her dark past threaten both his Clan and a future they can only dare to dream of . . . Praise for Highlander Taken “Reminiscent of early Johanna Lindsey. . . . Titillating.” —RT Book Reviews

Annie Sullivan was little more than a half-blind orphan with a fiery tongue when she arrived at Ivy Green in 1887. Desperate for work, she’d taken on a seemingly impossible job—teaching a child who was deaf, blind, and as ferocious as any wild animal. But if anyone was a match for Helen Keller, it was the girl who’d been nicknamed Miss Spitfire. In her efforts to reach Helen’s mind, Annie lost teeth to the girl’s raging blows, but she never lost faith in her ability to triumph. Told in first person, Annie Sullivan’s past, her brazen determination, and her connection to the girl who would call her Teacher are vividly depicted in this powerful novel.

Places and spaces are key factors in how individuals and groups construct their identities. Identity theories have emphasised that the construction of an identity does not follow abstract and universal processes but is also deeply rooted in specific historical, cultural, social and material environments. The essays in this volume explore how various groups in Late Antiquity rooted their identity in special places that were imbued with meanings derived from history and tradition. In Part I, essays explore the tension between the Classical heritage in public, especially urban spaces, in the form of ancient artwork and civic celebrations and the Church's appropriation of that space through doctrinal disputes and rival public performances. Parts II and III investigate how particular locations expressed, and formed, the theological and social identities of Christian and Jewish groups by bringing together fresh insights from the archaeological and textual evidence. Together the essays here demonstrate how the use and interpretation of shared spaces contributed to the self-identity of specific groups in Late Antiquity and in so doing issued challenges, and caused conflict, with other social and religious groups.

Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"—including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig—she finds innovative strategies that challenge the conventions of Western narrative.

Dennis Porter argues in Rousseau's Legacy that this cultural idea of the writer - as distinct from the more traditional "man of letters" - first emerged in France in the decades preceding the French revolution, and has continued to exercise a nominative power over intellectual life well into our own day. In Porter's paradigm, Jean-Jacques Rousseau serves as a seminal figure who combined radical critique of existing institutions with a new form of confessional writing and a suspicion of the art of literature.

Profound, lyrical, shocking, wise: the short story is capable of almost anything. This collection of 100 of the finest stories ever written ranges from the essential to the unexpected, the traditional to the surreal. Wide in scope, both beautiful and vast, this is the perfect companion for any fiction lover. Here are childhood favourites and neglected masters, twenty-first century wits and national treasures, Man Booker Prize winners and Nobel Laureates. Featuring an all-star cast of authors, including Kate Atkinson, Julian Barnes, Angela Carter, Anton Chekhov, Richmal Crompton, Charles Dickens, Roald Dahl, Penelope Fitzgerald, Gustave Flaubert, Rudyard Kipling, Somerset Maugham, Ian McEwan, Alice Munro, V.S. Pritchett, Thomas Pynchon, Muriel Spark and Colm Tóibín, THAT GLIMPSE OF TRUTH is the biggest, most handsome collection of short fiction in print today.

The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices. In The Sound of Pictures, Andrew Ford listens to the movies. He speaks to acclaimed directors and composers, discovering radically different views about how much music to use and when. And he explores some of cinema’s most curious sonic moments. How did Alfred Hitchcock use music to plant clues in his films? Why do some ‘mix-tape’ soundtracks work brilliantly and others fall flat? How do classics from A Clockwork Orange to The Godfather, Cinema Paradiso to High Noon, use music and sound effects to enhance what we see on screen? Whether you’re a film-buff or a music lover, The Sound of Pictures will enrich your experience of the movies. ‘Andrew Ford's book is delightfully snippy and entertaining. More importantly, it's also wonderfully informed in a way that will enhance film viewing past, present and future. A hugely enjoyable and revelatory read.’ —Margaret Pomeranz ‘The Sound of Pictures will be joyfully read by movie and music fans alike.’ —Canberra Times ‘Enjoyable and rewarding’ —Adelaide Advertiser ‘Beautifully written’ —Sydney Morning Herald ‘A must read’ —Courier Mail