Revealing much about the workings of the musical world, these conversations will not only be essential reading for composers and composition students, but also contemporary music lovers more generally

Urgent and provocative, We: A Manifesto for Women Everwhere is “part self-help, part social theory, centered in the idea that instead of having it ‘all,’ women can live happier, better lives by becoming more free” (Glamour), from longtime friends Gillian Anderson and Jennifer Nadel. We: A Manifesto for Women Everywhere is an uplifting, timely, and practical manual for creating change in women’s lives, with nine universal principles that help you confront life’s inevitable emotional and spiritual challenges. It’s about transitioning from a me-first culture and imagining what a we-based world might look like. In We, Anderson and Nadel ask why so many women are locked in cycles of depression, addiction, self-criticism, and even self-harm. How much more effective and powerful would we all be if we replaced our current patterns of competition, criticism, and comparison with collaboration, cooperation, and compassion? Putting these values at the center of our lives allows each of us to be happier and more empowered, and to replace harmful habits with a more positive, peaceful, and rewarding way of being. We is a rallying cry for “every woman, everywhere on the planet. Open to any page. And there you will find a truth that can set you free” (Christiane Northrup, MD, author of Women’s Bodies, Women’s Wisdom).

An award-winning journalist’s dramatic account of a shooting that shook a community to its core, with important implications for the future On the last evening of summer in 2013, five shots rang out in a part of northeast Denver known as the Holly. Long a destination for African American families fleeing the Jim Crow South, the area had become an “invisible city” within a historically white metropolis. While shootings there weren’t uncommon, the identity of the shooter that night came as a shock. Terrance Roberts was a revered anti-gang activist. His attempts to bring peace to his community had won the accolades of both his neighbors and the state’s most important power brokers. Why had he just fired a gun? In The Holly, the award-winning Denver-based journalist Julian Rubinstein reconstructs the events that left a local gang member paralyzed and Roberts facing the possibility of life in prison. Much more than a crime story, The Holly is a multigenerational saga of race and politics that runs from the civil rights movement to Black Lives Matter. With a cast that includes billionaires, elected officials, cops, developers, and street kids, the book explores the porous boundaries between a city’s elites and its most disadvantaged citizens. It also probes the fraught relationships between police, confidential informants, activists, gang members, and ex–gang members as they struggle to put their pasts behind them. In The Holly, we see how well-intentioned efforts to curb violence and improve neighborhoods can go badly awry, and we track the interactions of law enforcement with gang members who conceive of themselves as defenders of a neighborhood. When Roberts goes on trial, the city’s fault lines are fully exposed. In a time of national reckoning over race, policing, and the uses and abuses of power, Rubinstein offers a dramatic and humane illumination of what’s at stake.

At once funny, wistful and unsettling, Sum is a dazzling exploration of unexpected afterlives—each presented as a vignette that offers a stunning lens through which to see ourselves in the here and now. In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

With wry wit and touching humor, Louie Anderson, New York Times bestselling author and Emmy Award–winning comedian currently starring in Zach Galifianakis’s Baskets, shares his journey of turning life’s challenges into joy, as well as plenty of wisdom he’s still discovering from his late mother. “I started out writing these letters to my mom, but a few friends said I should write a book. I said ‘okay’ because next to ‘we’ll see,’ ‘okay’ is as non-committal as you can get. But somehow, I stuck with it. I hope you like it. I hope that after you read it, you’ll write or call your own mom—and dad, sister, brother, cousin, nephew. Or have lunch with them. Or breakfast. It doesn’t have to be lunch. But do it now. Don’t wait like I did.” —Louie Louie Anderson has channeled his beloved mom, Ora Zella Anderson, in his stand-up routine for decades, but she died before seeing him reach his greatest heights, culminating in his breakout TV role as Christine Baskets, the mesmerizing character she inspired. Hey Mom is Louie’s way of catching her up on the triumphs, disappointments, and continuing challenges in life. Full of heartache, but also great hope, and of course—given Louie’s inimitable comedic voice—laugh-out-loud stories and his trademark observations on life’s many absurdities, Hey Mom shows a poignant side of Louie you may not know, and proves that he is one of the most nuanced and wide-ranging comics working today.

A Vision of Fire is the explosive first novel from iconic X-Files star Gillian Anderson and New York Times bestselling author Jeff Rovin: “Fans of Douglas Preston and Lincoln Child will find a lot to like” (Publishers Weekly). Renowned child psychologist Caitlin O’Hara is a single mom trying to juggle her job, her son, and a lackluster dating life. Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations starts speaking in tongues and having violent visions. Maanik’s parents are sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when children start having similar outbursts around the world, Caitlin begins to think that there’s a stranger force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably bursts into flame. On the Pakistan border, a young man feels a burning in his chest and, against his will, opens fire on Indian troops. With Asia on the cusp of nuclear war, Caitlin must race across the globe and uncover the supernatural links between these seemingly unrelated cases in order to save her patient—and perhaps the world. The first in a series, A Vision of Fire is a pulse-pounding thriller that will leave you gasping for more.

In December 2010, Julian Assange signed a contract with Canongate Books to write a book – part memoir, part manifesto – for publication the following year. At the time, Julian said: ‘I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.’ In the end, the work was to prove too personal. Despite sitting for more than fifty hours of taped interviews and spending many late nights at Ellingham Hall (where he was living under house arrest) discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: ‘All memoir is prostitution.’ In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract. We disagree with Julian’s assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it – and to publish. This book is the unauthorised first draft. It is passionate, provocative and opinionated – like its author. It fulfils the promise of the original proposal and we are proud to publish it. Canongate Books, September 2011

"I don’t believe in God, but I miss him." So begins Julian Barnes’s brilliant new book that is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on mortality and the fear of death, a celebration of art, an argument with and about God and a homage to the writer Jules Renard. Barnes also draws poignant portraits of the last days of his parents, recalled with great detail, affection and exasperation. Other examples he takes up include writers, "most of them dead and quite a few of them French," as well as some composers, for good measure. The grace with which Barnes weaves together all of these threads makes the experience of reading the book nothing less than exhilarating. Although he cautions us that "this is not my autobiography," the book nonetheless reveals much about Barnes the man and the novelist: how he thinks and how he writes and how he lives. At once deadly serious and dazzlingly playful, Nothing to Be Frightened Of is a wise, funny and constantly surprising tour of the human condition.

"After being forcibly removed from the Ecuadorian Embassy, Julian Assange is now in a high security prison in London where he faces extradition to the United States and imprisonment for the rest of his life. The charges Assange faces are a major threat to press freedom. James Goodale, who represented the New York Times in the Pentagon Papers case, commented: The charge against Assange for conspiring with a source is the most dangerous I can think of with respect to the First Amendment in all my years representing media organizations. It is critical now to build support for Assange and prevent his delivery into the hands of the Trump administration. That is the urgent purpose of this book. A wide range of distinguished contributors, many of them in original pieces, here set out the story of Julian Assange and WikiLeaks, the importance of their work, and the dangers for us all in the persecution they face. In Defense of Julian Assange is a vivid, vital intervention into one of the most important political issues of our day.

Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement offers the first truly comprehensive account of the 1955 murder and its aftermath. It tells the story of Emmett Till, the fourteen-year-old African American boy from Chicago brutally lynched for a harmless flirtation at a country store in the Mississippi Delta. Anderson utilizes documents that had never been available to previous researchers, such as the trial transcript, long-hidden depositions by key players in the case, and interviews given by Carolyn Bryant to the FBI in 2004 (her first in fifty years), as well as other recently revealed FBI documents. Anderson also interviewed family members of the accused killers, most of whom agreed to talk for the first time, as well as several journalists who covered the murder trial in 1955. Till's death and the acquittal of his killers by an all-white jury set off a firestorm of protests that reverberated all over the world and spurred on the civil rights movement. Like no other event in modern history, the death of Emmett Till provoked people all over the United States to seek social change. Anderson's exhaustively researched book is also the basis for HBO's mini-series produced by Jay-Z, Will Smith, Casey Affleck, Aaron Kaplan, James Lassiter, Jay Brown, Ty Ty Smith, John P. Middleton, Rosanna Grace, David B. Clark, and Alex Foster, which is currently in active development. For six decades the Till story has continued to haunt the South as the lingering injustice of Till's murder and the aftermath altered many lives. Fifty years after the murder, renewed interest in the case led the Justice Department to open an investigation into identifying and possibly prosecuting accomplices of the two men originally tried. Between 2004 and 2005, the Federal Bureau of Investigation conducted the first real probe into the killing and turned up important information that had been lost for decades. Anderson covers the events that led up to this probe in great detail, as well as the investigation itself. This book will stand as the definitive work on Emmett Till for years to come. Incorporating much new information, the book demonstrates how the Emmett Till murder exemplifies the Jim Crow South at its nadir. The author accessed a wealth of new evidence. Anderson made a dozen trips to Mississippi and Chicago over a ten-year period to conduct research and interview witnesses and reporters who covered the trial. In Emmett Till Anderson corrects the historical record and presents this critical saga in its entirety.