According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.

Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House," the biographical essay by Virginia Woolf, and the pathbreaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain. Illustrated with over 40 of Julia Margaret Cameron’s greatest photographs, and with an introduction and notes by Tristram Powell.

"Cameron's transition from enthusiastic novice to accomplished artist is revealed in this sensitive study of the woman behind the camera. Colin Ford's unique appraisal of her life and work firmly establishes Julia Margaret Cameron as one of the greatest photographers of all time."--BOOK JACKET.

Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women

A biography of the Pattle family, whose members included the pioneering photographer Julia Margaret Cameron and Maria Jackson, grandmother of Virginia Woolf.

Annals of My Glass House highlights the work of the most famous Victorian woman photographer, Julia Margaret Cameron. Although she did not begin her career until the age of 49, after rearing six children, she produced almost 3,000 photographs from 1864 until her death in 1879. Violet Hamilton's examination of Cameron's photography begins with her first successful recorded work in 1864 and ends in 1874 with her brief autobiography, "Annals of My Glass House", included here. The major thematic categories of her work are considered, including her portraits of prominent Victorians, poetic interpretations of Madonnas and children, and illustrations for Alfred, Lord Tennyson's Idylls of the King. Among Cameron's photographs are intimate studies of her own family and powerful portraits of Victorian artists, writers, and scientists, including historian Thomas Carlyle and astronomer Sir John Herschel.

The story of British photographer Julia Margaret Cameron and her exotic bohemian life.

A depiction of the esteemed Victorian portrait photographer describes her marriage to Charles Hay Cameron, her affectionate correspondence with scientist Sir John Herschel, the technologies that shaped her career, and her work as chronicled by niece Virginia Woolf.

"When fourteen-year-old Mary Hillier delivered a message to photographer Julia Margaret Cameron’s door, little did she know what her life would become... Julia Margaret Cameron received her first camera as a gift when she was forty-eight but her love affair with the medium had already spanned several decades and continents. An enthusiast for this newly invented device, she travelled the world befriending experts who taught her the magic and the science of the lens such as the astronomer John Herschel, and pioneering photographers like her brother in law the Earl Somers and the Swedish risk-taking artist Oscar Rejlander. Beginning as Julia’s parlour maid, Mary went on to become the photographer’s leading model and the focus of the artist’s creative passion. For Julia, Mary personified the heavenly qualities of her quiet corner of England. For Mary, Julia’s influence would echo throughout her life. This is a biography of two women who experienced beauty, love, loss and fame, and created photographs that, in Julia’s own words, ‘should electrify you with delight and startle the world’. Spanning the French Revolution to the 1930s, Light and Love tells the story of a rare partnership of a pioneer and her muse, and how their relationship would change the course of both of their lives"--

"This selection of photographs by Roger Fenton (1819-69) and Julia Margaret Cameron (1815-79) highlights the existence of some of the finest works in the Royal Photograph Collection, by two leading photographers of the nineteenth century."--Introduction.