Intro -- CONTENTS -- ACKNOWLEDGEMENTS -- A CHRONOLOGY OF TWO LIVES -- INTRODUCTION: DUAL BIOGRAPHY -- 1. PRIVATE LIVES -- 2. LAND AND LAW (1879-1929) -- 3. UNITY AND MARGINALITY (1890-1910) -- 4. THE DIMENSIONS OF HOME RULE (1911-1925) -- 5. THE GREAT WAR (1914-18) -- 6. IMAGE, MEMORY AND COMMEMORATION -- ENDNOTES -- IMAGE CREDITS -- INDEX

From the guitarist of the pioneering band Sleater-Kinney, the book Kim Gordon says "everyone has been waiting for" and a New York Times Notable Book of 2015-- a candid, funny, and deeply personal look at making a life--and finding yourself--in music. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the 1990s. They would be cited as “America’s best rock band” by legendary music critic Greil Marcus for their defiant, exuberant brand of punk that resisted labels and limitations, and redefined notions of gender in rock. HUNGER MAKES ME A MODERN GIRL is an intimate and revealing narrative of her escape from a turbulent family life into a world where music was the means toward self-invention, community, and rescue. Along the way, Brownstein chronicles the excitement and contradictions within the era’s flourishing and fiercely independent music subculture, including experiences that sowed the seeds for the observational satire of the popular television series Portlandia years later. With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. Accessibly raw, honest and heartfelt, this book captures the experience of being a young woman, a born performer and an outsider, and ultimately finding one’s true calling through hard work, courage and the intoxicating power of rock and roll.

Draws from a wide range of disciplines to bring together 36 leading scholars writing about 400 years of modern Irish history

Irish nationalist leader John Redmond left no diaries or memoirs, but was a prolific letter-writer. In John Redmond: Selected Letters and Memoranda, 1880–1918, Dermot Meleady skilfully edits Redmond’s correspondence to offer new and first-hand perspectives on key moments in Ireland’s history via the many-faceted postbag of one of its most able political figures. Spanning four decades, these letters to and from key figures such as John Dillon, William O’Brien, David Lloyd George and Herbert Asquith trace Parnell’s downfall, the reunification of the Irish Parliamentary Party, Irish participation in the First World War and the destruction of Redmond’s lifelong dream of Home Rule in the aftermath of the Easter 1916 rebellion. Redmond’s untimely death in 1918, after a wave of shocks and disappointments, marked a sadly premature end to an immense personality as well as the end of an era, but this book brings to life many of the episodes of the vibrant politics of his period. Above all, it gives Redmond back his own voice, allowing him to speak directly to us from a century ago and to correct some of the caricature to which he has sometimes been reduced in the popular memory and academic discourse.

"They will melt like snowflakes in the sun," said one observer of nineteenth-century Irish emigrants to America. Not only did they not melt, they formed one of the most extensive and persistent ethnic subcultures in American history. Dennis Clark now offers an insightful analysis of the social means this group has used to perpetuate its distinctiveness amid the complexity of American urban life. Basing his study on family stories, oral interviews, organizational records, census data, radio scripts, and the recollections of revolutionaries and intellectuals, Clark offers an absorbing panorama that shows how identity, organization, communication, and leadership have combined to create the Irish-American tradition. In his pages we see gifted storytellers, tough dockworkers, scribbling editors, and colorful actresses playing their roles in the Irish-American saga. As Clark shows, the Irish have defended and extended their self-image by cultivating their ethnic identity through transmission of family memories and by correcting community portrayals of themselves in the press and theatre. They have strengthened their ethnic ties by mutual association in the labor force and professions and in response to social problems. And they have created a network of communications ranging from 150 years of Irish newspapers to America's longest-running ethnic radio show and a circuit of university teaching about Irish literature and history. From this framework of subcultural activity has arisen a fascinating gallery of leadership that has expressed and symbolized the vitality of the Irish-American experience. Although Clark draws his primary material from Philadelphia, he relates it to other cities to show that even though Irish communities have differed they have shared common fundamentals of social development. His study constitutes a pathbreaking theoretical explanation of the dynamics of Irish-American life.

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If engineering is the art and science of technical problem solving, systems architecting happens when you don't yet know what the problem is. The third edition of a highly respected bestseller, The Art of Systems Architecting provides in-depth coverage of the least understood part of systems design: moving from a vague concept and limited resources

Alvin Jackson examines the two Unions - the Anglo-Scots Union of 1707 and the British-Irish of 1801 - comparing their background, birth, and survival. In sustaining a comparison between the Unions, he illuminates the long history and current state of the United Kingdom.