Examines the Business Administration Main Office of the SS, which built up the slave-labor system in Nazi concentration camps.

Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust.

At the end of 1941, six weeks after the mass deportations of Jews from Nazi Germany had begun, Gestapo offices across the Reich received an urgent telex from Adolf Eichmann, decreeing that all war-wounded and decorated Jewish veterans of World War I be exempted from upcoming "evacuations." Why this was so, and how Jewish veterans at least initially were able to avoid the fate of ordinary Jews under the Nazis, is the subject of Comrades Betrayed. Michael Geheran deftly illuminates how the same values that compelled Jewish soldiers to demonstrate bravery in the front lines in World War I made it impossible for them to accept passively, let alone comprehend, persecution under Hitler. After all, they upheld the ideal of the German fighting man, embraced the fatherland, and cherished the bonds that had developed in military service. Through their diaries and private letters, as well as interviews with eyewitnesses and surviving family members and records from the police, Gestapo, and military, Michael Geheran presents a major challenge to the prevailing view that Jewish veterans were left isolated, neighborless, and having suffered a social death by 1938. Tracing the path from the trenches of the Great War to the extermination camps of the Third Reich, Geheran exposes a painful dichotomy: while many Jewish former combatants believed that Germany would never betray them, the Holocaust was nonetheless a horrific reality. In chronicling Jewish veterans' appeal to older, traditional notions of comradeship and national belonging, Comrades Betrayed forces reflection on how this group made use of scant opportunities to defy Nazi persecution and, for some, to evade becoming victims of the Final Solution.

This volume uses new evidence to shed light on controversial issues in current Holocaust scholarship.

This volume comprises 11 essays--most of them revised versions of lectures given 1996-1997 at the Albert-Ludwigs University in Freiburg--by German historians of the younger generation (all born since 1951). The purpose of the lecture series was to "leave behind the stale and rigid terms of Holocaust scholarship and public discussion of the issue" (from the editor's foreword). The essays, focusing on Poland, the Soviet Union, Serbia, and France, aim to identify the impulses that drove German activities in each area and to identify how various political goals and ideological convictions combined to produce policy. Annotation copyrighted by Book News, Inc., Portland, OR

Germany in the 20th century endured two world wars, a failed democracy, Hitler's dictatorship, the Holocaust, and a country divided for 40 years after World War II. But it has also boasted a strong welfare state, affluence, liberalization and globalization, a successful democracy, and the longest period of peace in European history. A History of Twentieth-Century Germany provides a survey of German history during a century of extremes. Ulrich Herbert sees German history in the 20th century as determined by two contradictory perspectives. On one hand, there are the world wars and great catastrophes that divide the country's history into two parts-before and after 1945. Germany is the birthplace of radical ideologies of the left and right and the only country in which each ideology became the foundation of government. This pattern left its stamp on both the first and second halves of the century. On the other hand, the rise of modern industrial society led to decades of conflict over the social and political order regardless of which political system was in force. Considering these contradictory developments, Herbert tackles the questions of both the collapse in the first half of the century and the development from a post-fascist, ruined society to one of the most stable liberal democracies in the world in the latter half. Herbert's analysis brings together wars and terror, utopia and politics, capitalism and the welfare state, socialism and liberal democratic society, gender and generations, culture and lifestyles, European integration and globalization. The resulting book sets a standard by which historians of the period will be measured in the future.

Cataclysms is a profoundly original look at the last century. Approaching twentieth-century history from the periphery rather than the centers of decision-making, the virtual narrator sits perched on the legendary stairs of Odessa and watches as events between the Baltic and the Aegean pass in review, unfolding in space and time between 1917 and 1989, while evoking the nineteenth century as an interpretative backdrop. Influenced by continental historical, legal, and social thought, Dan Diner views the totality of world history evolving from an Eastern and Southeastern European angle. A work of great synthesis, Cataclysms chronicles twentieth century history as a “universal civil war” between a succession of conflicting dualisms such as freedom and equality, race and class, capitalism and communism, liberalism and fascism, East and West. Diner’s interpretation rotates around cataclysmic events in the transformation from multinational empires into nation states, accompanied by social revolution and “ethnic cleansing,” situating the Holocaust at the core of the century’s predicament. Unlike other Eurocentric interpretations of the last century, Diner also highlights the emerging pivotal importance of the United States and the impact of decolonization on the process of European integration.

The book containts interviews about anti-semitism in Central Europe after 1945.

In 1998, Longerich published "Politik der Vernichtung" ("Politics of Destruction"), a stunning reexamination of the Holocaust. Now finally available in English, this masterful history uses an unrivaled range of sources to lay out in clear detail the steps taken by the Nazis that would lead ultimately to the Final Solution.

The final volume in Richard J. Evans's masterly trilogy on the history of Nazi Germany traces the rise and fall of German military might, the mobilization of a ?people's community? to serve a war of conquest, and Hitler's campaign of racial subjugation and genocide Already hailed as ?a masterpiece? (William Grimes in The New York Times) and ?the most comprehensive history? of the Third Reich? (Ian Kershaw), this epic trilogy reaches its terrifying climax in this volume. Evans interweaves a broad narrative of the war's progress with viscerally affecting personal testimony from a wide range of people'from generals to front-line soldiers, from Hitler Youth activists to middle-class housewives. The Third Reich at War lays bare the dynamics of a nation more deeply immersed in war than any society before or since. Fresh insights into the conflict's great events are here, from the invasion of Poland to the Battle of Stalingrad to Hitler's suicide in the bunker. But just as important is the re-creation of the daily experience of ordinary Germans in wartime, staggering under pressure from Allied bombing and their own government's mounting demands upon them. At the center of the book is the Nazi extermination of Europe's Jews, set in the context of Hitler's genocidal plans for the racial restructuring of Europe. Blending narrative, description and analysis, The Third Reich at War creates an engrossing picture'at once sweeping and precise'of a society rushing headlong to self-destruction and taking much of Europe with it. It is the culmination of a historical masterwork that will remain the most authoritative work on Nazi Germany for years to come.