This collection of essays, authored by scholars of the Shalom Hartman Institute, addresses three critical challenges posed to Judaism by modernity: the challenge of ideas, the challenge of diversity, and the challenge of statehood, and provides insights and ideas for the future direction of Judaism.

This collection of essays, authored by scholars of the Shalom Hartman Institute, addresses three critical challenges posed to Judaism by modernity: the challenge of ideas, the challenge of diversity, and the challenge of statehood, and provides insights and ideas for the future direction of Judaism.

“For my parents and grandparents, Jewish identity, in religion, culture and language, was a given. Not so for me. I’m not religious, not a Zionist, so in what consists my Jewishness? Is a love of chopped liver and a belief that chicken soup cures all ills enough? And does it matter? This is the story of my search for answers. It is an argument with myself, with song lyrics to embellish the argument.” Like so many of those others in Britain of Jewish lineage, songwriter and award-winning folk singer Leon Rosselson is descended from antecedents who fled pogroms in eastern Europe. Pertinently, he questions what being a Jew means—is it adherence to Judaism as a religion, an ethnicity, a citizen of Israel, or someone who eats “chicken soup with knedlach”? He describes clearly and with historical insight how any concept of “Jewishness” can involve all of those things and more. In his own life, he has decided to pick and choose from this tradition and history and build on what he deems to be the progressive, humane, and universalist values of that Jewish background. Rosselson is a strong supporter of Palestinian rights, seeing in the victimization of Palestinians by the state of Israel parallels with historical Jewish persecution. He concludes this short essay by stating: “I share with the growing number of Jews in the diaspora who place solidarity with the oppressed above demands of tribalism and with those in Israel who dare to stand against the powers that be.”

As anti-semitism finds new followers and Israel makes peace with old enemies, Jews in the modern world face constantly metamorphosizing relationships. From the eighteenth century to the present, unprecedented opportunities have grown up alongside new challenges for the Jewish people. While modern society is permitting Judaism a place, profound questions over Jewish identity are taking shape. The essays gathered in Judaism in the Modern World address the issue of Jewish persistence amidst changing forms of identity. Exploring a wide range of sources, the essayists examine historical issues, the Holocaust and its repercussions, literature, and theological dimensions while seeking the nature of Judaism in modern times. As they reassess Judaism's past while pursuing a meaningful Jewish future, these essays raise crucial questions about the tradition's central mythic structures, such as covenant and redemption. The contributors to this volume broach everything from feminism to the creation of the state of Israel. Sander Gilman illustrates how Jewish identity is inextricably linked to the physical, showing how racial identity both reflects and defines Jewishness. Raul Hilberg examines Holocaust remembrance, in the wake of Holocaust denial, as an act of revolt. A wide-ranging and thoughtful collection, Judaism in the Modern World will appeal to readers concerned with the fate of Judaism in the modern era.

This volume looks at the unique phenomenon of what the author calls Modern Folk Judaism, the way that many Jews have chosen to express their Judaism in the context of Modern society. The author explores some of the strange, contradictory, and often funny results that have derived from this choice, and how these results have impacted on Jewish continuity. The central thesis of this book is that a little bit of Judaism, far from fending off the prosect of intermarriage, may actually encourage it. The author contends that in some way, we all make choices about what we think is more and less important, and that therefore to some extent we are all folk Jews. The book concludes with some suggestions for how we can build upon the strengths of Modern Folk Judaism to chart a more promising course for our collective future.

This is the book that American Jews and particularly American Reform Jews have been waiting for: a clear and informed call for further reform in the Reform movement. In light of profound demographic, social, and technological developments, it has become increasingly clear that the Reform movement will need to make major changes to meet the needs of a quickly evolving American Jewish population. Younger Americans in particular differ from previous generations in how they relate to organized religion, often preferring to network through virtual groups or gather in informal settings of their own choosing. Dana Evan Kaplan, an American Reform Jew and pulpit rabbi, argues that rather than focusing on the importance of loyalty to community, Reform Judaism must determine how to engage the individual in a search for existential meaning. It should move us toward a critical scholarly understanding of the Hebrew Bible, that we may emerge with the perspectives required by a postmodern world. Such a Reform Judaism can at once help us understand how the ancient world molded our most cherished religious traditions and guide us in addressing the increasingly complex social problems of our day.

The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.

"I can't remember the last time I felt pulled to underline a book constantly as I was reading it, but Judaism Disrupted is exactly that intellectual, spiritual and personal adventure. You will find yourself nodding, wrestling, and hoping to hold on to so many of its ideas and challenges. Rabbi Strassfeld reframes a Torah that demands breakage, reimagination, and ownership. Not only did I learn so much from Strassfeld's 11 principles; I was changed by them." —Abigail Pogrebin, author, My Jewish Year; 18 Holidays, One Wondering Jew How do you hold on to faith in a modern world? Rabbi Michael Strassfeld digs deep into the Jewish tradition to help us get to the root of the matter: our need to create connection - to our past, to our present, to each other. To connect with the unity underlying the universe that draws us all together. Judaism Disrupted is about the future of Judaism-starting now. Do the time-honored traditions of rabbinic Judaism meet our spiritual needs? Do we feel spiritually sated after a Shabbat service? Is there another way to be a Jew? It's time for a new Judaism. Strassfeld outlines a path that leads to a new Judaism-a new framework with practices that you can start putting into use right away to live a life of meaning. Judaism Disrupted is Judaism revitalized.

One of the most admired religious thinkers of our time issues a call for world Jewry to reject the self-fulfilling image of “a people alone in the world, surrounded by enemies” and to reclaim Judaism’s original sense of purpose: as a partner with God and with those of other faiths in the never-ending struggle for freedom and social justice for all. We are in danger, says Rabbi Jonathan Sacks, of forgetting what Judaism’s place is within the global project of humankind. During the last two thousand years, Jews have lived through persecutions that would have spelled the end of most nations, but they did not see anti-Semitism written into the fabric of the universe. They knew they existed for a purpose, and it was not for themselves alone. Rabbi Sacks believes that the Jewish people have lost their way, that they need to recommit themselves to the task of creating a just world in which the divine presence can dwell among us. Without compromising one iota of Jewish faith, Rabbi Sacks declares, Jews must stand alongside their friends—Christian, Muslim, Hindu, Sikh, Buddhist, and secular humanist—in defense of freedom against the enemies of freedom, in affirmation of life against those who desecrate life. And they should do this not to win friends or the admiration of others but because it is what a people of God is supposed to do. Rabbi Sacks’s powerful message of tikkun olam—using Judaism as a blueprint for repairing an imperfect world—will resonate with people of all faiths.

Offers an inspirational and compassionate approach to understanding the problems of life, and argues that we should continue to believe in God's fairness.