The first historical account of visual art inspired by James Joyce. At once a comprehensive and selective study, it focuses on the most original, provocative and best-informed artists who took an interest in Joyce. With over 200 reproductions in colo

A full-color guide teachers budding artists how to paint beautiful scenes with 12 step-by-step demonstrations from a master artist.

A Portrait of the Artist as a Young Man [1916] established James Joyce as a leading figure in literary modernism across Europe. The novel is set in the author’s homeland, Ireland, and narrates, in five episodes, the childhood of Stephen Dedalus. The plot is entirely based on Joyce’s own life and serves as a private manifesto, particularly through its sharp declaration of independence from Catholicism. Joyce pioneered a new way of writing novels, abandoning traditional narration for stream of consciousness and introducing his epiphanies—momentary revelations that, in their everydayness, hint at a larger context of life. Upon the recommendation of the American poet Ezra Pound, A Portrait of the Artist as a Young Man was serialized in the magazine The Egoist in 1914/15 before being published as a book the following year. Today, more than a hundred years after its release, A Portrait of the Artist as a Young Man is considered one of the most significant autobiographical texts in world literature. The Modern Library ranked it as the 3rd best English-language novel of the 20th century (with Joyce’s Ulysses as #1). JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].

The remarkable story of “outsider” artist Judith Scott, who was institutionalized for more than thirty years before being reunited with her sister From birth, fraternal twins Judith and Joyce Scott lived as if they were one person in two bodies, understanding instinctively what the other wanted and felt, despite the fact that Judy had Down syndrome, profound deafness, and never learned to speak or sign. But this idyllic childhood of color, texture, and feeling ended abruptly when, at age seven, Judy was taken from their shared bed while Joyce slept, not knowing that the wholeness they had known was being shattered. For the next three decades, Joyce is left without her other half and must grieve unexpected loss while navigating her relationship with an emotionally distant mother—alone. Even so, her life parallels her twin’s in surprising ways. While in college, Joyce too is sent away, pressured to relinquish the secret daughter she bore in hiding to adoption. Decades later, Joyce resolves to reunite with her sister and fill their remaining years with joy. After overcoming legal hurdles to become Judy’s legal guardian, she enrolls her in an art center for adults with disabilities in Oakland, California. Judy is hesitant at first, but after two years of uninterested painting and drawing, her untapped creativity suddenly ignites when she is introduced to fiber art, and she begins carefully and intentionally winding yarn and other materials around combinations of found objects. With unflagging intensity, Judy works five days a week for the next eighteen years, producing more than two-hundred astoundingly diverse fiber sculptures. Unconcerned with her growing fame, she remains fully immersed in her artistic vision until her death in 2005. Today, Judith Scott’s work is displayed in museums and galleries around the world, in some of the most prestigious collections of contemporary art. Entwined is a penetrating personal narrative that explores a complex world of disability, loss, reunion, and the resiliency of the human spirit. Part memoir, part biography, Entwined is a poignant and astonishing story about sisters finding their voices in each other’s love and through art.

Joyce Wieland triumphed over what she called “obscene poverty” to achieve international celebrity as a painter, collagist, quiltmaker, and filmmaker, celebrated as Canada’s most important woman artist next to Emily Carr. Her art portrays strikingly Canadian themes of environmental issues, historical passages, and aboriginal rights in buoyant, satirical images. To make her distinctive, highly personal art, Wieland uses toys, paper cut-outs, wood, glass, and pieces of her panties and dresses just as boldly and felicitously as she uses oils, watercolors, and pencils. Some of her most famous works are quilts, such as Reason Over Passion and Confedspread. She made underground films long before Andy Warhol did, producing a total of 16. Joyce Wieland achieved acclaim through unstinting courage, vivacity, and her off-the-wall humor. She was known for tucking away her secrets in her work. Author Iris Nowell has uncovered some of these secrets through primary sources, such as Joyce’s friends and family, and through her own perspective of having known Joyce for many years. This intimate, rollicking, poignant biography uncovers Joyce Wieland’s life as she lived it, intimately and fully—through the 1950s “Dark Ages of Art” in Toronto, for much of the 1960s in New York’s grungy artist’s loft community and the underground film scene, and back to Toronto for the most productive, stunning years of her life.

Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.

David Hockney is as fascinating as he is articulate on ways of seeing, and in this impressive book he leads us on an artistic journey where anything is possible. He considers the influence of Picasso and Rembrandt and speaks of Eastern conventions and perspective and of their relevance to his work. He points to Laurel and Hardy's lasting appeal in his conviction that popularity and art are not incompatible. Hockney and his work have long been the subjects of controversy; few twentieth century artists have so successfully surmounted their cult image for three decades, and he remains one of our most relentlessly dedicated, versatile and original painters.

"I came to this project as both a practicing artist and a lover of literature and literary criticism. Where previous illustrators sought to map their own visual practice onto the words and images of Ulysses, I allowed the text to guide me. Instead of laboring to distill entire chapters into a single image, I responded to a single word, phrase or idea from each page. Every chapter has its own distinct mode of image-creation which reflects that section's themes, compelling critical responses, or my own interpretations of Joyce's experimentations. All of these visualizations are my subjective response to Joyce's text, but I hope to have drawn forth images that become accessible to all. Building off one another, every chapter suite evokes a distinct feeling, which in my mind is similar to that of reading that section of the text. In selecting these various modes I was greatly influenced by the scholars who focused their inquiry of the novel by assessing each chapter in turn such as Karen Lawrence's The Odyssey of Style in Ulysses"--Artist's statement from the artist's personal website.

A richly illustrated retrospective of interdisciplinary artist Joyce Campbell and her three decades of work in photography, film, and video. On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell offers a number of portholes into the relations between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, as they have been engaged by artist Joyce Campbell over her near three-decade career. Richly illustrated with a full array of her various bodies of work in photography, film, and video, the publication complements and extends her major 2019 exhibition at Adam Art Gallery Te Pātaka Toi in Wellington, Aotearoa New Zealand. Bringing together new and existing writings by Christina Barton, Geoffrey Batchen, Elizabeth Grosz, Richard Niania, Bernard Stiegler, Mark von Schlegell, and John C. Welchman with the embedded wisdom and inherited narratives of her Māori and Pākehā collaborators, Campbell demonstrates the interconnectedness of complex biological, spiritual, and representational systems, and the potential of photography to resist the global techno-capitalist hegemony that underpins the exponential collapse of biodiversity and the decline of spirit in our contemporary era. Raised in Aotearoa New Zealand’s rural hinterland, before spending a decade in Southern California, Campbell’s biography mirrors her practice, oscillating between New Zealand’s verdant coasts and the smog-choked, climate-stressed systems of the Californian deserts. She has photographed in extreme conditions in North America, New Zealand, and Antarctica, using the full panoply of techniques from photography’s two-hundred-year history. This publication is the outcome of a close collaboration with volume editor and contributor John C. Welchman (Professor of Art History, Theory and Criticism, University of California, San Diego, and Chair, Mike Kelley Foundation for the Arts). Copublished with Adam Art Gallery Te Pātaka Toi at Victoria University of Wellington Contributors Christina Barton, Geoffrey Batchen, Joyce Campbell, Elizabeth Grosz, Tungāne Kani, Apikara Niania, Richard Niania, Mark von Schlegell, George Smith, Sebastian Smith, Vicky Smith, Bernard Stiegler, John C. Welchman

Discover how to transform premade fabric panels and thread into one-of-a-kind art quilts! Award-winning quilter and fiber artist Joyce Hughes will show you how to use a variety of decorating and customizing techniques – from thread painting to trapunto – to add dimension and texture. Complete 6 step-by-step projects with full-color photography that feature seasonal panels, beautiful florals, holiday designs, and gorgeous landscapes.