Nadel examines Joyce's identification with the dislocated Jew after his exodus from Ireland and analyzes the influence which Rabbinical hermeneutics and Judaic textuality had on his language. Biographical and historical information is used as well as Joyce's texts and critical theory.

From reviews of the first edition: "The first book-length effort to lay out the pieces of Joyce's complicated affinities with the Jews. . . . Joyce saw in language per se something of the power, the magic, that energized much of Judaic study. And it is here that Nadel's study strikes me as both more sophisticated in its scholarly approach and more knowledgeable about the connectors between Joyce and Judaism than previous critics. . . . Nadel's thesis makes good sense--both in Joycean and in Judaic terms. Indeed, it is this happy combination that makes Joyce and the Jews worth 're-joycing' about."--Sanford Pinsker, Modern Judaism "As Ira Nadel amply demonstrates, Joyce's affinities with the Jews, whether in their way of life or in their beliefs, impinged upon his personal and artistic development. Why Joyce ever identified with the Jews--a central question never systematically studied before--forms the subject matter of this carefully documented and ably argued book."--Dominic Manganiello, James Joyce Quarterly "A short, lucid book filled with detailed accounts of Jewish history and culture, which are adroitly linked to Joyce's biography, letters, the books in his library, notebooks, notesheets, drafts, and his novels. Ira Nadel . . . writes clearly, moves nimbly, argues incisively. . . . He also extends the reach of the tradition that Joyce strove to escape, expose, parody, and undermine."--Richard Pearce, James Joyce Literary Supplement "Provides us with a very informed description of just how exactly Jewish Bloom is, what he knows and doesn't know of his heritage, how he loves and hates it, accepts and rejects it, quotes and misquotes its literature. And, most importantly, Nadel shows us how important the Talmud is as a model of the Wake."--Terrence Doody, Novel James Joyce, an Irish Catholic by upbringing, was described as "the greatest Jew of all" by his countryman and fellow writer Frank O'Connor. In this exploration of Joyce's identity with Jews and their cultural heritage, Ira Nadel's thesis is that Joyce's Judaism is textual, his Jewishness cultural. Beginning with a narrative of the exodus undertaken by Joyce in 1904 when he left Ireland, Nadel examines parallels between Joycean and Judaic concepts of history, typology, and cultural identity. He also reviews major Jewish events that occurred in each of the cities where Joyce lived. Ira B. Nadel is professor of English at the University of British Columbia. He is the author of Biography: Fiction, Fact, and Form and the coeditor of many books, including Orwell: A Reassessment; Gertrude Stein and The Making of Literature; and Victorian Biography: A Collection of Essays from the Period. His biography of singer/songwriter Leonard Cohen has just been published.

James Joyce's Leopold Bloom--the atheistic Everyman of Ulysses, son of a Hungarian Jewish father and an Irish Protestant mother--may have turned the world's literary eyes on Dublin, but those who look to him for history should think again. He could hardly have been a product of the city's bona fide Jewish community, where intermarriage with outsiders was rare and piety was pronounced. In Jewish Ireland in the Age of Joyce, a leading economic historian tells the real story of how Jewish Ireland--and Dublin's Little Jerusalem in particular--made ends meet from the 1870s, when the first Lithuanian Jewish immigrants landed in Dublin, to the late 1940s, just before the community began its dramatic decline. In 1866--the year Bloom was born--Dublin's Jewish population hardly existed, and on the eve of World War I it numbered barely three thousand. But this small group of people quickly found an economic niche in an era of depression, and developed a surprisingly vibrant web of institutions. In a richly detailed, elegantly written blend of historical, economic, and demographic analysis, Cormac Ó Gráda examines the challenges this community faced. He asks how its patterns of child rearing, schooling, and cultural and religious behavior influenced its marital, fertility, and infant-mortality rates. He argues that the community's small size shaped its occupational profile and influenced its acculturation; it also compromised its viability in the long run. Jewish Ireland in the Age of Joyce presents a fascinating portrait of a group of people in an unlikely location who, though small in number, comprised Ireland's most resilient immigrant community until the Celtic Tiger's immigration surge of the 1990s.

Finalist, 2019 PROSE Award in Biography, given by the Association of American Publishers Fifty years after the start of the women’s liberation movement, a book that at last illuminates the profound impact Jewishness and second-wave feminism had on each other Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity. Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism. Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

Representations of 'the Jew' have long been a topic of interest in Joyce studies. Neil Davison argues that Joyce's lifelong encounter with pseudo-scientific, religious and political discourse about 'the Jew' forms a unifying component of his career. Davison offers new biographical material, and presents a detailed reading of Ulysses showing how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. Throughout, Joyce confronts the controversy of 'race', the psychology of internalised stereotype, and the contradictions of fin-de-siècle anti-Semitism.

The long-standing debate about whether the State of Israel can be both Jewish and democratic raises important questions about the rights of Palestinian Arabs. In Israel Has a Jewish Problem, Joyce Dalsheim argues that this debate obscures another issue: Can the Jewish state protect the right to be Jewish, whatever form that "being" might take? Drawing on extensive ethnographic fieldwork, she investigates that question by looking at ways in which Jewish citizens of Israel struggle to be Jewish within the confines of a Jewish state. She focuses on everyday experiences, on public interpretations of the possibilities of being Jewish in the context of state policy, and on media representations of conflicts between Jewish citizens over social, religious, and political issues. Despite Israel's claim that every religious community "is free, by law and in practice, to exercise its faith, observe its holidays ... and administer its internal affairs," Israel is foundationally a Jewish state. It privileges Orthodox regulation of who will be considered a Jew, of marriage and family law, and of conversion. This arrangement, and the constant tensions it has produced over the years, is often understood as a compromise between secular and religious political factions. But this religious-secular framing conceals broader patterns inherent in nationalist projects more generally. Using insights from Franz Kafka's writing as a theoretical lens through which the ethnographic data can be viewed, Dalsheim interrogates the relationship between nationalism and religion, asking what kinds of liberation have been achieved by Jews in the Jewish State. Ultimately the book argues, in a Kafkaesque reversal of the liberatory promise of national sovereignty, that national self-determination involves collective self-elimination.

Continually revised and reinvented, the Jewish Mother archetype becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.

Three intertwining voices span the twentieth century to tell the unknown story of the Jews in Ireland. A heartbreaking portrait of what it means to belong, and how storytelling can redeem us all. At the start of the twentieth century, a young girl and her family emigrate from Lithuania in search of a better life in America, only to land on the Emerald Isle instead. In 1958, a mute Jewish boy locked away in a mental institution outside of Dublin forms an unlikely friendship with a man consumed by the story of the love he lost nearly two decades earlier. And in present-day London, an Irish journalist is forced to confront her conflicting notions of identity and family when her Jewish boyfriend asks her to make a true leap of faith. These three arcs, which span generations and intertwine in revelatory ways, come together to tell the haunting story of Ireland’s all-but-forgotten Jewish community. Ruth Gilligan’s beautiful and heartbreaking Nine Folds Make a Paper Swan explores the question of just how far we will go to understand who we really are, and to feel at home in the world.

Introduces a collection of recipes that combine the cooking traditions of Judaism with the traditions from Spain, Portugal, Italy, Greece, and Turkey.