Kudsi Erguner's memoir sets out to share not only the final moments of a vanished community, but also to relate the encounter of traditional Sufi culture with the Western world. He raises issues relating to the transmission of a teaching both musical and spiritual, and the role of a "traditional" musician.

An unparalleled exploration of Sufism as it is practised around the world, describing meetings with today's enlightened teachers as well as including wonderfully inspiring translations of the great Sufi masters of the past. Ultimately, this book acts as a guide to the Sufi path and offers wise insight into the meaning and purpose of life. A compelling view of Sufi history together with vivid personal remembrances of living mystics. This is an inspiring and at the same time beautifully subtle book, with light-filled insights on every page." – Saadi Shakur Chishti, author of The Sufi Book of Life The Sufi path described in this book leads the seeker past ordinary states of consciousness towards a new experience of infinitude that is the source of the universe. In this stage there is no duality or otherness, but instead infinitude, the Original Oneness, from which all dualities and attributes emanate. The book is at once an autobiography, a didactic treatise and a literary opus full of wonderful translations of the words of earlier Sufis, as well as the author's own poetry. It describes Shaykh Fadhlalla Haeri’s life quest to connect today’s world with classical times, especially through his meetings with enlightened Sufis all over the globe. Shaykh Fadhlalla Haeri also addresses profound Sufi teachings concerning the nature of humankind, the cosmos and God, using clear and simple language to address difficult doctrinal issues as only a master who has digested fully such knowledge could do. The book also reveals much about the present-day Islamic world where, despite the tragedies that are to be seen everywhere, tradition and spirituality survive. This is a metaphysical and spiritual guide to the Sufi path that ultimately offers insight into the meaning and purpose of life.

Baba Rexheb, a Muslim mystic from the Balkans, founded the first Bektashi community in America. This is his life story and the story of his communities: the traditional Bektashi tekke in Albania where he first served, the displaced persons camps to which he escaped after the war, the centuries-old tekke in Cairo where he waited, and the Bektashi community that he founded in Michigan in 1954 and led until his passing in 1995. Baba Rexheb lived through the twentieth century, its wars, disruptions, and dislocations, but still at a profound level was never displaced. Through Bektashi stories, oral histories, and ethnographic experience, Frances Trix recounts the life and times of this modern Sufi leader. She studied with Baba Rexheb in his community for more than twenty years. As a linguistic anthropologist, she taped twelve years of their weekly meetings in Turkish, Albanian, and Arabic. She draws extensively on Baba's own words, as well as interactions at the Michigan Bektashi center, for a remarkable perspective on our times. You come to know Baba Rexheb and his gentle way of teaching through example and parable, poetry and humor. The book also documents the history of the 700-year-old Bektashi order in the nineteenth and twentieth centuries in the Balkans and Egypt and its transposition to America. It attests to the role of Sufi centers in Islamic community life and their interaction with people of other faiths.

French rap star recounts his journey from the ghettos of Strasbourg through radical Islam to the Sufi message of universal love • Explains how the luminous message of love in Sufism now animates Malik’s music • Offers an intimate look at life in the ghettos and madrassas of the poorest neighborhoods in Europe As a poor black resident in one of the notorious French banlieues (the ghettos surrounding French cities), Abd al Malik had every chance of meeting the same fate as many of his peers: drug addiction, prison, and/or an early grave. Despite his early involvement in the endemic crime that was routine in his neighborhood, his keen intelligence won him admission to some of the most prestigious schools in Strasbourg. His dual life as honor student/pickpocket ended when he converted to Islam, where again his intellect and sensitivity prevented him from entering the hate-filled spiral promoted by the fundamentalists. His distaste for the hatred they preached in the madrassas and his love of music led him to Moroccan Sufi master Sidi Hamza al-Qadiri al-Butchichi, whose message of universal love and joy now animates the rap songs of this prize-winning composer and performer. As the singer says in his Ode to Love: “Love the other whatever the cost and direct the struggle against yourself The treasure of the just is buried within my chest If there is enough for one, let’s share it, there is enough for all.”

Quraeshi provides a vision of Islam in South Asia enriched by art and by a female perspective on the diversity of Islamic expressions of faith. An account of a journey through the author’s childhood homeland, the book reveals the deeply spiritual nature of major centers of Sufism in the central and northwestern heartlands of South Asia.

Moin Mir is a London based writer of Indian origin. He began writing under the influence of his grandfather, a scholar of Sufism, Omar Khayyam and Mirza Ghalib. He is the author of the critically acclaimed book Surat: Fall of a Port, Rise of a Prince. The Lost Fragrance of Infinity is his second book. Mir speaks frequently at leading international literature festivals on topics ranging from Sufism, history and travel writing.

A look behind the catch-all term world music' aiming to explore the reasons for the contemporary interest in world music, who its audience is and why it has become such a popular genre. Through chapters on the many different genres that make up this multi-faceted area, the case for music as a powerful harmonising tool is aptly put forward.'

Teachings on sound presenting a vision of the harmony which underlies and infuses every aspect of life. Science of breath, law of rhythm, the creative process, healing power and psychological influence of music.

This ethnographic research project examines the generation of post-tariqa Tasavvuf (Sufism: a spiritual practice and philosophy recognised as the inner dimension of Islam) in a variety of private, semi-public, public, secular and sacred urban spaces in present-day Turkey. Through extensive field research in minority Sufi communities, this book investigates how devotees of specific orders maintain, adapt, mobilise, and empower their beliefs and values through embodied acts of their Sufi followers. Using an ethnographic methodology and theories derived from performance studies, Esra Çizmeci examines the multiple ways in which the post-tariqa Mevlevi and Rifai practice is formed in present-day Turkey, such as through the authority of the spiritual teacher; the individual and collective performance of Sufi rituals; nefs (self) training; and, most importantly, the practice of Sufi doctrines in everyday life through the production of sacred spaces. Drawing on the theories of performance, she examines how the Sufi way of living and spaces are created anew in the process of each devotee’s embodied action. This book is informed by theories in performance studies, anthropology, religious studies, and cultural studies and places current Sufi practices in a historical perspective.