In 1775, the young Count de Sade decided to turn a flight from legal trouble into an opportunity to undertake the "grand tour." He transformed his sojourns in Florence, Rome, Naples, and their environs into a philosophical travelogue; alongside advice on where to go and what to see, his Journey to Italy would include analyses of local customs and institutions, history and politics, natural phenomena, and the development of the arts. For today’s readers, Journey to Italy provides remarkable portraits of major Italian cities and the surrounding countryside, vivid accounts of aristocratic and popular entertainments, and a clear sense of what it was like to be a tourist in eighteenth-century Italy – from scams, rough roads, and unreliable guidebooks to learned interlocutors, balls, and nights at the opera. We witness Sade learning about the lives of Roman emperors, the machinations and misdeeds of pontiffs, the power struggles of the Medici, the ancient libertine world revealed by the excavations of Herculaneum and Pompeii, and a host of artistic examples and cultural practices – the material he would soon metamorphose into trenchant satire, gothic horror, and violent sexual fantasy. This book presents the first English translation of Sade’s unfinished and unpolished Journey to Italy along with his extensive dossiers of notations, sketches, plans, and correspondence. The translation is accompanied by extensive explanatory annotations and preceded by a critical introduction that provides biographical, artistic, historical, and intellectual context for Sade’s fascinating project, connecting his travels in and writings about Italy to his later famous and controversial works.

Ever since Annie got together with Ciccio, his Calabrian family have spoken of their homeland as an earthly paradise, of wild nights dancing the tarantella, of almond milk sold fresh from roadside stalls, of honey cakes and amaro made from wild liquorice roots... Now, at last, Annie and Ciccio are travelling down to see the ancestral home and extended family for themselves, along with a bunch of vocal and lively de Gilios who don't want to miss out on the fun. Will everything Annie has learnt in her years among the Ligurians stand her in good stead among the Calabresi? Or is she in for another steep learning curve in the intricacies of Italian rural life?

Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker’s reception in Italy, and by exploring his films in the context of significant political debates. By conceiving Fellini’s cinema as an individual expression of the nation’s “mythical biography,” the director’s most celebrated themes and images — a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnival — become symbols of Italy’s traumatic modernity and perpetual adolescence.

In An Italian Journey, Jean Giono describes his journey to the land of his father's people. A reluctant traveler (he rarely left Provence), Giono discovers a strange beauty not only in the palazzi and canals of Venice but also in wistful waiters, suspicious hairdressers, pugnacious men of God, recalcitrant coffeemakers, umbrellas, and field machinery. In Giono's world a stamp collectors' market can appear to verge on revolution and inept municipal musicians suddenly offer Mozartian joys.

Available for the first time in English, the Marquis de Sade's Journey to Italy provides new insight into the early life and career of this famous radical libertine writer.

This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist. AUTHOR: Anne Desmet RA specialises in wood engravings, linocuts and mixed-media collages. She has received over thirty international awards, and her work is included in museum collections and publications worldwide. She was elected a member of the Royal Academy of Arts in May 2011. For fifteen years she was editor of Printmaking Today magazine, and has published three printmaking books. She lives and works in London. SELLING POINTS: * Desmet's beautifully packaged book is packed, cover to cover, with a seductive grand tour of Italian cityscapes and landscapes * Colourful and atmospheric sketches in pen, wash and watercolour grant a unique insight into the perspectives and preoccupations of the artist roaming abroad * Transports the viewer from Rome and Venice to the landscapes of Sicily and Umbria 60 colour

Continually enmeshed in controversy, perhaps no other figure in the history of world cinema has been so reviled - and so revered.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the seventeenth and eighteenth centuries, a journey to Italy was considered an indispensable part of a young man's education. On arduous coach journeys, they pursued the trail of ancient Rome and the Renaissance to Florence, Venice, Rome, and Naples. Artists soon followed them, and thus yearning also led Johann Wolfgang von Goethe south from 1786 to 1788. 'Goethe's Italian Journey' vividly conveys his profound enthusiasm but also depicts well-organized, early tourism. Just seventy years later, the first photographers captured stations on the Grand Tour on gelatin silver plates. Giorgio Sommer (1834-1914), like Goethe from Frankfurt am Main, and Carlo Naya (1816-1882) produced intensely poetic views of St. Mark's Square, the Colosseum, a smoking Vesuvius, and beautiful fisherwomen on Capri.